Rating summary

Movie		3.5
Video		5.0
Audio		5.0
Extras		4.5
Overall		4.5

Star Wars: The Last Jedi 3D Blu-ray Movie Review

Reviewed by Martin Liebman April 29, 2018

Though vague, some parts of the review could be considered spoilers for 'The Last Jedi.'

“This is not going to go the way you think!” Luke Skywalker proclaims in the trailer for, and during a pivotal moment in, Writer/Director Rian Johnson’s Star Wars: Episode VIII - The Last Jedi. Props for truth in advertising. With a flick of the wrist and a lightsaber tumbling down to a couple of curious Porgs, Johnson appears to erase the entirety of purpose from The Force Awakens, this film's predecessor, which centered on, beyond introducing a new generation of Star Wars characters, the search for Luke Skywalker, the Jedi who had once led the charge in ridding the galaxy of the Empire, spearheaded by the tyrannical Darth Sidious and Luke's own father, Darth Vader. Johnson rewrites the character from hero to hermit, from Jedi Master to jaded recluse who would rather see the last remnants of the Jedi order burn -- literally and metaphorically -- rather than aid the fledgeling, outmanned, outgunned, and overwhelmed Resistance, even as his sister Leia Organa and friends Chewbacca, C-3PO, and R2D2 continue the good fight. No longer a champion of freedom from oppression and the savior who destroyed the Empire and in death freed his father from the Dark Side, he is now a man living in pain and doubt who has given up on everything that has made him legend.

And that needed to be addressed. That’s the elephant-in-the-room contrivance of these new movies. Luke saved the galaxy but it was all for naught. He blew up the first Death Star, lost his hand, learned Darth Vader was his father, turned him from the dark side, watched the emperor tumble down a hole, and fled the fiery remnants of the second Death Star, but none of it, apparently, mattered. The galaxy that’s far, far away has given rise to new villains with bigger weapons and badder attitudes. Nothing has changed. Luke has realized he cannot fix the universe, that there will always be a dark and a light, that one cannot exist without the other, and he may have even played a part in creating the new evil that’s terrorizing the galaxy. But by giving up he is essentially throwing in the towel on keeping balance, all but allowing the darkness to prevail and the light to fade, the spark that might ignite the fire that will destroy the First Order to never flicker alive. Luke has chosen to “do not” and allow chaos to reign because of his broken spirit. Perhaps he is the last Jedi, then, living out his days as a spiritually bankrupt individual who would save himself to live a life of emptiness in seclusion rather than make a final stand in an effort to stave off evil one last time. That's the choice he'll have to make, forced upon him by the young Rey (Daisy Ridley), with whom the force is strong, as the film otherwise follows the last few remaining Resistance fighters, including General Leia (Carrie Fisher), hotshot pilot Poe Dameron (Oscar Isaac), stormtrooper-turned-rebel Finn (John Boyega), and Rose Tico (Kelly Marie Tran) as the First Order, led by the malicious General Hux (Domhnall Gleeson), the powerful Dark Master Kylo Ren (Adam Driver), and the vicious Supreme Leader Snoke (Andy Serkis) pursue the resistance fleet, running on fumes and with no means of escape towards unavoidable oblivion.

The Last Jedi is a film of extremes. Johnson has taken not only the new set of films, but also the series, in a radically new direction. It's easy to find faults with it, and it's easy to sing its praises. The film's tonal presentation is perhaps its most glaring weakness, overwrought with needless humor that interferes with the dramatic currents that build the narrative -- as flimsy as it may sometimes be -- and often appear in the film simply to move merchandise, in the Porg's case, or simply to tickle Johnson's fancy. Essential, plot-critical humor works -- Poe Dameron stalling the First Order at film's open, BB-8 playing hero later on -- but with a story as dark and daring as this, the laughs, which oftentimes are met more with a groan rather than a guffaw and almost always undercut a more serious scene, only get in the way. The Porgs are the worst thing to ever happen to a Star Wars film. Yes, Jar Jar was silly but the Gungan at least stood in to make a critical, galaxy-shaping vote at one point in the prequel trilogy, elevating himself from crude comic relief to critical cog in the franchise. Even the cute Ewoks helped the Rebellion fight a tide-turning battle. Chewbacca only brushes a Porg aside when it gets in his way during a battle; they literally serve no purpose.

Another problem is the film's repeated efforts to recap the plot. Lines about the urgency of finishing a mission, the fleet running out of fuel, spelling out the film's most essential arcs dog and clog the film at random, as if Johnson feared that the audience could not keep up with the basics, maybe because the film is so otherwise overstuffed with stuff. Then, of course, comes the "Flying Frozen Princess" scene, this film's outer-space face-palm moment reminiscent of a classically goofy bit near the end of Superman IV. Defenses and detractions for that scene, and everything else controversial about The Last Jedi -- pretty much every frame (though maybe nobody has found reason to complain about the movie's familiarly bold yellow title card) -- have been written ad nauseam from every conceivable perspective. Audiences have made up their minds on what is easily the most controversial installment of the Star Wars universe, but maybe giving it a second spin, removed from the initial viewing, will allow the movie to play in more positive, but not perfect, light.

