7.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Johnnie Aysgarth is a handsome gambler who seems to live by borrowing money from friends. He meets sheltered Lina McLaidlaw on a train whilst trying to travel in a first class carriage with a third class ticket. Only after they are married does Lina begin to discover his true character.
Starring: Cary Grant, Joan Fontaine, Cedric Hardwicke, Nigel Bruce, Dame May WhittyFilm-Noir | 100% |
Romance | 66% |
Psychological thriller | 41% |
Mystery | 12% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.36:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
French: Dolby Digital 2.0 Mono (192 kbps)
Spanish: Dolby Digital 2.0 Mono (192 kbps)
BDInfo verified
English SDH, French, Spanish, Czech, Polish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.0 |
Debonair leading man Cary Grant first revealed his dark side in Suspicion, which inaugurated the
actor's four-film collaboration with Alfred Hitchcock. Indeed, so effective was Grant at playing a
reprobate that the studio, RKO Radio Pictures, grew fearful of damaging the beloved star's
sterling reputation and fought with Hitchcock for changes in the film. Opinions vary over the
degree to which either side won or lost, but the character of Johnnie Aysgarth remains one of
Grant's most disturbing screen portrayals. Probably for just that reason, it's also one of his most
memorable. (Ask any good actor, and they'll tell you that villains are more fun to play.)
Unfortunately for Grant, when awards season rolled around, all the attention centered on his
leading lady, Joan Fontaine, who would win the Academy Award for Best Actress, the only
acting Oscar ever achieved by a Hitchcock film. Grant, whose work wasn't even nominated, felt
snubbed and, according to Fontaine's autobiography, avoided her forever after. Today, though,
75 years after Suspicion's initial release, it is Grant's embodiment of the mercurial—and possibly
murderous—Johnnie that energizes Suspicion from its opening frame to its final resolution.
Fontaine's performance is flawless, but without Grant's Johnnie, her character would have no
reason to worry and nothing to do.
The Warner Archive Collection is continuing this year's releases from Warner's Hitchcock
library with a stellar new transfer of Suspicion that demonstrates yet again how aptly the Blu-ray
format is suited to reproducing expressive black-and-white photography.
Suspicion was shot by Harry Stradling Jr. with the same canny manipulation of light and shadow
and expressive use of depth that would win him an Oscar some years later for the black-and-white cinematography of The Picture of Dorian Gray. Warner
previously mastered the film in
1080p at the time of its release on DVD, but for this 1080p, AVC-encoded Blu-ray presentation,
the Warner Archive Collection decided to start from scratch, scanning (at 2K) a recently
manufactured fine-grain master positive made from the original nitrate camera negative. After
significant restoration and clean-up, the new master recreates the Aysgarths' world with a degree
of sharpness and detail that will be a revelation to those who have only seen indifferent television
broadcasts. The contrast between the fusty period detail of the McLaidlaw country home and the
extravagant contemporary house that Johnnie rents for himself and his new wife is now more
obvious than ever. Lina's attire, which reflects both her progression as a character and her
deteriorating mental state, is even more striking. And famous scenes like the extended shot of
Johnnie ascending the stairs with a dubious glass of milk have acquired a new intensity.
Blacks are solid and deep, which is especially appropriate for the formal wear of the era. The film
grain is more prominent on the Blu-ray of Suspicion than on WAC's release of I Confess, which
was sourced from similar material but was shot twelve years later (and, because it was far less
successful, probably suffered less wear-and-tear on the negative). Still, the grain is well-resolved
and yields a film-like image throughout. Adhering to its now-reliable high standards for
mastering, WAC has placed the feature on a BD-50 with an average bitrate of 34.92.
Suspicion's mono soundtrack, encoded in lossless DTS-HD MA 2.0, has been thoroughly purged of any pops, clicks or background hiss, and it sounds remarkably good for a 1941 recording. Dialogue is crystal clear, down to every last iteration of Beaky's repeated catchphrases, and the careful use of sound effects to express Lina's interior state has been meticulously reproduced. As described in the extras, Suspicion's score by Franz Waxman (Sunset Boulevard) was carefully composed to alternate between upbeat (featuring a recurrent motif from Johann Strauss's "Wiener Blut" waltz) and ominous. It plays here with good fidelity and, for the period, excellent dynamic range.
Unlike The Wrong Man and I Confess, which are lesser known entries in Hitchcock's
filmography, Suspicion is a landmark film, easily ranked among the classics previously released
in sets by Universal and MGM. WAC may have taken its time with the
release, but the results are well worth the wait. Highly recommended.
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