7.1 | / 10 |
| Users | 4.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
Morna Dabney is engaged to soldier Clay MacIvor in the days before the War Between the States. Morna's grandfather Big Sam Dabney founded their Mississippi plantation near Levington, which thrives in the Deep South, but he remains loyal to the Union, as does his son Hoab, Morna's father. As Mississippi secedes, Hoab plans to withdraw the area around his plantation and remain neutral, and he gains support from local newspaperman Keith Alexander. Keith falls in love with Morna, whose fiancé Clay has joined the Confederate Army. Clay plans to punish the would-be neutral citizens of Levington by raiding the area, but Morna, with the help of her grandfather's Choctaw friend Tishomingo, attempts to thwart the attack. Morna sacrifices greatly to protect her home and the man she really loves.
Starring: Van Heflin, Susan Hayward, Boris Karloff, Julie London, Whitfield Connor| War | Insignificant |
| Drama | Insignificant |
| Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.35:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 0.0 | |
| Overall | 2.5 |
Director George Marshall's (How the West Was Won) Tap Roots plays like a watered down take on Gone with the Wind. The film follows a family's falling fortunes as war drums sound, not only portending disaster for the world around it but within the family's house, too, a house which might not be so strongly rooted as it was once believed to be. As tragedy befalls the house, the family's test of endurance will be its ability to merely survive both external pressures and internal disasters of its own making. The film may lack narrative novelty but it's an effective portrait of the ties that bind a family together but also the bonds which hinder its growth, both of which are put to the test through extreme trials and tribulations.


Universal presents Tap Roots on Blu-ray with a 1080p transfer framed at the original 4x3 aspect ratio, placing vertical "black bars" on either side of the modern 1.78:1 display. The picture, touted as "digitally remastered and fully restored from high resolution 35mm original film elements," does indeed look rather nice. Grain is not so organic in presentation structure as to absolutely dazzle viewers but there's no mistaking the inherently pleasing and structurally steadfast film-quality appearance. There are certainly no signs of extreme digital foul play at work here, no obvious dumbing down of the image for the sake of "lessening" or "removing" grain. On the contrary, details are very pleasant at the core, capturing essential skin textures with impressive command and rendering clothes and complex interior furnishings with excellent clarity and textural faithfulness. Colors are fully robust and extraordinarily well saturated. Bright natural greens, popping red lipstick, and all variety of color output excellence is in evidence from start to finish. Even low light rainy scenes are complimented with solid black levels and quality color reproduction even in less-than-ideal lighting. Compression issues are not absent but are not not at all troubling. The print is in fine shape; the odd speckle and pop remain but, again, nothing to distract from what is, on the whole, a very satisfying Blu-ray image from Universal.

Tap Roots features a DTS-HD Master Audio 5.1 lossless soundtrack. There is a harshness and hard-edge to the opening music. It is certainly wanting for finer fidelity and clarity but it appears faithful to the original elements. This observation holds for music throughout the film and, indeed, in most every sound element the track has to offer. Even smaller sound elements, like ruffling petticoats, lack fluid audio grace and natural detail, sounding more crunchy and unkempt instead. The track's more intense audio elements are likewise not managed particularly well. There is but acceptable definition to rainfall and gunfire (mixed together at the 80-minute mark) and the battle scene to close the film, with large music and incessant gunfire, splashing water, and all sorts of chaos filtering through the stage, is likewise wanting for improved fidelity and accuracy. However, the track appears essentially true to the film's sound design, which of course is lacking the big budget polish that would be found in a movie of more recent vintage. Dialogue is at least clear and images well to the center stage area.

This Blu-ray release of Tap Roots contains no supplemental content. There is no "top menu" screen. Pressing that remote button simply restarts the film from the beginning. The "pop up" menu screen only offers crude options for toggling the included English SDH subtitles on and off. No DVD or digital copies are included with purchase. This release does not ship with a slipcover.

Tap Roots is an easily digestible yarn that may be unable to stand on its own outside the large shadow cast by Gone with the Wind, but it's a capably made and performed film with a message on strength even in trial and the lasting bonds of family even when it's all been but torn apart. The film is home to several good performances but the picture needs more opportunity to build on its characters and content than it is afforded here. Universal's featureless Blu-ray does delivers solid video and capable audio. Recommended.
(Still not reliable for this title)

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