6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Three stories adapted from the work of Edgar Allen Poe. A man and his daughter are reunited, but the blame for the death of his wife hangs over them, unresolved. A derelict challenges the local wine-tasting champion to a competition, but finds the man's attention to his wife worthy of more dramatic action. A man dying and in great pain agrees to be hypnotized at the moment of death, with unexpected consequences...
Starring: Vincent Price, Maggie Pierce, Leona Gage, Peter Lorre, Joyce JamesonHorror | 100% |
Mystery | 12% |
Dark humor | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.34:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0 Mono
German: DTS-HD Master Audio 2.0 Mono
Two German tracks, one original theatrical version, one television version
German
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 3.5 |
When House of Usher (available as part of The Vincent Price Collection) first appeared in 1960, its success paved the way for a whole new career niche for Roger Corman, a niche that ended up linking Corman pretty significantly to Edgar Allan Poe for the next several years. 1961 offered only one film culled from Poe as a follow up, the well remembered The Pit and the Pendulum, but by 1962 Corman seems to have kicked into high gear in terms of adapting Poe to the screen, with both The Premature Burial and the film currently under review premiering. In that regard, it might be argued that four and maybe arguably even five Poe stories were adapted with Corman’s aid in 1962, since Tales of Terror takes a page from the Amicus book and is a so-called portmanteau, a “mash up” of stories ostensibly culled from the writings of Poe, with the second tale combining two iconic Poe sagas into one (hence the waffling between four and five). Tales of Terror is another rather nicely mounted Corman production (at least considering his often less than fulsome budgets), and it has its own distinctive pleasures, but it’s not really a fright fest in any major way, and instead plies more of a slightly creepy ambience that has some interstitial comedy relief, especially courtesy of co-star Peter Lorre.
Tales of Terror is presented on Blu-ray courtesy of Anolis Entertainment with an AVC encoded 1080p transfer in 2.34:1. Tales of Terror received a Blu-ray release for the North American market by Kino Lorber several years ago, and judging solely by screenshots, this transfer looks pretty similar, though I'm not as generous in my score as Brian was in his review of that release. While this offers a generally very nicely suffused palette and some commendable detail levels, things aren't quite as vivid as in the recently reviewed Frankenstein Created Woman, also from Anolis Entertainment. There are also a few curious moments where the image quality suffers some pretty serious degradation, as seen in screenshot 19 (it also appears that this particular snippet had some dubbing involved, so I'm wondering if a dupe element had to be inserted for some reason at some point). Grain resolves naturally throughout the presentation, and I noticed no signs of aggressive digital tweaking of any kind, nor any overt compression anomalies.
Tales of Terror features three DTS-HD Master Audio 2.0 Mono mixes, one the original English, and then two German tracks which, if I'm translating German correctly (a dubious proposition, given my less than scholarly knowledge of the language), are the original theatrical version and a later television version. All three tracks have very similar mixes in terms of amplitude and balance between dialogue, score and effects. I spent most of my time with the English language track, and found it often surprisingly full bodied given its age. Dialogue is rendered cleanly and clearly, and Les Baxter's sometimes bombastic score sounds great. Optional German subtitles are available.
- NFP (HD; 00:51)
- Phantopia (HD; 00:35)
For those who might need a gentle reminder, the age of the internet means we may all be connected in ways in which we're not fully aware. I am a huge Les Baxter fan, and posted on social media about him a few weeks ago, and then was astounded when one of my friends turned out to know his daughter, who then joined the conversation. Baxter's music, along with Floyd Crosby's evocative cinematography, helps to elevate this effort, which is fun if never very frightening. Technical merits are generally solid, and the supplemental features and packaging very well done. Recommended.
(Still not reliable for this title)
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