Rating summary
Movie | | 4.0 |
Video | | 4.5 |
Audio | | 4.0 |
Extras | | 4.5 |
Overall | | 4.0 |
Story of a Junkie Blu-ray Movie Review
Reviewed by Brian Orndorf June 11, 2024
1985’s “Story of a Junkie” welcomes viewers to Hell, or at least a decent replication of it, found in New York City’s Lower East Side during the early
1980s. Director Lech Kowalski goes the cinema verite route for the endeavor, which presents the experiences and thoughts of John Spacely, a drug
addict working the routine of his life in an especially rough neighborhood. The helmer creates a spare, unflinching look at this daily struggle, but
“Story of a Junkie” doesn’t seek to help Spacely, simply generating a dramatic space for him to exist in. It’s a picture of thoughts and addictions, and
while it tends to get a little lost in occasional ramblings, Kowalski captures a time and place with authority, displaying misery for all to see.
There isn’t a plot to “Story of a Junkie.” Instead of drama, Kowalski goes observational, following Spacely as he faces daily challenges to his physical
and mental health. It’s not a documentary, using staged moments to achieve an understanding of reality, remaining an effective approach to
understand the “wandering soul” and his struggles. “Story of a Junkie” takes cameras into drug dens to study users and dealers, with the business of
selling cocaine and especially heroin of primary concern to the feature. These systems of supply and demand are fascinating to see, watching as
desperate people visit rotting buildings, offering cash for fixes, with quality more of a “luck of the draw” situation for all. This understanding of
commerce is often wild to witness, bringing a bizarre sense of order to chaos.
Spacely is the lead performer in “Story of a Junkie,” with details from his life periodically coming into view. He has a girlfriend of some sort in
Suzanne, and photos from his California upbringing are shared. Spacely buzzes around the neighborhood on his skateboard, and when he’s not using,
he’s focused on making money to purchase a fix, referring to it as an “adventure.” Needle use is quite real in “Story of a Junkie,” and Kowalski often
includes unnervingly quiet moments to remind viewers of the end game, with these temporary pauses followed by groggy thoughts shared by
bombed-out people. The scenes tend to bring the endeavor to a full stop, though the creative intent is clear, offering time to understand the chemical
change in users.
Story of a Junkie Blu-ray Movie, Video Quality
The AVC encoded image (1.33:1 aspect ratio) presentation is listed as "newly scanned and restored in 4K from its 16mm original camera negative."
There's a level of age to the source, with mild scratches and judder, and some brief frame damage is encountered. Detail reaches as far as possible,
offering a decent look at the world of "Story of a Junkie," which takes viewers into dilapidated buildings and around ruinous city streets. Texture is
decent with locations, and character appearances are appreciable. Skin surfaces also do well. NYC distances are dimensional, and the claustrophobic
nature of the drug dens is preserved. Color is capable, with a cooler sense of street activity, which mostly takes place at night. Signage and lighting
offers brighter hues, and Spacely's appearance registers with distinct hair color and fashion choices. Blood red is also defined. Delineation is
satisfactory. Grain is heavy and film-like.
Story of a Junkie Blu-ray Movie, Audio Quality
The 2.0 DTS-HD MA mix obviously isn't built for power, and some age and technological limitations are encountered during the listening event. For the
most part, dialogue exchanges are clear, listening to story time from the characters or their scattered street conversations. Unintelligibility isn't an issue
here. Scoring and soundtrack cuts are acceptable, supporting the movie's atmosphere. Atmospherics are appreciable.
Story of a Junkie Blu-ray Movie, Special Features and Extras
- Soundtrack CD is included.
- "The Dance of Death" (18:52, HD) is an interview with director Lech Kowalski, who identifies the cultural importance of
the Lower East Side, inspired to make a movie about the location and the path of drugs in the neighborhoods. Endeavoring to capture "real life," the
helmer hunted for a way to work a story into his filmmaking interests, starting his journey by collecting footage. The interviewee examines his
neorealism inspirations, using these ideas to help shape characterizations in "Story of a Junkie." He also explores how his cast came together, working
to wrangle some of the personalities, following their lead when dealing with local criminals, moving carefully to document the scene. Kowalski also
recalls the creation of the mural in the feature, and his relationship with John Spacely.
- "Thirteen Weeks of Hell" (10:37, HD) is an interview with editor Val Kuklowsky, who was L.A.-based when he was
introduced to director Lech Kowalski. The interviewee tracks his introduction to the world of editing, facing a major challenge in the shaping of "Story
of a Junkie," fighting to create a narrative and figure out a creative approach to the feature. Kuklowsky discusses his interactions with John Spacely,
and his appreciation of his presence on film. The lasting power of "Story of a Junkie" is also celebrated.
- "Drop the Needle" (12:13, HD) is an interview with composer Chuck Kentis, who started playing in bands in the 1970s,
finding the scene around New Jersey, where he met Val Kuklowsky's brother. Getting a gig through the connection, Kentis used his experience to
create the sonic landscape of "Story of a Junkie." The interviewee examines his musical inspirations and achievements, hunting for an unusual sound,
especially when focusing on needle-centric sequences. Kentis also shares his own experiences in the drug scene, responding to the reality of "Story of
a Junkie."
- Archival Interview (10:17, SD) is a discussion of "Story of a Junkie" with producer Ann Barish, conducted by Troma
Entertainment's Lloyd Kaufman. The pair discuss the authenticity of the movie while walking the streets of New York City, with Barish identifying
efforts to corral the cast and secure the neighborhood. She also explores the life and times of John Spacely, and highlights critical and audience
response to the film, reinforcing how hard the production worked to avoid preachiness. The pair are eventually interrupted by a pedestrian willing to
share his story of addiction and recovery.
- "The Last Stop on the Train" (4:31, HD) is a brief interview with Troma Entertainment's Lloyd Kaufman, who celebrates
the authenticity of "Story of a Junkie," and its depiction of New York City at the time. Admitting that director Lech Kowalski wasn't delighted with the
choice of Troma as a distributor, Kaufman shares release efforts and roadblocks, and praises the picture's quality, suggesting the movie is something
"film lovers become addicted to."
- A Trailer has not been included on this release.
Story of a Junkie Blu-ray Movie, Overall Score and Recommendation
"Story of a Junkie" certainly isn't an easy sit. Viewers are treated to some graphic imagery with needle use and dope-sickness, and Spacely details a
few horrific experiences in his life, including his casual disposal of a miscarried fetus. There's an educational value to the film that keeps it compelling,
allowing viewers to explore the Lower East Side event as it once was, with its post-apocalyptic atmosphere and volatile residents. "Story of a Junkie"
remains interesting even at its most disturbing and hopeless, offering a vivid tour of the neighborhood and the strange personalities of its desperate
inhabitants and visitors.