6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
In Central Park, 1968, a director shot scenes of a young couple whose marriage was falling apart - 35 years later they are back in Central Park as the director relentlessly pursues the ever-elusive symbiopsychotaxiplasmic moment.
Director: William GreavesDocumentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: LPCM Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 3.5 |
Note: This film is available as part of Symbiopsychotaxiplasm: Two Takes by William Greaves.
Maybe some of you have done the fun if perhaps slightly unsettling approximation of “infinity” by standing in front of a large mirror while holding
another mirror in your hand aimed at the larger mirror. If you can line everything up just the right way, you can get an ostensibly never ending trail
of
reflections within reflections, giving a perhaps apt visual analog for the sleight of hand William Greaves attempts to pull off in his pair of exorbitantly
named features, Symbiopsychotaxiplasm: Take One and Symbiopsychotaxiplasm: Take 2 ½. Poised rather precariously if
ultimately artfully between documentary and narrative approaches, Greaves' films explore the supposed filming of traditional fictional narratives, but
with at least one layer (and arguably more than one) of "meta" aspects intruding since the filming is also being filmed by a documentary
crew. But, wait, you also get — a second and third crew (in the first film at least) which are tasked with documenting further
“strata” of the event from their own incrementally wider perspectives.
Symbiopsychotaxiplasm: Take 2½ is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080i transfer in 1.78:1. Criterion only provided a check disc for the purposes of this review, and so I'm not privy to any information about the transfer that might be included in the insert booklet, though the closing credits roll discloses how many different shoots over a number of years were needed to complete the film, and so its somewhat heterogeneous appearance can probably be at least partially explained due to those circumstances. The opening section of the film is culled from the original footage, blown up to 1.78:1 but still featuring rather good detail levels and a decently suffused palette. Some of the later material, which I'm assuming was culled from video masters, can be accompanied by some significant noise (see screenshot 10), as well as combing artifacts and what look like upscaling anomalies such as stairstepping (look at screenshot 2 in full resolution to get some idea of what I'm talking about).
Symbiopsychotaxiplasm: Take 2½ features an LPCM Mono track that works perfectly well for this pretty talky film. As with the first film, there are some inherent mix and/or amplitude fluctuations in terms of the on the fly recording done at the park, but most of the rest of the "contemporary" footage offers consistent clarity. Some cool tunes by Ron Carter are utilized and sound fine. Optional English subtitles are available.
Criterion has packaged both of these films on one disc, and so some of the supplements are not exclusively about just one film.
There was probably no way for William Greaves to "out meta" himself with this ostensible sequel to Symbiopsychotaxiplasm: Take One, but if accepted on its own merits, Symbiopsychotaxiplasm: Take 2½ probably has more honest emotion in it and seems decidedly less self aware and gimmicky. Video encounters some obstacles, but audio is fine, and the supplemental piece on Greaves is outstanding. With caveats noted, Recommended.
(Still not reliable for this title)
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