8.4 | / 10 |
Users | 5.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
There were several masters of animation during Hollywood's golden era. Of the top two geniuses, one created elaborate fairy tales and ornate feature-length fantasias -- the other guy was Tex Avery. He just wanted to make you laugh. After helping develop Porky Pig, Daffy Duck and Bugs Bunny for Warner Bros., Avery moved to MGM in 1941 to create a set of comedy masterpieces that defined a new slapstick style for animation.
Starring: Bill Thompson (I), Dick Nelson (I), Wally Maher, Tex Avery, Frank Graham (I)Animation | 100% |
Short | 53% |
Comedy | 19% |
Dark humor | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1, 2.35:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 4.0 |
One of the most talented contributors to American animation's Golden Age, Frederick "Tex" Avery directed some of MGM and Warner Bros.'
best-loved shorts and co/created many iconic characters including Bugs Bunny, Daffy Duck, Elmer Fudd Egghead, and Droopy while
mutually influencing contemporaries like Tom and Jerry. Avery's work was known for its raucous energy and demolition of "the fourth
wall", resulting in unpredictable six-minute powder kegs often aimed squarely at adult audiences. In early 2020, Warner Archive paid
tribute to the late legend with Tex Avery Screwball Classics: Volume 1, the very first time Avery got a full HD release all to himself. Volume 2 followed
later that year with another 21 uncut shorts, again largely culled from the best surviving source elements but with a few less-than-ideal video
presentations affected by filtering and noise reduction. This third volume closes out Avery's remaining output from this period with 20
shorts of similar quality, splitting the difference with only a few trace visual speed bumps along the way. A bonus short from his earlier Merrie
Melodies years is also included.
Please note that, while this set of shorts is presented in chronological order, Warner Archive went with a "pick and choose" approach for all three volumes unlike their classic Popeye collections. They're also not grouped together by category ("Screwy Squirrel", "Droopy"), but the descriptions below will let you know who's in each one.
After a bit of backlash for the visual presentation of Volume 2 -- which arrived during a perfect storm of unfortunate circumstances, including but not limited to temporary staff shake-ups at the company and, of course, the COVID-19 pandemic -- Warner Archive seems to have rebounded nicely for this third volume, which serves up at least 95% of its material in tip-top shape. Unfortunately, it's worst stretch is during the opening few minutes of the very first cartoon, Blitz Wolf, which was quite clearly taken from inferior source elements with muddy colors, soft edges, and an overall unimpressive appearance that really feels more like standard definition. Once that clears up right at the 1:52 mark, it's a night-and day difference and most of this collection maintains a high speed with outstanding color saturation, fine detail, and lustrous grain levels that support the natural texture and appearance of nitrate film. As usual, the cartoons are clean as a whistle but not overly scrubbed, retaining stray brush strokes and scrubby paint lines that give them their polished but clearly hand-made charm. While the appearance of the last three cartoons (during Avery's less impressive mid-1950s output) doesn't sparkle in quite the same way, this is more a byproduct of his animation team's more outline-heavy style and the fact that nitrate film was no longer regularly used during that era.
Save for some cartoons being sourced from different elements, perhaps the only outlier in this collection is "Northwest Hounded Police"; this short suffers from moderate noise reduction and light sharpening that makes the end product look more like upscaled standard definition. It's noticeable in motion as well as on the screenshots in this review (#20 and 21, for those keeping score at home) but, unlike the cartoons featured on Volume 2, the problem starts and ends here. On the whole, this is a terrific-looking collection that, like most of Tex Avery's other shorts restored by Warner Archive, have been carefully scanned in 4K and treated to extensive manual cleanup. If you're interested in a more detailed discussion of this release's construction and restoration, take a gander at this write-up by animation historian Jerry Beck, who assembled the disc with re-instated Warner Archive head honcho George Feltenstein.
SIDE NOTE: On the more historically anal side of things, a few opening titles are sourced from re-issue prints but, since they've been seen that way for decades, it's no real cause for concern. (The only real goof is that the opening credits of "Billy Boy" recycles music heard in "Cock-a-Doodle Dog", although it's not exactly worth a recall.)
Just like the first two volumes, these DTS-HD 2.0 (Mono) Master Audio tracks have been culled from different source materials but sound clean and crisp overall. (Going further, the optical audio tracks for some were chosen from multiple surviving options on a case-by-case basis.) Tex Avery shorts are no stranger to volume variances -- during which time dialogue and music cues push and pull against one other violently -- but both elements are completely intelligible throughout. Even at its highest levels, the one-channel audio rarely sounds clipped or strained within the boundaries of normal dynamic range. No major signs of hiss, distortion, or audio sync discrepancies were heard along the way, aside from brief and unavoidable source material issues related to original recording quality.
Optional English (SDH) subtitles are included during all 20 shorts with no sync issues. Annoyingly, they continue WAC's recent habit of adding lower-case sound effects with no punctuation ("clang clang"), which just looks wrong.
This one-disc release arrives in a standard keepcase with cover artwork similar to previous volumes; no inserts are included, but an episode list is printed on the back. There's only one bonus feature, but at least it fits in nicely.
Warner Archive's Tex Avery Screwball Classics, Volume 3 marks a nice rebound from the somewhat fumbled second volume, at least from a technical perspective: under the circumstances these shorts look outstanding, and they fact that they're all presented uncut is another cause for celebration. As for the actual content, these 20 cartoons offer a satisfying mixture of personal favorites with only a few "repeats" that are mostly due to their order of presentation. Highly Recommended to classic animation fans, especially those who already own the first two volumes.
Warner Archive Collection
1942-1957
Warner Archive Collection
1942-1957
Paramount Technicolor cartoons
1942-1957
1941-1972
1943-1946
The DePatie-Freleng Collection
1976
Disney100
1935-1952
1939-1951
1925
1925
1926
1926
1928
1928
1930
The DePatie-Freleng Collection
1968-1971
The DePatie-Freleng Collection
1965-1969
1917-1947
The DePatie-Freleng Collection
1969-1972
The DePatie-Freleng Collection
1972-1974
The DePatie-Freleng Collection
1973-1974
The DePatie-Freleng Collection
1969-1971