6.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
William Fitzgerald, the sole survivor of a shipwrecked freighter, washes ashore onto the strange and mysterious "Blood Island". Near death, he is rescued by Dr. Charles Girard, a scientist researching the evolutionary link between man and beast. Much to the fear of the natives, Girard's bizarre experiments have successfully transformed a wild panther into human form. Hungry for blood, the tormented creature prowls the tropical jungle, intent on killing anyone in its path...
Starring: Francis Lederer, Greta Thyssen, Richard Derr, Oscar Keesee, Lilia DuranHorror | 100% |
Sci-Fi | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 2.0 | |
Extras | 1.5 | |
Overall | 3.0 |
Note: This film is available either as a standalone release or as part of
The Blood Island Collection.
H.G. Wells’ chilling 1896 novel about a mad scientist creating human-animal hybrids on an isolated blip in the ocean has been adapted for films
several times, with manifestly different results. 1932’s Island of Lost
Souls, 1977’s The Island of Dr. Moreau
and 1996’s The Island of Dr. Moreau are
probably the three most widely known adaptations, but there have been others, as mentioned in my The Twilight People Blu-ray review (The Twilight People being among them). There are a
number of interesting connections between The Twilight People and at least three of the four films Severin has assembled in its Blood
Island Collection, including star John Ashley, director Eddie Romero and a Philippines location. All of the Blood Island films, like
The
Twilight People, also obviously owe their genesis to Wells’ original conception, though none of the films actually credit him. While the
inherent
quality of any and/or all of the Blood Island films may be questionable (and of course up to individual tastes), Severin has assembled a
really
interesting package here that includes some excellent supplements which may provide further allure for the “franchise”’s fan base while also
perhaps
offering a bit of a selling point for those who may not know of or especially like any of the outings. Hemisphere Films "marketing consultant"
Samuel M. Sherman's commentaries for some of the films are among those supplements, and Sherman makes it clear that no one associated with
these productions had any illusions about making "Art", these were all churned out as drive-in fare, with an emphasis on sex and gore that had
proven to be a winning combination for largely teen audiences.
Terror is a Man is presented on Blu-ray courtesy of Severin Films with an AVC encoded 1080p transfer in 1.33:1. The back cover of this release states "featuring a new 4K scan from a fine grain print recently discovered at the UCLA Film Archive and presented totally uncut". This is by and large a rather nice looking transfer, at least in the better lit moments, where contrast looks generally solid and the grain structure is organic if at times fairly heavy. Fine detail on elements like the "beast"'s hair and whiskers, or even the gauze wrapped around his face, is also very good in close- ups. However, there are pretty wide fluctuations in densities and contrast that are especially noticeable in the many darker sequences, with grain looking kind of gray and speckled in several moments. There are some curious brightness variances, like one that appears in the middle of an outdoor sequence circa 25:14. Some of the most problematic material is toward the end, at around 1:17:38, where the aforementioned issues with darker scenes combine with some noticeable vertical scratches. All of this said, this is never less than watchable, and the daytime sequences tend to look very good.
Terror is a Man features a DTS-HD Master Audio 2.0 mono track whose harshness in the higher frequencies is noticeable right up front courtesy of pretty loud hiss underlying the otherwise "silent" warning title card. Hiss only increases once the credits and score begin, and the very highest string cues actually were almost painful for me, though that said, midrange and low end sounded relatively full bodied. The track continues to have various minor issues like occasional pops and cracks, with dialogue coming through well enough, but what is really problematic is a very loud buzz that shows up and almost overtakes the track at around 54:40, continuing on for quite a while thereafter. It's actually under the big "gimmick" moment of the film, the bell ringing conceit. I actually wondered if this was supposed to be a sound effect for the lab scenes, but it continues under scenes that are far removed from that setting.
Terror is a Man is, like all of the films in the Blood Island Collection, undeniably hokey, but it has some effective moments, and there's a really interesting mood in this film that the later, color, outings rarely match. Both video and (especially) audio have some intermittent issues, for those considering a purchase.
Grave Desires / The Island of Living Horror / Danger on Tiki Island
1968
Grave Desires / Tomb of the Living Dead
1968
Beast of the Dead
1971
1956
1966
Warner Archive Collection
1958
1986
Warner Archive Collection
1957
1943
1954
1945
1944
2014
The Outing
1987
1982
1977
Standard Edition
1988
Mutant / Roger Corman's Cult Classics
1982
Slipcover in Original Pressing
1986
Roger Corman's Cult Classics
1978