7.3 | / 10 |
Users | 3.8 | |
Reviewer | 5.0 | |
Overall | 3.8 |
Rock and Roll singer is taken captive by a motorcycle gang in a strange world that seems to be a cross of the 1950's and the present or future. Her ex-boyfriend returns to town and to find her missing and goes to her rescue.
Starring: Michael Paré, Diane Lane, Willem Dafoe, Rick Moranis, Amy MadiganMusic | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 4.1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Three-disc set (3 BDs)
4K Ultra HD
Region A (C untested)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 5.0 |
Walter Hill's Streets of Fire (1984) is being released by Shout Select in a three-disc "Collector's Edition" that includes a recent 4K scan of the original camera negative. The film is presented in Dolby Vision on the 4K Ultra HD along with a recently created Dolby Atmos track ("DISC ONE"). The 4K restoration is downsampled to 1080p on the Blu-ray, which also carries the Atmos mix ("DISC TWO"). All of the previously available bonus materials are collected on a separate BD-50 ("DISC THREE"). I have covered the movie on two prior editions put out by Shout: a 2017 "Collector's Edition" and a 35th Anniversary Edition SteelBook that features a then-new DTS-HD Master Audio 4.1 Surround track made from the 70mm six-track magnetic audio master. That mix has been ported over here, too.
Streets of Fire was the beneficiary of a recent 4K restoration and appears here in its original theatrical exhibition ratio of 1.85:1 on a BD-100 and BD-50. All of the screen captures are taken from the new transfer and displayed in 1080p. Much of the picture was shot at night and the Dolby Vision renders the blacks crisp and deep with no crush. Frame grab #9 is an illustrative example of these attributes inside the police car. Shafts of light in certain shots (such as the one inside the concert auditorium's entrance) are contrasted well with pure darkness in other parts of the composition. Grain is consistently well-balanced. There are no large chunks of grain. Grain is pretty well-distributed throughout the frame. Neon and the bright hues on the color spectrum gleam on the damp streets (see Screenshot #s 14 and 15). Daylight scenes are gray but sharp. The Dolby Vision and HDR do a bang-up job of bringing out facial details in close-ups (see screen captures 6 and 7) and medium shots. For instance, I could see the pores and creases on McCoy's (Amy Madigan) face quite well. Distant background planes, such as the one showing the squad cars filmed from inside the The Sorels's bus (see #11), are rendered with remarkable clarity. There are occasional infinitesimal white specks and small pockets of dirt seen during editing wipes and scenic transitions. My video score for the UHD and and Blu-ray transfers are 4.75/5.00.
Shout delivers a dozen chapter breaks on the two discs for the 93-minute feature.
New to this release is a Dolby Atmos track (Dolby TrueHD compatible with a standard bitrate of 4921 kbps: 7.1+11 objects; 24-bit). Carried over from the SteelBook is a DTS-HD Master Audio 4.1 Stereo Surround mix (3752 kbps, 24-bit). In addition, there's the original DTS-HD Master Audio 2.0 Stereo mix (2129 kbps, 24-bit), which appeared on the prior two US Blu-ray releases. Since I have already examined the 2.0 and 4.1 mixes on the earlier Blu-rays, I will just focus on the Atmos mix here. All of my speakers were active and lively. Performances of song numbers carried across the entire sonic spectrum. My height channels made excellent use of discrete f/x, particularly motorcycles and Studebakers cruising down the streets. I could even hear characters stepping on gravel along the fronts. Dialogue is sometimes faint and distant coming from the center channel but this is due to the age of the sound track's recording and not a mastering deficiency.
There are optional English SDH for the feature on Disc One and Disc Two.
DISC THREE (BLU-RAY—SPECIAL FEATURES)
Streets of Fire has really grown on me with each new viewing. I especially appreciated all it has to offer on this 4K presentation. With the addition of an Atmos track, Shout Select has assembled the definitive package of the film on home media. This three-disc set is a MUST OWN that earns my HIGHEST RECOMMENDATION.
1987
Collector's Edition
1982
1975
1967
2016
1985
2019
1984
1979
Collector's Edition
1986
Ultimate Director's Cut
1979
Corrected Audio
1993
1988
1986
Standard Edition
1989
Retro VHS Collection
1989
Warner Archive Collection
1993
1996
1974
Extended Director's Cut
1968