6.6 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
When the DEA shut down its dummy corporation operation codenamed Swordfish in 1986, they had generated $400 million which they let sit around; fifteen years of compound interest has swelled it to $9.5 billion. A covert counter-terrorist unit called Black Cell, headed by the duplicitious and suave Gabriel Shear, wants the money to help finance their raise-the-stakes vengeance war against international terrorism, but it's all locked away behind super-encryption. He brings in convicted hacker Stanley Jobson, who only wants to see his daughter Holly again but can't afford the legal fees, to slice into the government mainframes and get the money.
Starring: John Travolta, Hugh Jackman, Halle Berry, Don Cheadle, Sam Shepard| Action | Uncertain |
| Thriller | Uncertain |
| Crime | Uncertain |
| Heist | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 3.0 |
Swordfish is one of those films which may in fact
look better on paper than it does on celluloid, so to speak.
Presented with a cast that
includes Hugh Jackman, John Travolta and Halle Berry
(doing her very well publicized first topless scene),
what normal, everyday
prospective ticket buyer wouldn't be interested? It's
perhaps just slightly comical that some genre enthusiasts
claim that Swordfish
is a so-called "action thriller", to which some
curmudgeons (ahem) might reply, "Yeah, if you think sitting
at a computer is action, maybe".
Swordfish received a very early (like, 2006!)
release on 1080 disc from parent studio Warner Brothers*,
and then has had a couple of
subsequent re-releases, but Arrow is now offering a new 4K
UHD release (without any 1080 disc) culled from the original
camera negative, with Arrow
offering some new supplements in addition to some
previously released ones.
*That release was so early it made the veritable "Top
100" of our database, coming in at Number 81.


Note: This release does not include a 1080 Blu-ray, so
these screenshots are taken directly from the 4K UHD disc
and downscaled to 1080
and SDR. Color space in particular is therefore not accurate.
Since this release does not include a 1080 disc, the 2K video
score above has been
intentionally left blank.
Swordfish is presented in 4K UHD courtesy of Arrow
Video with an HEVC / H.265 encoded 2160p transfer in
2.39:1. Arrow's insert booklet
contains the following information on the presentation:
Swordfish has been restored by Arrow Films and is presented in its original aspect ratio of 2.39:1 with stereo and 5.1 audio.Marty gave excellent marks to the old 1080 disc, but of course a 4.0 score granted in 2008 (when Marty wrote his review) might not warrant the same response today, and for what it's worth it may be salient to note that the old 1080 disc had a VC-1 encode. Perhaps just slightly hilariously given my warning above about how downscaling 4K HDR screenshots to 1080 and SDR can seriously tweak the palette, at least some of the bizarre yellows and greens on display in the screenshots I've uploaded to accompany this review are indeed part of the presentation. As Marty mentioned in his 1080 review, the ubiquitous presence of almost sickly green and yellow tones is (maybe weirdly) one of the film's most distinctive features from a purely visual standpoint. The greens in particular attain an almost alien presence at times in this version courtesy of HDR / Dolby Vision. It's frankly been years since I watched the old 1080 disc, and it's no longer in my collection, but I read with some interest Marty's comments about a lack of grain, which may suggest the older disc had some filtering (I simply can't remember well enough to state one way or the other). Grain is certainly observable here, and as one who can sometimes chafe at overly thick looking grain at this increased resolution, I found things to resolve tightly and organically throughout.
The film is presented in 4K resolution in HDR10 and Dolby Vision.
The original 35mm camera negative was scanned in 4K / 16 bit resolution at Warner Bros. / Motion Picture Imaging.The film was restored in 4K resolution and colour graded at Duplitech.
This new restored master of Swordfish has been approved by Director Dominic Sena.
All materials source for this new master were made availble by Warner Bros.
QC review was completed by Pixelogic.

The 1080 disc that Marty reviewed is so old (why do I feel like I'm setting up a joke for Johnny Carson?) that it actually only offered lossy audio, so this disc's combo of either DTS-HD Master Audio 5.1 or LPCM 2.0 options should be welcomed by fans, especially since the sound design of the film is so deliberately hyperbolic so much of the time. While surround activity is near consistent (if occasionally relegated to relatively subtle ambient environmental sounds), as Marty mentioned in his review, at least a couple of set pieces, including a calamitous car chase sequence, allow the surround track to fire on all cylinders and/or channels, as the case may be. That sequence in particular offers not just clearly discrete channelization but some amazingly whirlwind like panning effects. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

I've noted what look to be the new supplements below with
an asterisk (*). More information on the older supplements
can be found in Marty's
review, linked to above.

Yes, Swordfish is probably undeniably something of a mess, but at least it's often a stylish mess, and that opening monologue by Travolta has enough "meta" content to serve several films. Technical merits are solid and the supplements very enjoyable, for anyone who may be considering making a purchase.

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