6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Fish has spent six years in jail. Six years alone. Six years keeping his mouth shut about the robbery, about the other men involved. The night he is released, the four men he protected with silence celebrate his freedom with a congratulatory dinner. The meal is a lavish array of sushi, served off the naked body of a beautiful young woman. The sushi girl seems catatonic, trained to ignore everything in the room, even if things become dangerous. Sure enough, the four unwieldy thieves can't help but open old wounds in an attempt to find their missing loot.
Starring: Tony Todd, James Duval, Noah Hathaway, Mark Hamill, Cortney PalmThriller | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 7.1
English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 3.5 |
By way of introduction, it might be helpful to explain what a "sushi girl" is, exactly. Nyotaimori is the practice—some might say art—of
presenting sushi atop a perfectly motionless naked woman's body. That is, using her as a sort of living platter, with sashimi and nigirizushi strategically
placed to temporarily cover the erogenous zones. It's bizarre, and yes, it comes from Japan, but even in Nippon it's a culinary oddity, a niche fetish for
yakuza-run sex clubs. Yet, somehow, it's spread to the West—enraging many feminists in the process—and you can now find the occasional nyotaimori
demonstration in several major cities, proving once again that the Western appropriation of certain obscure Japanese cultural tropes is far weirder than
the tropes themselves.
Nyotaimori figures prominently in Sushi Girl, a low-budget crime film from director/co-writer Kern Saxton and writer Destin Pfaff, the latter of
whom some reality TV mavens might recognize as the COO of The Millionaire's Club on Bravo's Millionaire Matchmaker. The two filmmakers are
something of would-be Tarantinos. In Sushi Girl, they follow the auteur's typical formula, casting under-appreciated actors in key roles—the
film features a nigh-unrecognizable Mark Hamill,
Candyman's Tony Todd, The NeverEnding Story's Noah Hathaway, and The Lawnmower Man's Jeff Fahey, amongst others—
and telling a cynical, crime-doesn't-pay story that adopts a neo-grindhouse vibe. The film itself is alternately fun and horrifying, but the real takeaway
here is that Mark Hamill—the Star Wars star long relegated to voiceover and stage work—is long overdue for a film career resurgence. He's
hilariously, terrifyingly maniacal, and if there's any justice in Hollywood, he'll appear in the upcoming Star Wars sequels as an older, mentor-
like, Obi-Wan-esque Luke Skywalker.
Sushi Girl
I was a bit worried when I first saw Sushi Girl's trailer, which is scuzzed up to give it that played-out, "hey, it's a wannabe grindhouse movie" look. Thankfully, the film itself isn't subjected to the same hokey mistreatment. Shot digitally with the Red One camera system, Sushi Girl is actually quite sharp and clean. (The flashbacks do take on an intentionally gritty look, but you'll find no added-in-post scratches or hairs.) Fine, high definition detail is in abundance, particularly in closeups, which reveal tight skin and clothing textures. Color is nicely balanced too, with punchy contrast and grading. From a normal viewing distance, low-light noise is negligible, and there are no real distractions from compression, DNR, or edge enhancement. The image seems true to source, and for such a low-budget production, Sushi Girl looks killer on Blu-ray.
Not content with a 5.1 mix, the filmmakers go all DTS-HD Master Audio 7.1 on our asses, a real rarity for a low-budget indie movie. Granted, I'm not sure the film needs so many speakers at its disposal—Sushi Girl is very dialogue-driven, with only occasional bursts of action—but no one's going to turn down an expanded multi-channel audio track. For the most part, good use is made of all that sound space. When we're in the restaurant, we're enveloped by the steady drum of rain beating down on the outside of the building, punctuated by claps of thunder. Depending on their position around the central table, the characters' voices also emerge with directional precision, so that we might hear, say, Duke from the front speakers while Crow cackles somewhere behind one of our shoulders. There's a sense of accurate acoustics in the room. It all works—clear and full and dynamic. Fritz Myers' provides a score that heightens the onscreen tension, and the opening sequence uses Shirley Bassey's "Diamonds Are Forever" to fantastic effect. The disc includes optional English SDH and Spanish subtitles.
The Sushi Girl Blu-ray is eager to please, arriving with more bonus material than is arguably necessary, including two entertaining commentaries, a long making-of documentary, fake TV commercials, extensive interviews, storyboards for the entire movie, and what is—bar none—the lengthiest outtake reel I've ever seen.
Sushi Girl is a johnny-come-lately to the faux-grindhouse trend that Tarantino first kicked off with Kill Bill, but if you're not yet tired of the genre, the film has more than a few moments of insane and violent glee. The cast alone is reason to see it—where else will you find Luke Skywalker, The Candyman, The Lawnmower Man, and the dude in the Donnie Darko rabbit suit in the same movie? (Plus Sonny Chiba and Danny Trejo!) Mark Hamill's demented performance stands above the rest, and has me excited about the prospect of seeing him in additional live-action films in the future. Magnolia's Sushi Girl Blu-ray release is fully loaded with hours of bonus material, strong picture quality, and a 7.1 lossless audio track, so don't hesitate to pick this one up if you're at all interested.
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