6.5 | / 10 |
| Users | 4.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Susan participates in The Assassination Game, in which every player tries to shoot another with a toy dart gun, until only one remains. Pretending to do research for his newspaper, college student Alex Marsh teams up with the attractive Susan Swayze. While doing his best to win her over, and helping her finding her targets, Alex discovers that this year the Game may be more serious than most contenders realize.
Starring: Robert Carradine, Linda Hamilton, Kristine DeBell, Perry Lang, John Mengatti| Thriller | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 4.0 |
For many people, the game “Assassin” or “Senior Assassin” was a rite of passage in school. Gameplay involved organized chaos, sending players into the world with dart guns, aiming to “kill” targets using spy game wits and dedication to the spirit of the competition. Of course, the idea of young people tearing around a college campus carrying realistic-looking guns seems a little strange today, but the 1980s were a different time, and writer/director Nick Castle uses the organized specifics of the era to inspire 1982’s “TAG: The Assassination Game,” which follows the exploits of players trying to take down their targets in the middle of a college year. Castle (who makes his helming debut with the endeavor, eventually going on to oversee such efforts as “The Last Starfighter” and “Major Payne”) isn’t making a cold-blooded thriller with “TAG: The Assassination Game,” going the semi-comedic route instead, aiming to turn a tale of toy pistol elimination into a film noir tribute/spoof, blending silliness with some degree of severity as dead bodies begin to pile up in the story. It’s a big swing from the production, which is more effective as a modest tale of campus pursuit than a pulse-pounding detective tale.


The image presentation (1.78:1 aspect ratio) for "TAG: The Assassination Game" is listed as "lovingly restored in 2K from the original 35mm archival vault elements." The viewing experience offers appealing detail with a slightly softer appearance, examining the hairstyles of the era and skin particulars on the young cast. Clothing is decently fibrous. Campus tours are compelling, with dimension on dorm building visits, examining decorative additions. Exteriors are deep, capturing the expanse of the campus. Colors are commanding, with sharp primaries on style choices. Greenery is distinct, along with makeup additions. Delineation is excellent, preserving evening events and shadowy encounters. Grain is heavy but decently resolved. Source is in good condition.

The 2.0 DTS-HD MA offers respectable dialogue exchanges, though age is apparent during the listening event. There are a few fuzzier highs found along the way, but performance choices are understood and intelligibility is never threatened. Scoring is also slightly dulled, but instrumentation is appreciable, supporting screen moods. Sound effects are basic.


"TAG: The Assassination Game" struggles to create more involving suspense with Loren's run of terror. Castle devotes the entire final act to a chase around campus, which becomes exhausting instead of thrilling. And Alex's participation as an amateur detective has limited appeal, representing journalistic obsessiveness that isn't sold distinctively from a miscast Carradine. Castle has his fun, but an attempt to sustain the dark entertainment of it all eventually runs out of gas, leaving the picture feeling a bit long, even with a short run time. "TAG: The Assassination Game" remains amusing, especially during its first two acts, and the central premise has its moments of engaging "hunting" scenes, showing off the potential of the game and the strangeness of its players (including Michael Winslow, who's here doing his mouth sound effects again). There's nothing here that's dramatically substantial, but there's enjoyment to be found in Castle's sheer labor to turn this tale of confrontation and sleuthing into something decently cinematic.