8.8 | / 10 |
Users | 0.0 | |
Reviewer | 5.0 | |
Overall | 5.0 |
The famous concert movie by rock band Talking Heads, filmed over four nights in 1983 at the Pantages Theater in Hollywood.
Starring: David Byrne, Bernie Worrell, Alex Weir (I), Steven Scales, Lynn MabryMusic | 100% |
Documentary | 59% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: Dolby Digital 2.0 (192 kbps)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
Movie | 5.0 | |
Video | 0.0 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 5.0 |
The sight of David Byrne wearing a comically oversized white suit in Stop Making Sense has become so iconic that some people who haven't seen this concert film mistakenly believe the Talking Heads frontman is clad that way for the entire performance (he isn't). But the image of Byrne garbed that way has also so matriculated into the general cultural zeitgeist that none other than Nicolas Cage dons a similar outfit (albeit gray this time) in the gonzo finale of Dream Scenario, a film which perhaps not so coincidentally was, like this latest release of this film, put out by those weird and wacky folks at A24.
Note: Screenshots are sourced from A24's standalone
1080 release. Per A24's usual way of doings things, this release does not include a 1080 disc, which is why the 2K video score above
has been intentionally left blank.
Stop Making Sense is presented in 4K UHD courtesy of A24 with an HEVC / H.265 encoded 2160p transfer in 1.85:1. Sourced from a
negative once
thought to be lost (those interested should do a bit of internet sleuthing vis a vis the "snark hunt" to find both video and audio elements for
this release) and finished at 4K for this new version, this release easily bests the old Palm Pictures release (though I was evidently assigned to it at the
time, Cinedigm never provided a screener for their release of
Stop Making Sense, so I can't compare, though my hunch is it replicates the Palm Pictures release). While this shows the same sorts of
improvement in palette and detail levels I mention in my review of A24's 1080 release, there frankly may not be that huge of a difference between this 4K UHD version and the
1080 release, and as I often tend to think with these shot on film releases, I also frankly wouldn't be surprised if some preferred the 1080 version
simply because the increased resolution of this version makes the rather heavy, at times pretty splotchy and often yellowish grain even more
noticeable. Grain is so heavy and resolution so pronounced in this version that grain can almost be "wave like" with a rippling quality as light
values change, as in some of the panning shots behind drummer Chris Frantz, an anomaly that is, yes, visible in the 1080 version but nowhere near as
pronounced. Dolby Vision / HDR probably aids somewhat in some shadow definition, but otherwise tends to shine mostly in some of the intentionally
"stylish" backdrop moments that add swaths of red or blue.
While this release offers a nice sounding Dolby Atmos remix, the one place where some may feel this release is a relative "fail" is the fact that its
so-called "original stereo mix" offering is in Dolby Digital 2.0, whereas the older Blu-ray release offered an LPCM 2.0 track. The Atmos track may
take a little while to
fully "announce" its immersive capabilities, due simply to the fact that Byrne starts the concert alone, and any "surround activity" is largely relegated
to
audience reaction and hall ambience, and in that regard it is interesting to note that the crowd sounds are more inclined to be placed in the side and
especially rear channels than blasting up and out of the Atmos speakers, and this is another Atmos mix that may in fact not be substantially different
from a "traditional" surround mix, even though this disc doesn't offer a standard 5.1 or 7.1 choice. While the Atmos engagement may be
intermittent, "surround activity" in its usual sense becomes more consistent by the time the entire band is on stage and things have kicked into high
gear. The slight sync issues Casey noted on tunes like "Thank You For Sending Me An Angel" can still be spotted, if barely. One final potential "fail"
for audiophiles here may be the fact that the Palm Pictures release offered not just that aforementioned lossless stereo version, it offered two
different 5.1 mixes.
Note: I encountered a pretty substantial if thankfully momentary glitch with this disc that I did not experience with A24's 1080 release.
Audio simply would not play at disc boot up, and my receiver remained in "Stereo" mode with no audio even after I deliberately chose
Atmos and started the feature. Stopping and restarting did nothing, and even ejecting and reinserting the disc did nothing. On my third try, I finally
got Dolby Digital audio on the menu, and finally was able to engage the Atmos track for the feature. This may have just been one of those
inexplicable "ghosts in the machine", but I'm mentioning it here in case anyone else runs into it.
As with the unusual size of this release, there's a good news / bad news component to the supplements. The bad news is that not all of the
supplements from old Palm Pictures release have made it to this one. The good news is, what's here is excellent.
- Stop Making Sense: Talking Heads Extended Cut (2023) (HD; 1:39:43) includes "Cities and "Big Business / I Zimbra", and includes "previously unseen / newly restored negative".
- Stop Making Sense: Jonathan Demme Extended Cut (1985) (SD; 1:38:55) also includes "Cities" and "Big Business / I Zimbra", and is sourced from the 1989 LaserDisc and in 1.33:1.
- Cities (HD; 4:04) is sourced from the 2023 Talking Heads Edit.
- Cities (HD; 3:51) is sourced from the 1985 Jonathan Demme Edit and the 1999 DigiBeta.
- Big Business / I Zimbra (HD; 7:41) are sourced from the 2023 Talking Heads Edit.
- Big Business / I Zimbra (HD; 7:47) are sourced from the 1985 Jonathan Demme Edit and the 1999 DigiBeta.
Talking Heads is/are completely sui generis, and their weird and wild proclivities are brought wonderfully to life in this iconic concert performance. Technical merits are generally solid, though I'm sure some will find the lack of a lossless stereo track and the omission of different surround mixes a disappointment. Otherwise, though, this is another handsomely packaged effort from A24 that includes outstanding supplements. Highly recommended.
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