7 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
With the Cold War thawing, old KGB hard-liner Nicolai Dalchimsky attempts to activate a group of Americans who were brainwashed twenty years earlier to blow up United States targets when triggered by post-hypnotic suggestion. When Kremlin realizes they have a rogue operative on their hands, it sends Col. Grigori Borzov to America, where he partners with a local asset, Barbara, to stop Dalchimsky. Based on the novel by Walter Wager.
Starring: Charles Bronson, Lee Remick, Donald Pleasence, Tyne Daly, Alan BadelThriller | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 2.5 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 1.0 | |
Overall | 3.5 |
After playing a man of the Old West in 1977’s “The White Buffalo,” hoping to find success with a “Jaws”-like tale of a hunter and a monster animal on the loose, Charles Bronson finds a polar opposite acting opportunity in “Telefon,” released in the same year. Of course, Bronson isn’t one to push himself too far as a thespian, preferring to remain in his range, even when dealing with plots of increasing craziness. This adaptation of a Walter Wager novel (credited to Peter Hyams and Stirling Silliphant) certainly qualifies as bonkers, finding the star portraying a Russian spy looking to stop the rise of sleeper agents in the U.S., hoping to prevent World War III as a lunatic, armed with a line of poetry, looks to cause unimaginable chaos. It’s telephoned-based horror in the feature, which arrives under the direction of Don Siegel (who’s billed with his handwritten signature), and the veteran helmer isn’t too interested in amplifying suspense for the endeavor. As Cold War thrillers go, “Telefon” has tremendous potential, even as wacky as it is, but Siegel doesn’t have the eye of the tiger here. He prefers to keep screen activity intermittent and Bronson more subdued than usual, refusing to go crazy with a premise that invites it.
The AVC encoded image (2.35:1 aspect ratio) presentation is listed as a "New 2023 scan from the interpositive." "Telefon" is a strange looking movie, with cinematographic choices not just leaning toward softness, but blurriness at times. The extremity of the film's look seems intentional (the trailer also carries the style), leaving fine detail more difficult to find during the viewing experience. Certain shots get into skin particulars and heavier clothing involving military outfits and suits. Interiors are adequately dimensional, and exteriors are passably deep, examining sleeper agent targets from around the country. Colors are acceptable, with period hues secure, most pronounced with Remick's costuming as Barbara maintains her style during the hunt. Greenery is decent. Skin tones are natural. Delineation is satisfactory. Grain is heavy but remains acceptably resolved. Source retains a few mild scratches.
The 2.0 DTS-HD MA mix is a little uneven, with volume levels occasionally dipping during the listening event, requiring some brief volume riding. Dialogue exchanges remain intelligible, dealing with actor emphasis, especially with Remick's excitability and Bronson's quieter ways. Scoring supports with clarity, offering passable instrumentation and dramatic support. Sound effects are basic but appreciable, though explosions aren't quite as powerful as expected, which is perhaps an inherent issue.
"Telefon" tries to stir up some tension in its final act, taking things to a Houston hotel for light pursuit, with Siegel handed some elevator action to manage. The writing introduces a goofy letter pattern to the plot, only to have Grigori blow it off with a non-explanation, which adds to the undercooked vibe of the feature. The writing doesn't really sink its teeth into the potential of the craziness, as there's something to be made with Nikolai's mission to resurrect an old idea for a spy network, putting Americans and Russians on the move as they strive to shut down a developing massacre. However, Siegel doesn't work to amplify thriller elements of the picture, preferring to stick with a slightly more procedural approach to the bombings, which takes up a sizable amount of screen time. And there's the non-chemistry between the leads, with Bronson staying crisp and Remick overacting to be seen, making this subplot difficult to endure at times, while developing love between Grigori and Barbara is laughable. "Telefon" has the goods, but the execution is lame, coming up short with nail-biting moments and dangerous confrontations, making for a missed opportunity to do something hard- charging with Bronson.
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