7.6 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A bored group of coeds decides to throw a party to liven things up. They wind up getting more than they bargained for.
Starring: Hyapatia Lee, Cindy Carver, Cara Lott, Kay Parker, Eric Edwards (II)Erotic | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
Bob Chinn’s “Sweet Young Foxes” is the polar opposite of his work on “The Young Like It Hot.” Instead of lighthearted fun, the feature goes dramatic, exploring a particularly illuminating summer for college freshman Laura (Hyapatia Lee), who tries to make sense of the world without her boyfriend, bickering with her mother, Julie (Kay Parker, who earned an award for her solid performance), and seeking comfort with friends (Cara Lott and Cindy Carver). Displaying surprising solemnity, “Sweet Young Foxes” struggles to manage the extremity of penetration with the intimacy of wounded feelings.
The AVC encoded image (1.78:1 aspect ratio) presentation sets a more romantic mood, offering softer cinematography that favors glowing lights. Detail remains, with a favorable read of nudity, which cleanly displays personal care and body hair, and locations retain textures and distances. Grain is heavy at times, but never unruly. Colors are secure and expressive, with powerful primaries on costuming and make-up. Delineation goes about as far as it can, keeping evening encounters open for study. A minor amount of debris and vertical scratched are detected, but the source is stable and fresh.
The 1.0 DTS-HD MA sound mix commences with the title song, setting a musical mood that's enjoyable and communicative, with scoring cues supporting sex scenes. Dialogue changes are satisfactory, capturing dramatics without distortion. Hiss and pops carry throughout the listening experience, but never overwhelm the essentials.
Weirdly, the production becomes so caught up in the hippity-dippity, it actually forgets to provide a conclusion. Instead, substantial voiceover is quickly produced to share character fates, hastily trying to secure an ending without spending additional budgetary dollars to visualize one. Ironically, for a movie that features numerous climaxes, there isn't one saved for the story, sending off this minor effort of serious business without much in the way of dramatic satisfaction.
(Still not reliable for this title)
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