6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Bertrand bides his time in a casually hostile and envious friendship with Guillaume. But when Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches disapprovingly.
Director: Éric RohmerForeign | 100% |
Drama | 85% |
Romance | 32% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
French: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 3.0 | |
Overall | 3.5 |
Note: This film is available on Blu-ray as part of Eric Rohmer's Six Moral Tales from Criterion.
One of the rather interesting if simultaneously peculiar trivia points about world cinema is how fecund the French movie critic community has been in
producing titans of film making. The iconic French publication Cahiers du Cinéma was a virtual hotbed of activity in this regard,
and if names like Jean-Luc Godard and François Truffaut may be at the apex of any list culled from those who began as writers for the magazine and
who went on to storied careers in film, there are any number of others, including Jacques Rivette, Claude Chabrol, and the man responsible for the six
films (some shorts) in this collection, Éric Rohmer. Rohmer's fame may have at least temporarily eclipsed the likes of Godard and Truffaut, for a
little while anyway, when the trifecta of My Night at Maud's, Claire's Knee, and Love in the Afternoon became
international sensations as the sixties gave way to the seventies. An obituary for Rohmer in a major newspaper mentioned his "durability" and
suggested that even if he didn't have the immediate name recognition of some of his peers, his work had outlasted any flash in the pan sensibility that
may have attended releases of films by other former critics. Really fascinatingly in the "trivial pursuit" category is the fact that all six of the
"tales" aggregated as exemplars of "morality" by Rohmer are based, at least tangentially, on F.W. Murnau's legendary Sunrise.
Suzanne's Career is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.37:1. Criterion's insert booklet states that "the restoration of all six films was undertaken by Les Films du Losange, with the support of the Centre national du cinéma et de l'image animée (CNC)", and further specifies that this particular film was transferred in 2K from the 16 mm original camera negative. Even the DigiPack blurbs mentions this film's "ragged black and white 16 mm photography", and this is a case where the source element "is what it is", to varying degrees of detail, contrast and grain thickness. Some of the earlier interior footage is pretty seriously dark and dingy, with a much more pronounced "dupe" look than a lot of what follows, something that's exacerbated at times with a somewhat milky overlay (despite the overarching darkness) that tends to rob contrast of huge range. Perhaps unsurprisingly, then, it's in some of the outdoor location work that things can offer more compelling fine detail levels and a better accounting of both contrast and more tightly resolved grain, but even at its best, this can be a particularly fuzzy looking presentation. Therefore, some may feel that even 3.0 is a generous score.
Suzanne's Career offers an LPCM Mono track in the original French. As with the film itself, the sound design here is perhaps just a slight step upward from the minimalism of The Bakery Girl of Monceau, though arguably not by a huge increment. Once again the film offers both narration and dialogue, along with relatively robust ambient environmental effects in some of the outdoor material in particular. There's a very slightly thin, boxy sound at times, but nothing overly problematic. Optional English subtitles are available.
Criterion has packaged The Bakery Girl of Monceau and Suzanne's Career together on one disc with the following supplements,
some of which, while "officially" listed under one particular film, may be more general in nature.
The Bakery Girl of Monceau
One of the things that becomes increasingly apparent as Rohmer gets his sea and/or cinematic legs is how facile he is in addressing various "serious" subjects with a surprisingly deft, light touch. There may not be typical farcical mixed identities here, but there's an at least somewhat similar misapprehension of what drives people, as the viewer along with Bertrand himself may surprisingly discover that he's a so-called "unreliable narrator". Video here can be pretty murky and ill defined, but is certainly watchable. With caveats noted, Recommended.
(Still not reliable for this title)
The Collector
1967
L'amour l'après-midi / Chloe in the Afternoon
1972
La boulangère de Monceau
1963
Ma nuit chez Maud
1969
Le genou de Claire
1970
Summer / Le rayon vert
1986
La femme de l'aviateur
1981
Les nuits de la pleine lune
1984
1987
1987
Pauline à la plage
1983
Conte d'automne / Autumn Tale
1998
Conte d'hiver
1992
Die Marquise von O
1976
Conte de printemps
1990
Conte d'été / A Summer's Tale
1996
Aimer, boire et chanter
2014
La peau douce
1964
Jules et Jim
1962
Anne and Muriel / Les deux Anglaises et le continent
1971