7.5 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.0 |
An alien's ship crashes on Earth, and, to avoid detection, he transforms himself into a physical replica of the deceased husband of a young woman, whose house is the first he comes upon in the woods. He then must assuage her fears, learn how to adjust to his human form, and use her help to get to the Arizona crater where the mother ship awaits him. Things get complicated when the two fall in love and the alien is pursued by U.S. government agents attempting to capture him.
Starring: Jeff Bridges, Karen Allen, Charles Martin Smith, Richard Jaeckel, Robert PhalenSci-Fi | Insignificant |
Drama | Insignificant |
Adventure | Insignificant |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 4.0 |
After Christine held the number one spot atop the box office (as well as placing first on the New York Times bestseller list), Columbia Pictures offered John Carpenter the opportunity to direct a romantic comedy, a rarity for the sci-fi/horror master. Starman had already been in development for about four years at the studio. Columbia contemplated (rather infamously) whether it should back that project or Spielberg's E.T.. In an interview with the Detroit News' Susan Stark, Carpenter recalled that studio conducted market research on the concepts of both Starman and E.T. and the former pulled out in front. Four previous directors of Starman either bowed out or were fired. According to film journalist Deborah Jerome, these included Adrian Lyne, Mart Rydell, John Badham, and Tony Scott. Bruce A. Evans and Raynold Gideon wrote the first draft of the script. Dean Riesner was brought in to do a rewrite and reduce the similarities to E.T. Carpenter says he was brought in October 1983 by Columbia's top brass. Working with a budget of $24 million, Carpenter and his crew filmed Starman over the course of seventeen weeks. The Philadelphia Inquirer's Rick Lyman reported that the movie had preview screenings on the West Coast and test audiences received them "exceptionally well." Carpenter told Lyman that Columbia did a word-association survey with patrons. When test marketers gave them only John Carpenter's name, it didn't signify anything. However, when they paired the director's name with a particular film, respondents associated it with "good" movies (not "horror" movies or a specific genre).
For a story synopsis and analysis of the film, please see my colleague Marty Liebman's review of an earlier edition here.
Scream Factory has brought Starman to Blu-ray as a Collector's Edition that comes with a slipcover and reversible poster art on the inside. Carpenter's eighth feature appears in the director's favorite aspect ratio of 2.35:1 (which mimics the original theatrical exhibition) on this MPEG-4 AVC-encoded BD-50. This 2K scan appears to be sourced from the same print prepared by Sony, which Marty reviewed about a decade ago. The image looks smooth and film-like without any artifacting. Scream has encoded the feature at an average video bitrate of 25994 kbps.
Scream accommodates the nearly two-hour film with the studio's de-facto twelve scene selections.
Scream supplies a DTS-HD Master Audio 5.1 Surround remix (2945 kbps, 24-bit), which is essentially a refashioning of Sony's Dolby TrueHD 5.1 track. I thought the DTS-HD MA really came to life during the film's climatic sequence. Jack Nitzsche's warm and wistful score is given a well-balanced presentation. Production information reveals that Nitzsche performed it entirely on the
Synclavier Digital Music System; it's one of the rare electronic scores from the Eighties that doesn't sound dated. My comments echo Marty's from his critique: "Background information is superb, too; chatter and the sounds of clunky 1980s computers, ringing telephones, and other niceties fill the soundstage in several scenes, creating a fairly realistic audible atmosphere. The presentation of the score never disappoints as it is delivered with the utmost clarity across the front. Dialogue reproduction never falters."
I watched Starman a second time with the optional English SDH enabled and the transcription looks complete with no misspellings of characters names and the like.
Starman proves how successful a crossover auteur John Carpenter really is and how capable he is of making a moving romantic comedy. Jeff Bridges is completely convincing as the humanoid and was deserving of his third Academy Award nomination, which is still the only Oscar nod for a Carpenter film. Scream Factory has repurposed the same transfer and sound mix from Sony's Blu-ray ten years ago. The film looks and sounds very good. We finally have the archival commentary with Carpenter and Bridges. The new documentary runs under a half hour and includes quality nuggets from the filmmakers but I wish it could have been longer. Scream has also added its usual ancillary features. If you own the Sony disc, I'd advise waiting for the price to go under $20. A STRONG RECOMMENDATION for a CE that receives a moderate upgrade over its predecessor.
1986
Roger Corman's Cult Classics
1978
1967-1968
Collector's Edition
1988
1978
2018
2+5: Missione Hydra
1966
1986
Five Million Years to Earth
1967
1964
2014
First Printing DigiPak with Slipcover
1976
1986
1955
Limited Edition
1985
1988
1980
1983
Roger Corman's Cult Classics | 30th Anniversary Special Edition
1980
2014