6.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A squad of Libyan terrorists infiltrate the city of Kokomo, Indiana, and take over a nuclear power plant. A counter-terrorist expert must stop them before they blow it up.
Starring: Chuck Connors, Ken ForeeAction | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 1.0 | |
Overall | 3.0 |
1987’s “Terror Squad” is an odd combination of “The Breakfast Club” and “Red Dawn,” trying to play around with international issues of the day in a B- movie setting. The whole thing is very Troma-esque, and director Peter Maris isn’t one to push through his limited budget and make something challenging out of exploitation elements. Instead, he’s in charge of an actioner, and one that’s wildly uneven, spending the opening half in an extended chase, while the closing half is mostly about people standing and talking. There are limitations to “Terror Squad,” and it’s not a good film, but there’s something funky about the endeavor that keeps its compelling, especially when campiness creeps into view, revealing a needed sense of humor to a largely stern tale of terrorism.
The AVC encoded image (1.78:1 aspect ratio) presentation is listed as a "brand new 2K master." It isn't clear what Code Red is working with here, but the viewing experience isn't a fresh look at the 1987 picture, offering a softer appreciation for screen detail. Facial surfaces aren't crisply defined, along with costuming. Exterior dimension is adequate as the action heads around the small town, while interiors provide a basic understanding of decorative additions and hallway tours. Color registers with some age, but primaries are appreciable while examining blue skies and period outfits. Delineation is acceptable. Grain is chunkier. Source has some wear and tear, with occasional scratches.
The 2.0 DTS-HD MA mix provides a basic listening event, with some age on dialogue exchanges. Intelligibility isn't threatened. Scoring offers simple synth support. Sound effects are pronounced, managing all sorts of violence, including gunfire and explosions.
"Terror Squad" spends too much time with the terrorists, who circle through their frustrations, fears, and threats one too many times. Perhaps the writing is aiming to emphasize the troubling realities of international events involving U.S. interests, but it all comes out like a bad television movie, keeping the Libyans agitated and trigger happy, adding more to their body count. Johnny eventually slips away, going into John McClane mode inside the building, working to create weapons to help stop the invaders, and when that fails, physical acts of heroism are ordered up. Maris doesn't have style, but he does have an appetite for low-budget mayhem, trying to make something happen with bus stunts and firing rockets, but he also doesn't seem to understand how shattered glass works, so expectations for slick action should be lowered. "Terror Squad" does have a problem with momentum, offering extended wildness before extended stillness, but it's hard to deny the goofy pleasures of the feature, which is happy to serve up broad characters engaging in dangerous business, merging teen cinema and cop T.V. for another overview of foreigners looking to destroy America from within. Only this time, there's Chuck Connors, and boy howdy, he has no idea what he's doing.
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