6.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
When a fashion model dies during an abortion, a series of murders begins, starting with her doctor.
Starring: Edwige Fenech, Nino Castelnuovo, Femi Benussi, Solvi Stubing, Amanda (I)| Horror | Uncertain |
| Foreign | Uncertain |
| Mystery | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
Italian: DTS-HD Master Audio 2.0
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
48kHz, 24-bit Italian & English.
English, English SDH, French, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 2.5 | |
| Overall | 3.5 |
Andrea Bianchi's "Nude per l'assassino" a.k.a. "Strip Nude for Your Killer" (1975) arrives on Blu-ray courtesy of Blue Underground. The supplemental features on the disc include Italian and international trailers for the film; poster and still gallery; and interviews with actress Solvi Stubing and co-writer Massimo Felisatti. In English or Italian, with optional English, English SDH, French, and Spanish subtitles for the main feature. Region-Free.

The last drink

Presented in an aspect ratio of 2.40:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Andrea Bianchi's Strip Nude for Your Killer arrives on Blu-ray courtesy of Blue Underground.
The release is sourced from an older master with a familiar flaw -- all visuals are covered by a layer of light machine noise. Depending on how light was captured by the camera, some of it could be distracting (see screencapture #11), but elsewhere, for instance where brightness levels are toned down, it is quite easy to tolerate (see screencapture #4). The good news is that there are no traces of overzealous sharpening corrections. Shadow detail is also a lot more convincing than it is on Blue Underground's previous DVD release of the film. The darker sequences are also free of distracting macroblocking patterns. Color stability is greatly improved, but color saturation could have been better. Additionally, there is no edge flicker, while scratches, cuts, and damage marks have been effectively removed. All in all, despite the various issues and limitations described above, the Blu-ray release still represents a step-up in quality over the DVD release. It has to be said, however, that a slightly better scan would have produced a substantially better image quality. (Note: This is a Region-Free Blu-ray disc. Therefore, you will be able to play it on your Blu-ray regardless of your geographical location).

There are two audio tracks on this Blu-ray disc: English DTS-HD Master Audio 2.0 and Italian DTS-HD Master Audio 2.0. For the record, Blue Underground have provided optional yellow English (for the Italian version), English SDH, French, and Spanish subtitles for the main feature. When turned on, they appear inside the image frame.
As far as I am concerned, the English DTS-HD Master Audio 2.0 track is a good enough reason to upgrade your DVDs. Berto Pisano's outstanding soundtrack gets a strong boost that enhances the campy atmosphere exceptionally well (listen to the long sax solos). Overall sound depth is also improved, though dynamic progression is fairly limited (the film's sound design simply does not favor a wide range of nuanced dynamics). The dialog is crisp, clean, and easy to follow. There are no serious sync issues, though the more careful viewers will likely notice that some lines could be just a tiny bit off because of the overdubbing.


Italian directors produced some truly intriguing films during the '70s and '80s. Most did exactly the opposite of what the older Neorealist directors did before them -- they started looking for inspiration outside of Italy. For example, many frequently imitated and borrowed from what they thought were big trends overseas, only to eventually realize that their work was also imitated across Europe and America. Andrea Bianchi's Strip Nude for Your Killer is a rather entertaining Eurotrash experiment, which essentially blends the aesthetics of giallo and erotica. Its plot is fairly basic, but not its atmosphere, which is unquestionably its biggest strength. I enjoy films like it a lot because they are almost never politically correct and therefore quite revealing about the various obsessions and taboos that defined post-war Italian culture. RECOMMENDED.

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