7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Salam, an inexperienced young Palestinian man, becomes a writer on a popular soap opera after a chance meeting with an Israeli soldier. His creative career is on the rise - until the soldier and the show's financial backers disagree about how the show should end, and Salam is caught in the middle.
Starring: Kais Nashif, Lubna Azabal, Yaniv Biton, Maisa Abd Elhadi, Nadim Sawalha| Foreign | Insignificant |
| Drama | Insignificant |
| Comedy | Insignificant |
| Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Arabic: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 1.5 | |
| Overall | 3.0 |
There’s a time honored tradition in farce, stretching back at least to the venerable days of Feydeau and continuing on through such relatively recent fare as Noises Off..., that includes a lot of doors being slammed. It’s kind of interesting to think about the “dividing lines” doors offer in terms of at least some farce structural proclivities, with different “areas” (typically rooms in a house) providing ample opportunities for interlocked but separate events unspooling simultaneously. Tel Aviv on Fire certainly has a number of farcical elements, but one of its more interesting “updates” is the fact that it substitutes a guarded checkpoint between Israeli and Arab regions for the more often seen doors in many farces. There’s a whole “meta” aspect to Tel Aviv on Fire as well, not the least of which is the fact that the film’s very title is also the name of a soap opera airing on television, in what might be thought of as the Middle Eastern version of a telenovela. The soap opera takes place in the epochal days leading up to the 1967 Arab-Israeli fracas which has become known as the so-called Six Day War, and it involves an Arab woman who is being sent uncover into the “lair” of an Israeli general in order to spy on him. Perhaps surprisingly, Tel Aviv on Fire (the soap opera) is hugely appealing to both Israelis and Arabs, something that head honcho Bassam (Nadim Sawalha), a Palestinian, is only too well aware of. When Bassam brings his oafish and inexperienced nephew Salam (Kais Nashef) on to the production, ostensibly to help with Hebrew pronunciation (which may strike some as at least a little odd, since Salam is also Palestinian), there are unexpected consequences when Salam's "helping hand" (and/or mouth) catches the eye (and/or heart) of leading lady Tala (Lubna Azabal).


Tel Aviv on Fire is presented on Blu-ray courtesy of Cohen Media Group with an AVC encoded 1080p transfer in 1.85:1. The IMDb lists the Arri Alexa Mini as having been utilized, and as usual I'm assuming things were finished at a 2K DI. This is a workmanlike looking presentation for the most part, though there are clear and rather nicely rendered differentiations between the "real life" sequences and the soap opera vignettes, with the latter often having a somewhat dewy, even soft focus, appearance, but with much more vivid saturation and, at times anyway, blown out highlights (see screenshots 4 and 7 for a couple of examples). The "non-show" look of the film is decidedly drabber a lot of the time, though detail levels tend to be generally very good throughout the presentation. I noticed no compression anomalies of any note.

This is another release where our specs, which only allow for one "main" language, don't account for the fact that Tel Aviv on Fire ping pongs between Arabic and Hebrew, delivered via DTS-HD Master Audio 5.1. The film doesn't have an especially ambitious sound design, and so surround activity can be limited to things like background bustle on the set of the show, or some of the ambient environmental effects that show up in some of the checkpoint material. Dialogue is rendered cleanly and clearly throughout this problem free presentation. English subtitles are forced, for those who care about such things.


Tel Aviv on Fire has an underlying nobility in a way, suggesting that Arabs and Israelis can in fact work together when there's a "decent" cause. Unfortunately, the film never really capitalizes on the opportunity for over the top humor, and instead tends to coast genially enough on the combined charisma of its enjoyable cast. Technical merits are solid for those considering a purchase.
(Still not reliable for this title)

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