6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
An Amerian ambassador to Israel tries to bring peace to the Middle East, but his efforts are hampered when his wife has an affair with a PLO leader.
Starring: Robert Mitchum, Ellen Burstyn, Rock Hudson, Fabio Testi, Donald PleasenceWar | 100% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
None
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 3.0 | |
Overall | 3.5 |
1984’s “The Ambassador” is a Cannon Films production, and I’m not entirely sure if producers Menahem Golan and Yoram Globus want to encourage peace in the Middle East with this feature or welcome its demise. It’s a bizarre effort from the beloved B-movie factory, bringing traditional action thriller beats to Israel, making a tough guy endeavor while dealing with longstanding hostilities between the Israelis and Palestinians. The screenplay by Max Jack (who loosely adapts an Elmore Leonard novel) appears to be interested in the dialogue between warring sides, but director J. Lee Thompson doesn’t have much patience for stillness, filling “The Ambassador” with sex and violence, including a few nightmarish encounters peppered with the kind of gushing wounds more commonly on view in a horror film.
The AVC encoded image (1.85:1 aspect ratio) presentation offers what looks to be a recent scan of "The Ambassador," emphasizing detail throughout. Some softness remains, but textures are found with facial particulars and locations, which explores the open expanse of the region. Colors are bright and communicative, showing most life with Middle East costuming and urban bustle, with bright signage. Pronounced hues on flags and set decoration also satisfy. Delineation is comfortable, never reaching into solidification. Source shows some slight wear and tear, but mostly looks intact.
The 2.0 DTS-HD MA sound mix is somewhat odd, with pure recording achievements not valued by the production. Inherent issues remain, including the battle of background noise, and levels aren't perfect, working through a few brief scenes of quieter dialogue exchanges. It's not an impressive track, but the basics remain, preserving performances as they wrestle with emotional explosions and hushed bedroom talk. Accents are easy to navigate as well. Scoring isn't memorable, more functional than vital, and instrumentation is merely adequate. Sound effects are louder, offering a range of blasting weaponry and bullet hits, and crowd activity is understood.
While it takes on the enormity of Middle East woes, "The Ambassador" doesn't offer any special answers. Hacker wants both sides to sit down and work it out. Government officials do not, leading to a climatic massacre sequence that pushes the movie into exploitation mode, with Thompson lovingly detailing the shredding of bodies by machine gun fire, also showcasing the latest in blood splatter, making sure to highlight every gruesome death. It's absurd, especially in a production that appears to have a passing interest in the welfare of Palestinians and Israelis, suddenly shifting from semi- thoughtful dialogue to an orgy of violence, giving the feature no opportunity to return to a sense of the real after an extended scene showcasing every possible bullet wound and blood-drenched cry of agony. So much for healing the world. Not that "The Ambassador" is a documentary, but it's about something, which is rare for the genre, presented with a chance to introduce ideas to its audience. In the end, Thompson would rather repulse and fetishize than think, muting the material's ambitions and erasing any lasting reflection on the region's territorial instability.
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