Rating summary
Movie | | 3.5 |
Video | | 5.0 |
Audio | | 5.0 |
Extras | | 4.5 |
Overall | | 4.5 |
Star Wars: Episode VIII - The Last Jedi Blu-ray Movie Review
Second time's a charm?
Reviewed by Martin Liebman March 15, 2018
Though vague, some parts of the review could be considered spoilers for 'The Last Jedi.'
“This is not going to go the way you think!” Luke Skywalker proclaims in the trailer for, and during a pivotal moment in,
Writer/Director Rian
Johnson’s Star Wars: Episode VIII - The Last Jedi. Props for truth in advertising. With a flick of the wrist and a
lightsaber tumbling down to
a couple of curious Porgs,
Johnson appears to erase the entirety of purpose from The Force Awakens, this film's predecessor,
which centered on, beyond
introducing a new generation of Star Wars characters, the search for Luke Skywalker, the Jedi who had once led the
charge in ridding the
galaxy of the Empire, spearheaded by the tyrannical Darth Sidious and Luke's own father, Darth Vader. Johnson rewrites the
character from hero to
hermit, from Jedi Master to jaded recluse who would rather see the last remnants of the Jedi order burn -- literally and
metaphorically -- rather than
aid the fledgeling, outmanned, outgunned, and overwhelmed Resistance, even as his sister Leia Organa and friends
Chewbacca, C-3PO, and R2D2
continue the good fight. No longer a champion of freedom from oppression and the savior who destroyed the Empire and in
death freed his father
from the Dark Side, he is now a man living in pain and doubt who has given up on everything that has made him legend.
Showdown.
And that needed to be addressed. That’s the elephant-in-the-room contrivance of these new movies. Luke saved the galaxy but
it was all for naught.
He
blew up the first Death Star, lost his hand, learned Darth Vader was his father, turned him from the dark side, watched the
emperor tumble down a
hole, and fled the fiery remnants of the second Death Star, but none of it, apparently, mattered. The galaxy that’s far, far away
has given rise to new
villains with bigger weapons and badder attitudes. Nothing has changed. Luke has realized he cannot fix the universe, that
there will always be a dark
and a light, that one cannot exist without the other, and he may have even played a part in creating the new evil that’s
terrorizing the galaxy. But by
giving up he is essentially throwing in the towel on keeping balance, all but allowing the darkness to prevail and the light to
fade, the spark that
might ignite the fire that will destroy the First Order to never flicker alive. Luke has chosen to “do not” and allow chaos to reign
because of his broken
spirit.
Perhaps he is the last Jedi, then, living out his days as a spiritually bankrupt individual who would save himself to live a life of
emptiness in seclusion
rather than make a final
stand in an effort to stave off evil one last time. That's the choice he'll have to make, forced upon
him by the young Rey (Daisy Ridley), with whom the force is strong, as the film otherwise
follows the last few remaining Resistance fighters, including General Leia (Carrie Fisher), hotshot pilot Poe Dameron (Oscar
Isaac),
stormtrooper-turned-rebel Finn
(John Boyega), and Rose Tico (Kelly Marie Tran) as the First Order, led by the malicious General Hux (Domhnall Gleeson), the
powerful Dark Master
Kylo
Ren (Adam Driver), and the vicious Supreme Leader Snoke (Andy Serkis) pursue the resistance fleet, running on fumes and
with no means of escape
towards unavoidable oblivion.
