6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
After serving time for bank fraud, Kiriko now lives a quiet life as a taxi driver working night shifts… but her peace is shattered by a relentless stalker in a Land Cruiser.
Starring: Yûko Natori, Kôjirô Kusanagi, Takashi Naito, Kentarô Shimizu, Meika Seri| Foreign | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
Japanese: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 3.0 | |
| Audio | 3.5 | |
| Extras | 1.5 | |
| Overall | 3.0 |
Note: This film is available on Blu-ray as part of the V-Cinema Essentials: Bullets & Betrayal collection from Arrow Video.
In 1976 folks in the United States were celebrating the bicentennial anniversary celebration of a famous revolution, but another revolution
of
a technological rather than a political variety was just beginning to unfold across the ocean in Japan at virtually the same time. That was the year
that
VHS began its scrappy
upstart status against Betamax in a format war which in its day was probably at least as notorious as the one that decades later marked the rollout
of
high definition home video with competing HD-DVD and Blu-ray formats. Betamax of course ultimately lost that battle (rather incredibly both
Betamax
player and VCR production extended well into the 21st century, despite having been supplanted by disc formats), and by the time Toei had the
bright
idea to start producing direct to video releases in 1989, VHS was the dominant format. In a way it's kind of fascinating to compare and contrast
Toei's decision to provide "product" to its chain of video stores with the way the major Hollywood studios used to provide feature films for the
theater
chains they owned until United States v. Paramount Pictures, Inc. forced the studios to divest those properties in 1948. One way or the
other, despite economic tribulations in Japan which had severely impacted (theatrically exhibited) movie attendance, the direct to video market
exploded for Toei, so much so that other major (and minor) Japanese studios soon followed suit by offering their own straight to video productions,
though Toei had actually trademarked the term V-Cinema to describe their product. This collection of V-Cinema outings from Arrow
includes a nonet of titles that tend to feature hardscrabble criminal types, including the film that started the whole V-Cinema craze, Crime
Hunter: Bullets of Rage.


Stranger is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.33:1. Arrow lumps all of the films together in their page devoted to the presentations in this set's insert booklet, as follows:
The films in this collection represent a period of film production in Japan in the late 1980s and early 1990s where films were made by the Toei Company specifically for home video. Beginning with Crime Hunter: Bullets of Rage, these "V-Cinema" titles were produced quickly and inexpensively, but afforded filmmakers significant freedom when it came to censorship, resulting in riskier content than what had been produced for cinema distribution.This presentation may be unavoidably hobbled by the frequent use of low light nighttime material, sequences that can often not offer much in the way of fine detail and which can occasionally be further visited by inconsistent black levels. During better lit moments, detail levels can improve markedly, but the overall appearance of this outing is somewhat dowdy and fairly brown looking a lot of the time. Probably understandably, close-ups tend to offer the best detail levels. Grain can be fairly mottled looking, especially in lower light scenes. As with most of the other films in this collection, minor but noticeable age related wear and tear and crop up. My score is 3.25.
As such, the modest origins of these titles can be seen in these presentations. All films have been remastered by the Toei Company in high definition and are presented in the 1.33:1 home video format of the time.

Stranger features LPCM 2.0 audio in the original Japanese. The urban setting gives some opportunities for decent ambient environmental effects, but this is another straight to video release that obviously didn't waste a lot of time designing overly ambitious sonic elements. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


Stranger takes a rather circuitous route on its way to delivering a tale of quasi-female empowerment, and those very detours may overly labor what is in essence a pretty basic narrative despite some gonzo aspects. There are moments of real tension here, but maybe not enough to sustain the entire enterprise. Technical merits are decent (video) to very good (audio), and the supplements enjoyable, for anyone who may be considering making a purchase.
(Still not reliable for this title)

XX ダブルエックス 美しき狩人 / XX: Utsukushiki karyuudo
1994

1991

ザ・ヒットマン 血はバラの匂い / Chi wa bara no nioi
1991

カルロス
1991

女囚さそり 殺人予告 / Joshuu sasori: Satsujin yokoku
1991

オ チンピラ 鉄砲玉ぴゅ~
1990

Danger Point: 地獄への道
1991

クライムハンタ- 怒りの銃弾
1989

La faille | Limited Edition
1975

鐵觀音 / Tie guan yin
1967

1984

Slipcover in Original Pressing
2019

Limited Edition
2020

The Assassination / L'attentat
1972

Der Fluch der Gelben Schlange
1963

La maison des filles perdues
1974

A doppia faccia
1969

Brigade of Death | Brigade des moeurs | Standard Edition
1985

La morte ha fatto l'uovo | Special Edition | 2K Restoration
1968

Slipcover in Original Pressing
2016