6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
In an era when James Stewart had his WINCHESTER ‘73, Gary Cooper took aim at the box office with a SPRINGFIELD RIFLE, the film that followed his Academy Award-winning performance in HIGH NOON. Few actors personified the West like the Montana-born screen legend. Here, in a brawling Civil War-era sagebrush saga co-written by GUNSMOKE creator Charles Marquis Warren and directed by action master Andre de Toth, Cooper plays Lex Kearny, a U.S. Army major posing as a Confederate sympathizer. Kearney’s ruse unmasks rustlers of Union horses, even though his true allegiance is revealed. Ultimately, the major and his troops are outmanned and outgunned. But with the experimental weapon that makes one man the equal of five, they won't be outfought!
Starring: Gary Cooper, Phyllis Thaxter, David Brian, Paul Kelly (I), Philip Carey| Western | Uncertain |
| War | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 2.0 | |
| Overall | 3.5 |
A sturdy Civil War Western directed by Andre de Toth (a once-prolific director later relegated to second-unit duties on Lawrence of Arabia and Superman), Springfield Rifle also doubles as the unfortunate Gary Cooper film to directly follow his career-defining performance in High Noon. While this slow-burning, espionage-tinted production can't hope to reach those dizzying heights, it nonetheless provides decent genre entertainment in 93 minutes or less. Mostly dismissed by critics as the time of its 1952 release, Springfield Rifle is now ripe for re-evaluation via Warner Archive's solid new Blu-ray package which features a brand-new 4K-sourced restoration of the original camera negative.

Leading a group of men and horses through the same mountain pass where countless Union soldiers were ambushed, Major Alex 'Lex' Kearney (Cooper) faces the same fate but voluntarily gives up the herd in exchange for the lives of his men and they all return safely to Fort Hedley. Railroaded by the powers-that-be, Lex is wink-wink discharged from his position but secretly ordered to use his newfound "freedom" to infiltrate the Confederate spy ring. He's even required to keep the mission a secret from his suspicious wife Erin (Phyllis Thaxter), who tells him that their adult sun, shamed by his father's actions, has run away to join the Army. With his faux disgrace on full display, Lex gradually works his way up enemy ranks and might eventually be aided by a brand-new shipment of the titular guns.
"Spy thriller" and "traditional Western" are rarely combined, but Springfield Rifle makes a decent case for this genre mashup, which was
not-so-coincidentally produced during the first five years of the Cold War when increased military funding was regularly demanded. The end result
is at least a little overworked for its own good (at least considering the fairly short running time), yet Cooper's reliable presence, Andre de
Toth's capable direction, and great cinematography by Edwin DuPar (Objective Burma, Giant) all help to keep it largely grounded during key moments. In the considerable shadow of
High Noon it's almost doomed to be underrated, but Springfield Rifle still stands decently tall as a somewhat minor yet still
worthy effort by almost everyone involved. Resurrected by Warner Archive following two separate DVD editions by WB and WAC in 2006 and 2016,
it's now poised to attract a new generation of genre fans.

Warner Archive have once again worked their magic on this sterling 1080p transfer, which is advertised as being sourced from a new 4K scan of the original camera negative. As seen in these direct-from-disc screenshots, it's a pleasing and film-like image indeed that boasts excellent fine detail, clarity, depth, and of course color reproduction with a natural and well-saturated palette that showcases no shortage of stunning outdoor landscapes and pale blue skies. Even the comparatively more plain-wrap interiors and their overwhelmingly brown colors look good. Despite the occasional "dupey" looking shot here and there, this surprisingly grain-heavy picture remains largely consistent with a natural film-like texture that has obviously not been processed with any perceivable amount of grain management. As such, it's very clean but not "scrubbed" and achieves an organic appearance that likely resembles original theatrical showings. Disc encoding is also strong, running at a supportive bit rate from start to finish and usually hovering in the mid-30Mbps mark with no egregious signs of macro blocking or posterization. All things considered, this is another mark in the "win" column and clearly the best that Springfield Rifle has looked on home video to date.

Keeping pace is the film's DTS-HD 2.0 Master Audio track, which as always preserves Springfield Rifle's original mono mix in a split two-channel container. It's an unavoidably thin but trouble-free presentation, one that occasionally opens up at select moments but mostly exists as a pure "gets the job done" effort with clean, crisp dialogue and largely well-balanced sound effects. Not much width is achieved here but it strikes a perfectly nice balance at the right moments and, if nothing else, feels purely in line with what viewers should expect out of a genre film from this era. The original music by prolific composer Max Steiner, who wrote no less than eight other scores that year and eight more in 1953, sounds great as well and rounds out this solid lossless track with energy to spare.
Optional English (SDH) subtitles are offered during the main feature only, not the extras listed below.

This one-disc release ships in a keepcase with poster-themed cover artwork and a handful of bonus features.

Andre de Toth's Springfield Rifle marked lead actor Gary Cooper's next on-screen appearance after Fred Zinnemann's immortal High Noon, and it's obvious that this film can't hope to reach those dizzying heights in most respects. It was undoubtedly punished by some critics at the time for that very reason but still stands as a decently strong genre effort more than 70 years later and, as always, this film's second life is strongly supported by Warner Archive's outstanding restoration efforts. Riding high on Blu-ray with a terrific new A/V presentation and a few fun era-specific extras, it's a decently well-rounded disc that's well worth picking up for classic Western enthusiasts. Recommended.

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For a Few Extra Dollars / Die Now, Pay Later / Per pochi dollari ancora
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