And this is very much Johnson's film in other ways, too. It's easy to see what he wanted to accomplish with it, primarily that he's whittled the Resistance down to a slogan. At one critical point in the movie, one character is set to sacrifice himself for the greater good, to destroy a weapon kamikaze-style, to allow the Resistance to live to fight another day. But at the last moment, his vehicle is knocked away by another character who says to him that it's not by "fighting what we hate but by saving what we love" that will win the day, even if his sacrifice meant saving many others. That's essentially the idea behind the whole movie. The Resistance is no longer about waving around guns and blowing stuff up. Poe Dameron is chastised and demoted in the film for taking the fight to the First Order at the expense of many lives and Resistance material. Heretofore stalwart Jedi Luke Skywalker has turned his back on both the Jedi and the Resistance, having witnessed its futility and living with his own failures as a teacher of the old ways. Now, the Resistance is about bringing hope to the hopeless. The film ends on a shot of a young boy, with some force abilities, looking to the heavens and dreaming of a time when peace and freedom rule the galaxy. But then again, chances are that the First Order isn't going to talk peace in Episode IX. Defeating it will require lightsabers and blasters. But the crux of the story isn't about merely defeating bad, it's about how to be good even when bad has all but erased any hope for the future.

As a Star Wars film, The Last Jedi does much to reshape the universe and forward the characters, but at the same time very little happens. The essential plot arc revolves around a low-speed intergalactic chase with Resistance ships running out of fuel and the big bad First Order ships (remember "there's always a bigger fish?" Well, there's always a bigger ship, too) in pursuit. Apparently they are just out of range for their weapons to be effective against Resistance shields. It's silly, and the result is another of the film's controversial sequences in which Finn and newcomer Rose travel to a casino in order to find a high-roller gambler who can, according to The Force Awakens' Maz Kanata, disable the First Order's ability to track the Resistance though hyperspace. But that's just a framework for the character arcs that follow, some of which are substantial -- Rey's heritage revealed, her relationship with Kylo Ren and his own evolution, Luke's choices -- and some of which are not, including killing off a beloved character off-screen, the flimsy quasi-romantic relationship between Finn and Rose, and the complete disregard for building any sort of backstory for Supreme Leader Snoke. The film is bloated and not only by its wasted humor; it could stand to trim a good 30+ minutes and tighten significantly. But even with all of its flaws, some major, some minor, the film plays fairly well. Acting occasionally struggles, due often to a flimsy script that has characters repeating plot lines and wrenching in inorganic gags, but action is very well done and Johnson has, if nothing else, given careful consideration to how each character responds to the shifting tonal landscape he's created.

Star Wars: The Last Jedi 3D Blu-ray Movie, Video Quality 

The Last Jedi's region free 1080p 3D release doesn't disappoint. Depth and dimensionality are first-rate. As the film opens, the star field seems to stretch to infinity, and as the film's yellow title card appears and pushes ever further back and shrinks, it never appears to even approach the farthest reaches of vast space. The tilted scrolling text has a mild angle to each letter and is also offset very well and flows smoothly against that same starry background. The movie's 3D depth dazzles from the very first shots. The First Order's Dreadnaught jumps out of hyperspace with a powerful presence. Its tremendous volume and relatively flat surface stretches on as it slowly pushes out of the screen, making for one of the most appealing and visually adept 3D moments one is going to find, embracing both inward depth and outward push in one moment. Every ship in the movie is a wonder in 3D. Each has its own characteristics that make it an appealing exercise in 3D visuals, enhanced by the seamless motion around the screen. Whether hard-angled fighters or sleek Resistance cruisers, there's always a very real sense of volume, size, and shape to each one. Cockpits make for some of the most interesting 3D locales in the film. Whether small one-man spaces, room for several in the Falcon or a First Order shuttle, or the command areas in cruisers, the image presents a perfectly balanced feel for each location's true size and scale. The movie is packed with many more great 3D spaces and moments. The lengthy bomb bays seen in the first battle, the wide-open spaces on Crait, and the water that extends around Ahch-To that stretches as far as the eye can see while the land mass proper is home to interesting slopes and angular rock formations that take full advantage of the 3D format are all amongst the best the movie has to offer. There are too many great moments, examples of both depth and objects and debris that seem to extend beyond the screen's front limits, to mention, but the net effect is excellent all around. Just as important, the 3D presentation suffers from no appreciable loss of detail or color intensity when compared to the wonderful 1080p Blu-ray. The review Z9D panel revealed no signs of scene-breaking crosstalk. It's a shame Disney has not made this disc easily available at retail in the US, but 3D format fans will find it well worth the time and money investment to bring it in from overseas.