The Last Jedi is a film of extremes. Johnson has taken not only the new set of films, but also the series, in a radically
new direction. It's easy
to find
faults with it, and it's easy to sing its praises. The film's tonal presentation is perhaps its most glaring weakness, overwrought
with needless humor
that interferes with the dramatic currents that build the narrative -- as flimsy as it may sometimes be -- and often appear in
the film simply to move
merchandise, in the Porg's case, or simply to tickle Johnson's fancy. Essential, plot-critical humor works -- Poe Dameron
stalling the First Order at
film's open, BB-8
playing hero later on -- but with a story as dark and daring as this, the laughs, which oftentimes are met more with a groan
rather than a guffaw and
almost always undercut a more serious scene,
only get in the way. The Porgs are the worst thing to ever happen to a
Star Wars film. Yes,
Jar Jar was silly but the Gungan at least stood in to
make a critical,
galaxy-shaping vote at one point in the prequel trilogy, elevating himself from crude comic relief to critical cog in the franchise.
Even the cute
Ewoks helped the Rebellion fight a tide-turning battle.
Chewbacca only brushes
a Porg aside when it gets in his way during a battle; they literally serve no purpose.
Another problem is the
film's repeated efforts to recap the
plot. Lines about the urgency of finishing a mission, the fleet running out of fuel, spelling out the film's most essential arcs dog
and clog the film at
random, as if Johnson feared that the audience could not keep up with the basics, maybe because the film is so otherwise
overstuffed with
stuff. Then, of course, comes the "Flying Frozen Princess" scene, this film's outer-space face-palm moment
reminiscent of a classically
goofy bit near the end of
Superman IV. Defenses and detractions for that
scene, and everything
else controversial about
The Last Jedi -- pretty much every frame (though maybe nobody has found reason to
complain about the movie's
familiarly bold yellow title card) -- have been written ad nauseam from every conceivable perspective. Audiences have made
up their minds on what
is
easily the most controversial installment of the
Star Wars universe, but maybe giving it a second spin, removed from
the initial viewing, will
allow the movie to play in more positive, but not perfect, light.
And this is very much Johnson's film in other ways, too. It's easy to see what he wanted to accomplish with it, primarily that
he's whittled the
Resistance down to a slogan. At one critical point in the movie, one character is set to sacrifice himself for the greater good, to
destroy a weapon
kamikaze-style, to allow the Resistance to live to fight another day. But at the last moment, his vehicle is knocked
away by another
character who says to him that it's not by "fighting what we hate but by saving what we love" that will win the day, even if his
sacrifice meant saving
many
others. That's essentially the idea behind the whole movie. The Resistance is no longer about waving around guns and blowing
stuff up. Poe Dameron
is chastised and
demoted in the film for taking the fight to the First Order at the expense of many lives and Resistance material. Heretofore
stalwart Jedi Luke
Skywalker has turned his back on both the Jedi and the Resistance, having witnessed its futility and living with his own failures
as a teacher of the old
ways. Now, the Resistance is about bringing hope to the hopeless. The film ends on a shot of a young boy, with some force
abilities, looking to the
heavens and dreaming of a time when peace and freedom rule the galaxy. But then again, chances are that the First Order
isn't going to talk peace in
Episode IX. Defeating it will require lightsabers and blasters. But the crux of the story isn't about merely defeating bad, it's
about how to be good
even when bad has all but erased any hope for the future.
As a
Star Wars film,
The Last Jedi does much to reshape the universe and forward the characters, but at the
same time very little
happens. The essential plot arc revolves around a low-speed intergalactic chase with Resistance ships running out of fuel and
the big bad First Order
ships (remember "there's always a bigger fish?" Well, there's always a bigger ship, too) in pursuit. Apparently they are
just out of range for
their weapons to be effective against Resistance shields. It's silly, and the result is another of the film's controversial sequences
in which Finn and
newcomer
Rose travel to a casino in order to find a high-roller gambler who can, according to
The Force Awakens' Maz Kanata,
disable the First Order's
ability to track the Resistance though hyperspace. But that's just a framework for the character arcs that follow, some of which
are substantial --
Rey's heritage revealed, her relationship with Kylo Ren and his own evolution, Luke's choices -- and some of which are not,
including killing off a
beloved character
off-screen, the flimsy quasi-romantic relationship between Finn and Rose, and the complete disregard for building any sort of
backstory for Supreme
Leader Snoke. The film is bloated and not only by its wasted humor; it could stand to trim a good 30+ minutes and tighten
significantly. But even
with all of its flaws, some major, some minor, the film plays fairly well. Acting occasionally struggles, due often to a flimsy
script that has characters
repeating plot lines and wrenching in inorganic gags, but action is very well done and Johnson has, if nothing else, given
careful consideration to how
each character responds to the shifting tonal landscape he's created.
