6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A day with a taxi driver in Teheran. A yellow cab is driving through the vibrant and colourful streets of Teheran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
Starring: Jafar PanahiForeign | 100% |
Drama | 49% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
Persian: DTS-HD Master Audio 5.1
Persian: DTS-HD Master Audio 2.0
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 3.5 |
“Taxi” is both a celebration and critique of life in Iran, hosted by director Jafar Panahi, whose own complex history with censorship and imprisonment informs the picture’s sense of secrecy and thinly veiled commentary. Blurring the line between drama and realism, “Taxi” doesn’t chase a gimmick, cheapening its experimentation and message. Instead, it pursues a conversational tone that’s open to explore various personalities and politics, trying to establish a human perspective to Iranian hustle, with Panahi offering a slice of life look at everyday business and the hustling citizens trying to make their way through an oppressive culture.
The AVC encoded image (1.78:1 aspect ratio) presentation captures the modest cinematic reach of "Taxi" to satisfaction. Captured with commercial grade cameras and cell phones, the feature isn't out to visually stun, but the intimacy of the effort is preserved, with special attention to facial details, which register a range of emotions and impish behavior, offered long takes to simply absorb performances. Textures are also convincing with taxi interiors, delivering on car particulars. Primaries remain vivid and sharp, offering more active colors on street decoration and clothing, and a closing scene with a red rose provides a little punch. Skintones are natural and welcoming. Delineation isn't challenged during the daylight shoot, but fabric and hair density periodically carry into solidification.
While it doesn't offer an aural fireworks display to keep listeners engaged, "Taxi" provides a few unique environments with care. The 5.1 DTS-HD MA sound mix jumps in and out of automobiles, and the track handles these adjustments carefully, making one feel as though they're in car alongside the actors, with a pleasingly padded sound that recreates the interior of a taxi. It's subtle, but effective, while open air encounters are also defined to satisfaction. Dialogue exchanges are crisp and clean, managing accents with clarity, and emotional surges are comfortable, balancing frequent yelling and overlapping confrontations without hitting distortive highs. Atmospherics are animated, using surrounds to fill out street life, identifying distances and commotion. Scoring is sharp and true, contributing ideal instrumentation that helps to sell the moods Panahi is aiming for.
"Taxi" has its highlights, finding time with the bootlegger the most engaging, greeting a strange salesman trying to pull a noted filmmaker into a system that's actively destroying his livelihood. Obviously, when dealing with such an episodic effort, some rides are more compelling than others, but "Taxi" emerges with purpose and a flavorful view of humanity, exposing important moral choices and compelling social pressure along the way.
(Still not reliable for this title)
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