Star Wars: The Last Jedi 3D Blu-ray Movie, Audio Quality 

This UK 3D release of The Last Jedi carries over the same DTS-HD Master Audio 7.1 lossless soundtrack from the US Blu-ray. As with other recent Disney titles, volume is very low below reference, which is generally accepted at a calibrated 0Db. The track is superb, but listeners may have to tinker with the volume knob to reach an agreeable volume level to fully enjoy it, particularly if the comfortable range usually falls somewhere blow zero. But at 0Db on a calibrated sound system, the track dazzles. Fine-point movement, exceptional low end output and response, music, dialogue, everything is strikingly and harmoniously presented. Surround coverage is constant and engaging. Ships zip and zoom with perfect stage traversal, matching the on-screen action to create a full 360-degree field of activity. Music presses into the backs as well. It's perfectly integrated throughout the listening area, seamlessly absorbing and boasting exceptional clarity that betrays not a single note, front-end or nuanced, in the classic Star Wars instrumentals. Discrete effects are nicely pronounced and aggressive, whether voices off to the side, blaring alarms on Resistance ships, or atmospherics on various worlds. Dialogue, of course, never falters in clarity, positioning, or prioritization. The sense of total stage saturation, the track's ability to precisely maneuver it all, and engage with the listener in every moment amounts to what is arguably the most impressively engineered Star Wars soundtrack to date.

Star Wars: The Last Jedi 3D Blu-ray Movie, Special Features and Extras 

The Last Jedi contains all of the same supplements from the US release, with the commentary track on disc one and the video-based extras on disc two. The 3D disc contains no extras.

• Audio Commentary: Writer/Director Rian Johnson delivers an enjoyably agreeable track in which he dissects the film to an intimate degree. He discusses the famous fanfare, an alternate opening, visual effects, actors and characters, performances, set details, photographic elements, narrative details, the writing process and developing the film as its own entity and within the larger Star Wars universe, and much more. It's a fascinating track, full of honest insight as well as some typical commentary tidbits. It's a great listen that offers a necessary added insight into the movie.
• The Director and the Jedi (1080p, 1:35:23): An intimate, detailed documentary journey that explores the making of the movie from a number of interesting perspectives, packed with raw and honest insight by Rian Johnson and cast and crew, and fascinating footage from sets and rehearsals and production meetings. Broadly, the piece explores, in offset but flowing cadence, scripting, shooting, set and prop building, on-set life, discussions of working with cast and crew, editing, and plenty more. This is a movie and Star Wars fan's dream extra.
• Balance of the Force (1080p, 10:17): Johnson discuses The Force, Luke's motivations in the movie, Rey's place in the universe, the Force connection between Rey and Ren, and the film's final confrontation. Much of this is covered to some degree in the commentary track.
• Scene Breakdowns (1080p): Comprehensive insight into making three of the film's key sequences. Included are Lighting the Spark: Creating the Space Battle (14:23), Snoke and Mirrors (5:40), and Showdown on Crait (12:56).
• Andy Serkis Live! (One Night Only) (1080p, 5:49): Andy Serkis' performance as Snoke in the motion capture suit, prior to the CGI layers that made it into the finished product seen in the film.
• Deleted Scenes (1080p, 23:02 total runtime): Following a Rian Johnson Introduction, the following scenes are included, with optional Rian Johnson commentary: Alternate Opening, Paige's Gun Jams, Luke Has a Moment, Poe: Not Much of a Sewer, It's Kind of Weird That You Recorded That, The Caretaker Sizes Up Rey, Caretaker Village Sequence, Extended Fathier Chase, Mega Destroyer Incursion - Extended Version, Rose Bites the Hand That Taunts Her, Phasma Squealed Like a Whoop Hog, Rose & Finn Go to Where They Belong, Rey & Chewie in the Falcon, and The Costumes and Creatures of Canto Bight.

Star Wars: The Last Jedi 3D Blu-ray Movie, Overall Score and Recommendation 

I hated The Last Jedi after seeing it theatrically. In fact, I had written an anger- and spite-filled page-and-a-half of notes ready to turn into this review. Some of those criticisms still made it into this final publication, but much of it did not. The film plays a fair better, though still with massive flaws, on a second viewing, especially a few months removed from its theatrical debut, allowing time to process it, to filter through the thoughts, to understand with more intimacy what, exactly, it is Johnson wanted to achieve with the film. In fact, "redemption" is a word that comes very close to describing thoughts after a second viewing. It's funny. Perhaps the first time it disappointed for failing to meet expectations and the second time it worked better for surpassing nonexistent expectations. It probably falls somewhere in that middle ground, and if one can look beyond the vacuous humor it's a movie that is more likely to trend upward, warts and all, than fall in stature over time. As my colleague and friend Michael Reuben told me when I received this disc for review, "I doubt anyone can say the right thing about it." So, this review is just $.02 piled on top of enough $.02 to pay off the trillions-of-dollars national debt trillions of times over. I liked the movie much more this time. I'm glad I did, because the last thing I want in my movie-watching life is a franchise-ruining Star Wars film. It will never be perfect, and a trimmed cut would be welcome someday, but it's really not all that bad given time to back away, process and consider, and watch again. Disney's region-free 3D Blu-ray looks fantastic. Audio and supplements are the same. Highly recommended.