6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In the late 1800s, a former prostitute is trying to build an honest life with her husband in the rugged plains of New Mexico. When she catches the eye of a sadistic religious leader, her life is turned violently upside down. She embarks on a bloody course of vengeance with the assistance of a renegade sheriff.
Starring: Ed Harris, January Jones, Jason Isaacs, Eduardo Noriega (II), Stephen RootWestern | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 4.0 |
Sweetwater belongs to a small but select sub-genre of female revenge Westerns, and it's a worthy addition alongside 1971's Hannie Caulder, which starred Raquel Welch in the title role as a woman who engages a bounty hunter to teach her gunfighting so that she can track down the men who raped her and killed her husband. In 1994's Bad Girls, four ex-hookers formed an outlaw gang after one of them shot an abusive customer. And in The Quick and the Dead (1995), Sharon Stone offered a distaff version of Clint Eastwood's Man with No Name as "The Lady", who rides into Gene Hackman's town to enter a "quick draw" contest (and for other reasons). Sweetwater's angel of death is played by Mad Men's January Jones, whose detached stillness proves to be ideal for the part. Imagine if Betty Draper had reacted to her husband's lies and affairs not with a divorce but by pulling out a pistol, shooting him through the heart, then calmly disappearing to start a new life. The show would have ended, but the scene would go down in history. Jones brings the same deferred intensity to the rampage that serves as Sweetwater's grand finale. The second feature from the creative team of twin brothers Logan and Noah Miller, Sweetwater was nominally directed by Logan but the accompanying documentary strongly suggests that the brothers worked together, as they did on their first feature, Touching Home. That film starred Ed Harris, who co-stars and served as executive producer here. The Millers rewrote an original script by Andrew McKenzie, and it's not hard to spot the influence of Quentin Tarantino's love of genre cinema and lurid stylization in the Millers' work. There may be common influences as well, since Tarantino's own female revenge film, Kill Bill, owes a major debt to Hannie Caulder. But where Tarantino's eccentric characters routinely express themselves through florid passages of dialogue, the Millers' approach is more spare and visual. They keep the speeches simple and let the cast fill in the eccentricities with performance—and also wardrobe. The killers in Sweetwater are easy to spot. They're the ones whose clothing makes them stand out from the landscape.
Sweetwater was shot on film by Brad Shield (The Square), a much-in-demand second unit DP on major Hollywood productions (e.g., The Avengers and The Wolverine). Final color timing was completed on a digital intermediate, from which ARC's 1080p, AVC-encoded Blu-ray has presumably been sourced. The Blu-ray image is generally impressive, with excellent sharpness and detail, a delicately differentiated palette that effectively represents the New Mexico land and sky against which Sarah, Jackson and the Prophet Josiah stand out as misfits, and an appropriate balance of dark and contrast to capture the peculiar quality of the New Mexico light. The transfer's only significant flaw is recurrent video noise that ripples across the long shots, usually in the more complex imagery on the ground. This is not film grain, because it isn't evenly distributed around the frame; it's transfer-induced noise and, to the extent that de-noising software wasn't randomly applied, we can only be grateful. However, at this stage of Blu-ray's evolution, and especially with the software now available in the latest DI suites, it's unusual to encounter such noise, and one must assume that it's an unavoidable side effect of "pushing" the contrast (or perhaps specific colors) to achieve other effects considered desirable. The average bitrate of 24 Mbps is adequate to avoid any compression errors, especially given the black letterbox bars. While the film has a few major action scenes, it also contains numerous scenes of stillness and dialogue, allowing the compressionist room to maneuver.
The film's original 5.1 soundtrack is presented in lossless DTS-HD MA, and it sounds excellent. The surrounds provide some expressively suggestive sound effects for key moments, like the introduction of the Prophet Josiah and his "visionary" moments, when an invisible choir sings around him. The sounds of animals and desert winds also move into the surrounds, where appropriate. The track provides punch and, depending on the weapon, deep bass extension for many of the gunshots. Voices are generally clear, even with Ed Harris' deliberately skewed delivery. The score by Martin Davich, who did Touching Home for the Millers and was the regular composer for ER, runs the gamut from traditional Western to religious themes to action film.
Westerns are an endangered species in American filmmaking. While Sweetwater lacks the studio budget for a full-scale production to rival Ed Harris' own venture into the genre with Appaloosa (2008) or James Mangold's remake of 3:10 to Yuma (2007), the Millers squeeze major production value out of their locations, get the most out of their talented cast and bend the genre cliches with enough originality to keep the story intriguing. And they know not to overstay their welcome. When vengeance is done, the credits roll. Recommended.
50th Anniversary Edition | Shout Select #57
1968
1971
2016
1970
2019
2017
2016
1974
1953
1971
1971
1976
1972
1965
1993
1985
1967
2018
2K Restoration
1972
2014