Star Wars: Episode VIII - The Last Jedi Blu-ray Movie, Video Quality
Disney's done a remarkable job with The Last Jedi. The film's 1080p Blu-ray transfer is a work of art. It's finely filmic,
retaining a consistently
pleasing, light, and complimentary grain structure, producing the sort of high-yield cinema image that truly defines what home
theater in the Blu-ray
generation is all about. Textural qualities are remarkable. Facial close-ups are perfectly revealing of every pore on each
character, scar on Kylo Ren's
face, and stubble on Dameron's. Worn and weathered equipment -- ship's instruments and hulls, BB-8's rotund body, Ren's
mask, and other
battered surfaces -- offer precision complexity, while shinier points, like C-3PO's golden-smooth finish and the clean and smooth
lines inside First Order
ships, sparkle. Colors
dazzle from start to finish, whether subtle skin tone shades or bold, large-area strokes such as the blood red trails on Crait or
inside Snoke's chamber
or
bold and diverse greens (contrasted against earthy gray rocks) on Ahch-To. 3PO's golden shine, rebel flight suit orange,
lightsabers, and sparkly Canto
Bight
accents all leap off the screen. Black levels are beautifully firm and organic, particularly first order outfits and surfaces but also
dense star fields
(though the field following the opening crawl has mild gray push to it) and other support elements hold deep and the Blu-ray
processes shadow detail
without flaw. With no source or encode flaws of note, this is a terrific, reference-quality Blu-ray transfer, bested only by its
companion 4K UHD release, which is a sight to behold.
Star Wars: Episode VIII - The Last Jedi Blu-ray Movie, Audio Quality
The Last Jedi's Blu-ray release does not include the Dolby Atmos soundtrack found on the premium UHD release. It's
instead home to a fully
capable DTS-HD Master Audio 7.1 lossless presentation. As with other recent Disney titles, volume is very low below reference,
which is generally
accepted at a calibrated 0Db. The track is superb, but listeners may have to tinker with the volume knob to reach an agreeable
volume level to fully
enjoy it, particularly if the
comfortable range usually falls somewhere blow zero. But at 0Db on a calibrated sound system, the track dazzles. Fine-point
movement, exceptional
low end output and response, music, dialogue, everything is strikingly and harmoniously presented. Surround coverage is
constant and engaging. Ships
zip and zoom with perfect stage traversal, matching the on-screen action to create a full 360-degree field of activity. Music
presses into the backs as
well. It's perfectly integrated throughout the listening area, seamlessly absorbing and boasting exceptional clarity that betrays
not a single note,
front-end or nuanced, in the classic Star Wars instrumentals. Discrete effects are nicely pronounced and aggressive,
whether voices off to the
side, blaring alarms on Resistance ships, or atmospherics on various worlds. Dialogue, of course, never falters in clarity,
positioning, or prioritization.
The sense of total stage saturation, the track's ability to precisely maneuver it all, and engage with the listener in every moment
amounts to what is
arguably the most impressively engineered Star Wars soundtrack to date.
Note that the digital Movies Anywhere version (included with purchase) contains a unique isolated score version of the film that
is not included on disc.
Star Wars: Episode VIII - The Last Jedi Blu-ray Movie, Special Features and Extras
The Last Jedi contains all of its supplemental content, minus the audio commentary track, of course, on a second
bundled Blu-ray. A Movies
Anywhere digital copy code is included with purchase.
