7.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Deanie is a teenager eager to do what's right in her 1920s Kansas town. But the emotions she shares with boyfriend, Bud, are too strong. Soon the conflict between respectable behavior and human desire will push Bud to physical collapse. And Deanie to madness.
Starring: Natalie Wood, Pat Hingle, Audrey Christie, Barbara Loden, Zohra Lampert| Romance | Uncertain |
| Coming of age | Uncertain |
| Teen | Uncertain |
| Period | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 4.5 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 3.5 | |
| Overall | 4.5 |
Elia Kazan's bracing social drama Splendor in the Grass, one of the best films of the 1960s, has finally reached Blu-ray and probably juuust missed the cut to be one of Warner Archive's early 4K releases. Solidly acted with a career-shifting performance from Natalie Wood and terrific debut work from 24 year-old Warren Beatty, this is one of those rare "total package" films where almost everything works in tandem. You can add the boutique label's restoration prowess to that list as well, as this A/V treatment makes Splendor in the Grass shine like new... even when things get ugly.

Above: Moments before disaster.
Needless to say, things get a lot worse before they get better... and just for the record, Splendor in the Grass' idea of "better" isn't Deanie and Bud settling down into a nice, normal life. They're two very different people whose brief time together may be seen as perfect to family and friends, but it's evident very early on that this is only temporary. Things start going off the rails soon after a wild New Year's Eve party at Bud's house (one in which his free-spirited "flapper" sister Ginny (Barbara Loden) gets drunk and taken advantage of by a party guest); soon after that, Bud basically cuts Deannie off, full stop, which leads to her mental breakdown right in the middle of English class. Her parents seem more embarrassed than empathetic, reassuring Deannie she's "perfectly fine" even when borderline catatonic, and they soon resort to selling soon-to-be worthless oil stock to pay for her prolonged but healing stay at an asylum.
This admittedly kind of spoiler-heavy synopsis doesn't even graze the film's third act, a near-marathon of melodrama that finds Deanie and Bud farther apart them ever while certain members of both families aren't safe either. For these reasons, Splendor in the Grass is more a cautionary tale aimed at multiple generations than a straightforward tale of young love, one that shines a light on repressive child-rearing amplified by a devastating era in American history. So while it's not quite the worst date movie ever, Splendor in the Grass is nonetheless a frank and refreshing exercise in filmmaking released during a visible turning point in mainstream cinema, one that pulls away from previous decades and the sanitized way that creators were forced to dumb down content and appease watchdog groups.
Splendor in the Grass serves as the middle portion of what would eventually be known as Elia Kazan's "Americana" trilogy, which also
includes 1960's Wild River and 1963's America America. Even considering its belated arrival on
Blu-ray, this gem from 1961 is the best-represented of the three on home video and, after seeing how great it looks after Warner Archive's
recent restoration, fans will certainly find this one to be worth the wait. It's an A/V stunner and also includes a long-form Elia Kazan documentary
from 1995 that almost makes this a double-feature disc.

Even without a true 4K edition (which would've been something to see), this stunning 1080p presentation of Splendor in the Grass is a five-star effort that pushes the boundaries of Blu-ray with richly appointed colors, strong fine detail, and a commitment to era-specific authenticity, thanks to Warner Archive's new 4K scan of the original camera negative and thorough but careful manual cleanup. As seen in these direct-from-disc screenshots, it's impressive work with nary a weak spot or falter during the film's deceptively fast-moving 124-minute running time. From strong and stable black levels to excellent depth, visible textures, and of course an abundance of natural film grain (which, set against the odd background texture of its opening credits, almost resembles TV static), this is a truly jaw-dropping presentation that perfectly preserves Boris Kaufman's striking cinematography. Absolutely no complaints at all here.

Just as impressive is the DTS-HD 2.0 Master Audio mix, which again fully preserves the film's era-specific roots while delivering a clean and crisp presentation that features a few sonic surprises along the way. As with many of Kazan's films and other social dramas from the era (The Graduate immediately comes to find), there are several scenes where background sounds and voices are either amplified or dulled down to create a disorienting or stressful atmosphere for at least one specific character, and this effective technique works exactly as intended. Otherwise, though, it's a fairly straightforward but nonetheless satisfying presentation with well-prioritized dialogue, effects, and original music by composer David Amram -- not exactly my favorite score in film history, but certainly true to the era.

This one-disc release ships in a keepcase with vintage poster-themed cover art and two bonus features.

Elia Kazan's frank, ferocious, and often brutally melodramatic Splendor in the Grass still has the power to devastate unsuspecting audiences more than six decades later, and it'll be remembered for more than just a career-altering lead performance by Natalie Wood and the on-screen debut of Warren Beatty. One of the earliest standouts from a crowded decade of increasingly social-conscious productions, it's well worth a watch assuming viewers are up to the challenge. Warner Archive's long-awaited Blu-ray features a striking new 4K-sourced restoration, terrific lossless audio, and a lengthy retrospective celebrating the work of its late, great director. Very Highly Recommended.

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Hoje Eu Quero Voltar Sozinho
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