5.9 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
Longing for holidays past, Drew Latham travels to his childhood home to relive the experience of a family Christmas. Unfortunately, his family no longer lives there. This represents only a small obstacle to Drew, who offers the Valco patriarch and his wife a huge sum of money if they consent to pretend they are his parents and that he is a cherished member of the family.
Starring: Ben Affleck, James Gandolfini, Christina Applegate, Catherine O'Hara, Josh ZuckermanComedy | 100% |
Holiday | 43% |
Romance | 33% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
English SDH, French, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 1.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 2.5 |
Surviving Christmas might have been funnier with a different leading man. The director, Mike Mitchell, makes cartoons, either genuinely animated like Alvin and the Chipmunks: Chipwrecked and Shrek Forever After (both hugely successful) or live action like the critically reviled but popular Deuce Bigalow: Male Gigolo (Mitchell's feature debut). Surviving Christmas is the same type of film, since it revolves around a protagonist who isn't so much a person as a two-dimensional concept. He's a shallow, self-centered, demanding and clueless manchild, with just enough of a soft center to allow for a sentimental ending. Adam Sandler has this kind of character down cold, but Mitchell was trying to get a similar performance from Ben Affleck—and Affleck, despite his talents (and, according to his co-stars, a joker's personality off-camera), can't play the clown onscreen. He goes through the motions, and he's surrounded by a solid supporting cast, but the jokes mostly fall flat. Except for an occasional bit, usually where Affleck is not involved, the movie is painful to sit through.
Two cinematographers are credited for Surviving Christmas, Peter Lyons Collister (The Replacement Killers and Deuce Bigalow) and Tom Priestley Jr. (The Thomas Crown Affair). Still, there's nothing distinctive about the photographic style of Surviving Christmas. The film was professionally lit and shot, but dozens of DPs in Hollywood could have provided the same look, which is generic TV sitcom. Warner's 1080p, AVC-encoded Blu-ray of this Paramount/Dreamworks catalog title is a perfectly adequate affair, with sharp, detailed imagery, solid blacks and bright, saturated colors that show off the seasonal decor to good advantage. The credits of Surviving Christmas do not contain any listing for a digital intermediate, so that it appears this 2003 film (released in 2004) was finished photochemically. Some light grain reduction appears to have been applied in the film transfer, but not so much as to reduce detail. Now and again, a hint of electronic sharpening can be detected for those who are looking, but it is not so severe as to cause obvious edge halos. Had Surviving Christmas passed through a contemporary DI facility, the same effects could have been achieved without leaving any trace, and no one would be the wiser. The average bitrate of 23.92 Mbps falls squarely within Warner's usual range of compression and is generally adequate for this non-action material.
The best sound effects in Surviving Christmas' sound mix, presented in lossless DTS-HD MA 5.1, are the simplest, like the clang of a snow shovel when Tom Valco first encounters Drew on his front lawn. Scenes that would seem most likely to present opportunities for clever surround effects tend to be dominated by music (e.g., the death-defying tobbogan ride), either Randy Edelman's inventive pastiche of familiar Christmas music or familiar tunes like "It's the Most Wonderful Time of the Year" sung by Andy Williams. "Cherry Pie" by Warrant plays an unexpectedly important role in this holiday-themed soundtrack.
Every film has its fans, and Surviving Christmas is no exception. Those who vibrate at the film's specific comic frequency can be confident that the Blu-ray delivers decent video and audio, although the disc is light on extras. For everyone else, rent first. If you're like most viewers, once will be more than enough.
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