- Audio Commentary: Writer/Director Rian Johnson delivers an enjoyably agreeable track in which he dissects the
film to an intimate
degree. He discusses the famous fanfare, an alternate opening, visual effects, actors and characters, performances, set details,
photographic elements,
narrative details, the writing process and developing the film as its own entity and within the larger Star Wars universe,
and much more. It's
a fascinating track, full of honest insight as well as some typical commentary tidbits. It's a great listen that offers a necessary
added insight into the
movie.
- The Director and the Jedi (1080p, 1:35:23): An intimate, detailed documentary journey that explores the making
of the movie from a
number of interesting perspectives, packed with raw and honest insight by Rian Johnson and cast and crew, and fascinating
footage from sets and
rehearsals and production meetings. Broadly, the piece explores, in offset but flowing cadence, scripting, shooting, set and prop
building, on-set life,
discussions of working with cast and crew, editing, and plenty more. This is a movie and Star Wars fan's dream extra.
- Balance of the Force (1080p, 10:17): Johnson discuses The Force, Luke's motivations in the movie, Rey's place in
the universe,
the Force connection between Rey and Ren, and the film's final confrontation. Much of this is covered to some degree in the
commentary track.
- Scene Breakdowns (1080p): Comprehensive insight into making three of the film's key sequences. Included are
Lighting the Spark:
Creating the Space Battle (14:23), Snoke and Mirrors (5:40), and Showdown on Crait (12:56).
- Andy Serkis Live! (One Night Only) (1080p, 5:49): Andy Serkis' performance as Snoke in the motion capture suit,
prior to the CGI layers
that made it into the finished product seen in the film.
- Deleted Scenes (1080p, 23:02 total runtime): Following a Rian Johnson Introduction, the following
scenes are included, with
optional Rian Johnson commentary: Alternate Opening, Paige's Gun Jams, Luke Has a Moment,
Poe: Not Much of a
Sewer, It's Kind of Weird That You Recorded That, The Caretaker Sizes Up Rey, Caretaker Village
Sequence,
Extended Fathier Chase, Mega Destroyer Incursion - Extended Version, Rose Bites the Hand That Taunts
Her, Phasma
Squealed Like a Whoop Hog, Rose & Finn Go to Where They Belong, Rey & Chewie in the Falcon, and
The Costumes and
Creatures of Canto Bight.
Star Wars: Episode VIII - The Last Jedi Blu-ray Movie, Overall Score and Recommendation
I hated The Last Jedi after seeing it theatrically. In fact, I had written an anger- and spite-filled page-and-a-half of
notes ready to turn into
this review. Some of those criticisms still made it into this final publication, but much of it did not. The film plays a fair better,
though still with massive
flaws, on a second viewing, especially a few months removed from its theatrical debut, allowing time to process it, to filter
through the thoughts, to
understand with more intimacy what, exactly, it is Johnson wanted to achieve with the film. In fact, "redemption" is a word that
comes very close to
describing thoughts after a second viewing. It's funny. Perhaps the first time it disappointed for failing to meet expectations and
the second time it
worked better for surpassing nonexistent expectations. It probably falls somewhere in that middle ground, and if one can look
beyond the vacuous
humor it's a movie that is more likely to trend upward, warts and all, than fall in stature over time. As my friend and colleague
Michael Reuben told me
when I received this disc for review, "I doubt anyone can say the right thing about it." So, this review is just $.02 piled on top of
enough $.02 to pay off
the trillions-of-dollars national debt trillions of times over. I liked the movie much more this time. I'm glad I did, because the last
thing I want in my
movie-watching life
is a franchise-ruining Star Wars film. It will never be perfect, and a trimmed cut would be welcome someday, but it's
really not all that bad
given time to back away, process and consider, and watch again. Disney's Blu-ray is, of course, dazzling. Picture and sound are
perfect (just make sure
to turn the sound up) and supplements are many and thorough. Very highly recommended; just don't expect a perfect movie.