6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A biopic of 1970s record producer Neil Bogart, co-founder of Casablanca Records.
Starring: Jeremy Jordan (IV), Wiz Khalifa, Jason Isaacs, Jason Derulo, Jay Pharoah| Music | Uncertain |
| Drama | Uncertain |
| Biography | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 4.0 | |
| Overall | 3.0 |
One of the kind of sweet things about the fantastically engaging documentary The Wrecking Crew, a piece about the cream of Los Angeles session musicians who played on countless hits that are probably permanently inscribed in your synapses if you ever listened to any charting singles from the sixties and seventies in particular, is that the doc was shepherded by Denny Tedesco, son of Tommy Tedesco. While the Tedesco surname may not be particularly recognizable to those not prone to reading credits on albums, Tedesco père was one of the Wrecking Crew's notable (sorry, pun unavoidable) members whose guitar graced not just an unfathomable number of hit singles, but also "soundtrack of your life" memories like the themes to both Bonanza (fellow session legend guitarist Al Caiola had the actual charting hit 45 version) and The Twilight Zone (I could be wrong, but I don't think there was ever a hit version of that "tune", and, yes, that's a joke). That personal family connection gave what could have been a dry recitation of facts and figures a really rather substantial emotional component at times, and one assumes that another scion of a prominent person in the music industry was hoping for at least something like that same effect in Spinning Gold. In this particular instance, while Timothy Scott Bogart wrote, directed and co-produced this feature about his iconic father Neil Bogart (portrayed by Broadway's Jeremy Jordan in his big screen starring debut, though Justin Timberlake was evidently originally announced for the part), there are several other Bogarts involved in various aspects of the production, including Neil's mother Joyce Bogart Trabulus and his brothers Brad and Evan Bogart.


Spinning Gold is presented on Blu-ray courtesy of Universal Studios with an AVC encoded 1080p transfer in 2.39:1. The IMDb lists the Arri Alexa Mini as the camera utilized, but doesn't specify the resolution of the DI. One way or the other, detail levels are uniformly excellent throughout almost all of this presentation, with really nice and precise renderings of some fun retro production design elements. Fine detail on fabrics and the like is typically great looking. The color timing can occasionally veer toward a slightly orange-yellow tone which can marginally affect the "naturalness" of the palette. There are any number of stylistic bells and whistles that are employed that can also lead to brief deficits in fine detail in particular.

Spinning Gold features a fun and propulsive DTS-HD Master Audio 5.1 track that understandably derives a lot of its immersive capabilities due to the musical elements, though that said, some of the musical scenes are actually not "singing and dancing spectaculars" and can be a bit more reserved, as in some "rehearsal" moments in studios. The busy clamor of various studio offices also provides good opportunity for some background spill to waft into the side and rear channels. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.


Spinning Gold unfortunately kind of hits its real stride in its closing credits sequences, which finds Bogart singing a nice tune called Greatest Time, which includes snippets of any number of other tunes that Bogart had a hand in fashioning through the years. There's quite a bit to enjoy in this film, though it probably never quite hits the bullseye, or, to use a metaphor from the music industry, gets to the top of the charts. The film has a lot of style which may help some to tolerate some other issues in storytelling that crop up. Technical merits are solid and the rather fulsome supplemental features very enjoyable, for anyone who may be considering making a purchase.
(Still not reliable for this title)

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