6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
When his supervisors at the CIA refuse to take action after his wife is killed in a London terrorist attack, a decoder takes matters into his own hands.
Starring: Rami Malek, Laurence Fishburne, Rachel Brosnahan, Caitriona Balfe, Michael Stuhlbarg| Thriller | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 7.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1
French: Dolby Digital 5.1
Japanese: DTS-HD HR 7.1
English SDH, French, Japanese, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 2.0 | |
| Overall | 3.0 |
Charles Jarrott had an interesting if only fitfully notable directing career, beginning with, as tended to be the case with filmmakers of his generation, a number of (British) television directing credits, including an episode of The Edgar Wallace Mystery Theatre which may (the historical record is a bit unclear) then have been released (probably as a second offering on a double feature) for theatrical exhibition in 1962 under the title Time to Remember. Jarrott's "official" feature film directing debut was the staid and stolid 1969-70 historical epic Anne of the Thousand Days, a film which was feted with an unexpected ten Academy Award nominations, the most for any single film that year (including one for Jarrott himself), under what were somewhat controversial conditions where it was implied Academy voters may have been "bribed" with luxe banquets at screenings in order to secure ticks on ballots. That film was met with a decidedly mixed critical response, but ended up being (unsurprisingly) quite popular in the United Kingdom, if less so elsewhere. Jarrott followed up that film with the probably too similar Mary, Queen of Scots, which like its predecessor was met with some withering critical assessments but which itself managed to wrest five Oscar nominations. What really put Jarrott on the "map", though probably ironically for the wrong reasons, was his next film, Lost Horizon, the infamous 1972 musical version which flopped horribly, led to the "divorce" of Burt Bacharach and Hal David, and has entered the all time pantheon of camp "classics" (my Lost Horizon Blu-ray review offers a hopefully loving resassessment). That film pretty much put the kibosh on Jarrott's Hollywood "dreams", whatever they may have been, leading to sporadic and lesser remembered efforts, with his 1977 adaptation of the bestselling novel The Other Side of Midnight entering the annals of film history due to its somewhat comical data point of having been the film 20th Century Fox utilized to guarantee showings for a little production called Star Wars, which at the time was feared to be an imminent flop of, well, stellar proportions. Jarrott nonetheless kind of continued to limp along, which brings us finally to one of (perhaps surprisingly, considering his intermittent filmography) two films Jarrott directed in 1981, the little remember Disney production Condorman (still missing on Blu-ray, probably unsurprisingly) and the first film version of The Amateur.


The Amateur is presented on Blu-ray courtesy of 20th Century Studios and Disney / Buena Vista with an AVC encoded 1080p transfer in 2.39:1. Captured with Arri Alexa Minis and finished at 4K (both data points courtesy of the IMDb), this is a great looking presentation, though one that may lack a bit of "wow" factor when considered within the context of globe trotting hitman films. That results in a presentation that is almost always nicely sharp and well detailed, but one where the admittedly scenic locations that start showing up once Charlie acquires his "particular set of skills" may not be exploited to their full potential. Still, a lot of the outdoor material features precise detail levels on both manmade and natural objects, and fine detail on practical sets and costumes is typically excellent throughout. The best overall looking sequences in both detail and palette for my money were the scenes in Marseilles. I noticed no compression issues at all.

This ostensible 20th Century Studios outing is following Disney's model by providing different audio codecs and subtitle options for the 1080 and 4K UHD discs This standalone 1080 disc features a nicely immersive DTS-HD Master Audio 7.1 that I frankly found nearly identical to the Dolby Atmos track included on the 4K UHD release of this film. The glut of outdoor material provides consistent engagement of the side and rear channels for ambient environmental effects, and the big climactic "pool scene" (which won't be described further to avoid spoiler territory) has some really impressive immersive (in more ways than one) effects. I didn't find Volker Bertelmann's score especially innovative, but it sounds fine and also resides quite comfortably in the surround channels. Dialogue is rendered cleanly and clearly throughout. Optional subtitles in English, French and Spanish are available.


When a supplement makes a big deal about how this film is innovative because it shows Charlie flinching when walking away from an explosion in the background (unlike, say, the stalwart gents in any of The Expendables films), that should probably be a major clue as to where the expectations bar should be set, at least in terms of "innovation". The Amateur starts out fairly strongly, then winds through a series of often listless detours interrupted by kill scenes in scenic locations. Technical merits are solid and the generic supplements enjoyable, for anyone who may be considering making a purchase.

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