| Users | 4.2 | |
| Reviewer | 3.5 | |
| Overall | 3.8 |
See individual titles for their synopses
| Horror | 100% |
| Holiday | 1% |
| Comic book | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1, 1.85:1
Original aspect ratio: 1.85:1
See individual releases
English
50GB Blu-ray Disc
Two-disc set (2 BDs)
Region A (C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
That “usual gang of idiots” at the iconic Mad Magazine probably relished in the unintended irony that the company that published the self described “rag” had originally been called Educational Comics. For millions of Baby Boomers, Mad was indeed a major source of a certain kind of “education,” though by the time EC started making Mad its main focus, the “E” in its title had already been changed to represent “Entertaining” rather than “Educational.” That change was prompted at least in part by the company’s previous emphasis on typically whimsical horror outings like Tales from the Crypt and The Vault of Horror, brainchildren of William Gaines, the son of EC’s founder Max Gaines. The strictures of the early Eisenhower era ultimately brought the censor’s hammer down rather hard on EC and some of its publishing kin for supposedly contributing to the perceived delinquency of minors, which is when EC decided to promote delinquency in a different way by concentrating on Mad. But for kids who had at least a few years relishing in the delights of EC’s horror magazines, indelible impressions were made, and, later, when a new generation sought out old issues in a wave of kitsch collecting, early EC magazines attained a new (and at times considerably lucrative) luster. Another vaunted name in the annals of international horror, Amicus Productions, brought out two films in 1972 and 1973 which capitalized on the increasing fame of those early fifties’ comic books. Tales from the Crypt is undoubtedly a more generally entertaining film than its follow up The Vault of Horror, even if some might argue that the second film more adequately captures the sly combination of gross out gore and bizarre humor that made those early EC efforts so memorable.


Video quality of both films is discussed in the reviews linked above.

Audio quality of both films is discussed in the reviews linked above.

Bonus Disc includes:

Eclectic casts and brisk storytelling are two big drawing cards for each of these often fun entries. While it's perhaps ironic that the somewhat less captivating The Vault of Horror actually captures more of EC's patented blend of black humor and gruesome horror, both films have moments of wryly comedic shock. Tales from the Crypt comes out slightly ahead in the technical arena, but Scream has done an admirable job presenting the alternate versions of The Vault of Horror, all in high definition. Recommended.