6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
USSR, 1983. Soviet cosmonaut Konstantin Veshnyakov brings an alien creature back to earth… concealed within his own body. In a secret laboratory situated in a military base closed off from the rest of the country, neurophysiologist Tatiana Klimova tries her best to save the cosmonaut from the alien monster. Meanwhile, she discovers that she feels much more than just a professional interest in her patient.
Starring: Oksana Akinshina, Pyotr Fyodorov, Fyodor Bondarchuk, Anton Vasilev, Anna NazarovaHorror | 100% |
Foreign | 34% |
Thriller | Insignificant |
Sci-Fi | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
Russian: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 0.5 | |
Overall | 3.5 |
“Sputnik” is an unsettling picture. It’s a Russian production that’s out to challenge expectations for an alien invasion story, providing a more sinister ride of paranoia and panic without expanding to epic size. It also marks the return of actress Oksana Akinshina to American screens, having made her breakthrough in 2002’s “Lilya 4-Ever,” a shattering feature about human trafficking that promised great things from the young talent. While she made an appearance in “The Bourne Supremacy,” Akinshina has largely remained in Russian films, returning to western view in “Sputnik,” where she delivers a commanding performance as a medical mind put into contact with an extraterrestrial experience that overwhelms her before it begins to threaten her. Akinshina’s part of a strong cast that gives director Egor Abramenko a firm dramatic foundation while the tale explores close encounters and government control with sharp cinematic highlights.
The AVC encoded image (2.38:1 aspect ratio) presentation explores a darker palette in Soviet bunkers and evening exteriors. Darker blues and grays dominate, with warmer lighting bringing out deep yellows. Blood reds are intentionally dialed down. Brighter hues with blonde hair and outdoor interactions are consistent. Skintones are natural. Detail remains communicative, finding slimy textures on the alien. Facial surfaces are exact, and military/scientific costuming is fibrous. Interior decoration with lab equipment and living quarters is open for study. Delineation is satisfactory, dealing with a feature that's big on shadowy encounters and nighttime events. Some mild banding is detected.
The 5.1 DTS-HD MA track features a driving electro score that fills the soundstage during scenes of suspense and exploration. Pounding percussion brings a compelling low-end presence to the listening experience, and instrumentation is precise. Dialogue exchanges are clear, with crisp dramatic surges and hushed conversations. Atmospherics generate a sense of concrete living with echoed room tone, and group activity in labs and military gatherings is appreciable. Sound effects are distinct.
"Sputnik" offers more turns of plot and shocking reveals as it goes, answering questions about the alien's habits and hunger pains. The writing is equally interested in Tatyana's presence at the base, facing resentment from male colleagues, while Semiradov beings to understand the mistake he made bringing a curious person with a firm handle on ethics into a secretive mission to preserve Soviet fearlessness and inspire future defenses (Akinshina plays mounting frustration superbly). "Sputnik" isn't a simple creature feature, but it does have its violent moments. Abramenko aims for more of an "Arrival" vibe, gradually increasing wild events, while composer Oleg Karpachev supports suspense with a driving, Zimmer-esque score. The film could use a tighter edit, running too long at 114 minutes, but Abramenko creates a striking journey into the unknown with the endeavor, giving hostile alien encounters a refreshing Russian spin.
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