7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A group of feisty, talented young performers pool their resources and buy a dilapidated theatre to showcase their acts – but unscrupulous property developers also want the theatre and resort to dirty tricks to disrupt the first night's performance!
Starring: Nat Jackley, Pat Kirkwood, Bonar Colleano, Dorothy Squires, Jack Jackson (II)| Foreign | 100% |
| Comedy | Insignificant |
| Musical | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: LPCM 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B, A (C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 3.0 | |
| Overall | 3.0 |
The annals of Hollywood musicals are full to the brim with "hey! we have a barn/theater/unused venue, let's put on a show!" setups, notably in a number of well remembered efforts from Metro Goldwyn Mayer. For something rather similar, albeit with a bit of a foreign flavor, 1956's Stars In Your Eyes offers the same general idea, this time in England, just as surprisingly long lived music hall entertainments are expiring, and performers are seeking new avenues to ply their trade. There's therefore a kind of melancholic undertow to what would otherwise be the story of young (?) singers, dancers and comedians banding together since, popular tastes (meaning television) be damned, "the (live and in person) show must go on". In fact, television rears its "ugly" head in this enterprise, as married performers Jimmy Knowles (Nat Jackley) and Sally Bishop (Pat Kirkwood) have to decide whether it's actually better to be unemployed than to suffer the indignities of appearing on the small screen.


Stars in Your Eyes is presented on Blu-ray courtesy of Network with an AVC encoded 1080p transfer in 2.35:1. Network only sent a check disc for purposes of this review, and so I'm not privy to any information that might be included in an advertised insert booklet, but in doing some background research in preparation for this review, I discovered that there had been an Indiegogo fundraiser for a restoration, which included this verbiage:
Stars in Your Eyes has not been seen for many years. The only print is in very poor condition and would not survive the scanning process necessary to make it available to be viewed. There is just one surviving original copy of the 35mm Eastmancolor negative that must be converted to digital format in order to restore and preserve this slice of British film history. We are appealing to you, as someone who shares our passion for classic British film, to help to bring this title back to life. Stars in Your Eyes not only has unique and wonderful performances but also shows a great part of our social history, fashions and passions from the 1950s.That fundraising appeal is (obviously) now closed, but from the looks of things, Adelphi fell far short of their $25,000 fundraising goal, raising only around $5,000, which may indicate that the film is not even that well known and/or well regarded in England, despite the studio's statements to the contrary. However, this restoration does a largely commendable job, especially in terms of having eliminated any huge signs of age related wear and tear. The Eastmancolor palette tends to fluctuate pretty widely, however, with some scenes looking relatively natural and nicely suffused, and others having less pleasing densities and with primaries skewed toward a kind of pastel look, often with an almost pinkish hue. Detail levels are generally very appealing, and the film has a nicely burnished production design in terms of both costumes and sets, all of which look nice and precise throughout, even when the palette can be a bit wonky. If the element looked anything like the washed out trailer included on this release as a supplement, the restoration effort here was nothing short of heroic.
Please help to raise the money to make the restoration happen this year – an important year for Adelphi Films as it's our 80th anniversary. Adelphi Films is a small outfit with a big task. We struggle financially and any money that we do receive goes straight in digitising more titles. Stars in Your Eyes is our biggest project to date. It is our only film in colour and we just don't have the money to do this one alone. So as well as some great perks, you will also have the satisfaction of knowing that you are making a really important contribution to British film history.
The money will be used to digitise and restore Stars in Your Eyes from the 35mm negative that is in the BFI archive. Restoration is a complex, painstaking and skilled process that must be done by a human expert, frame by frame. Adelphi Films have successfully remastered and restored over 20 of our titles during the past 10 years. The more funds that we can raise the more time can be given to the restoration, and the higher the quality of the finished product. We will work closely with archive and technical experts to make sure that the restoration of 'Stars in Your Eyes' is done to the highest standard possible in both sound and video. If we don't reach our funding goal we will seek other sponsorship and continue to work towards remastering this wonderful film. Any money you donate will go directly to the restoration.

Stars in Your Eyes features an LPCM 2.0 Mono track that has slight but noticeable distortion that creates a kind of rumble in the midrange in some of the musical elements. That said, dialogue and sound effects tend to make it through the gauntlet of age related wear and tear rather well overall. Optional English subtitles are available.


Fans of The Hitchhiker's Guide to the Galaxy may get a kick out of screenshot 19 I've included with this review, as it perhaps hints at a subliminal reason for the name of one of Douglas Adams' characters. This release is probably the very definition of a niche product, and for those interested in mid-1950s British musical fare, this memorializes a number of now largely forgotten performers in a bright and colorful way. The restoration of what was evidently a problematic element encounters some hurdles in both video and audio, but the supplementary package is quite enjoyable and should be appreciated by cultural historians in particular.