5.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
Five years after he was murdered by his own colleagues in a covert government operation, Al Simmons makes a pact with the devil to be resurrected so that he may see his wife Wanda once more. In return for the favor, the devil requires, in typically Faustian fashion, that Simmons lead Hell's Army for the destruction of humankind. Blessed in life with extraordinary killing skills, Simmons is even more deadly with the backing of his new master and the changling powers he has at his disposal. As he begins to discover and exercise his new strengths, he encounters two figures who direct him to use his powers in order to serve two different agendas. Cogliostro encourages Spawn to fight the devil and become a new champion for humankind, while Clown goads Spawn into continuing to serve his new master and lead the Armageddon.
Starring: Michael Jai White, John Leguizamo, Martin Sheen, Theresa Randle, Nicol Williamson| Action | Uncertain |
| Horror | Uncertain |
| Comic book | Uncertain |
| Thriller | Uncertain |
| Fantasy | Uncertain |
| Supernatural | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 5.0 | |
| Overall | 2.5 |
Spawn was released on 1080 Blu-ray way back in 2012 courtesy of Warner Brothers (which had acquired New Line Cinema), when we arguably may not have quite yet reached the market saturation for so-called comic book adaptations that seems to be part and parcel of the contemporary zeitgeist. Even that perceived "uniqueness" (debatable as it may be) wasn't enough to "save" Spawn from a pretty savage critical beatdown when it was first released theatrically and then later on home video. Arrow is nonetheless offering another nicely packaged release (in both separate 1080 and 4K UHD standalone formats) that offers two cuts of the film and a glut of bonus material.


Note: While this is a standalone 4K release without a 1080 disc, I am offering screenshots from Arrow's Spawn standalone 1080 release as I think it actually provides a better representation of the
look of the palette in particular, rather than offering screenshots from the 4K disc which are by necessity downscaled to 1080 and in SDR. Because
this release does not include a 1080 disc, the 2K video score above has been intentionally left blank.
Spawn is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 1.85:1. Arrow's insert booklet
contains the following information on the presentation:
Spawn has been restored by Arrow Films and is presented in its original aspect ratio of 1.85:1 with 5.1 and stereo audio.Considering the issues he details in his review, Ken's score of 3.5 for the now ancient Warner Brothers 1080 release might seem commendably generous, but all of the anomalies like noise, banding and other problems Ken mentions are absent from this great looking 4K presentation, one which takes the strengths of Arrow's 1080 presentation and at the very least adds new nuance to a rather impressive palette courtesy of the HDR / Dolby Vision grades. Ken's review gets into some of the "baked in" variances due to the surplus of special effects sequences. Ken wasn't especially enthused about the CGI in the film in particular, but I'm kind of an old school fan who still thrills to the likes of Georges Méliès or later masters like A. Arnold "Buddy" Gillespie (The Wizard of Oz), so while not immune to how much technologies have improved since 1997, I may be more of a fan of the "look" of this film than Ken was, including the VFX. While the increased resolution may show some figurative (or maybe even literal) "seams", the hellscapes offered in the film are especially "resplendent" (if that's the right word) due to the increased highlights in the orange to red ranges that the 4K UHD presentation offers, even if animated detail levels are substantially improved in this version. Any number of other areas of the spectrum get a polishing with HDR, including (maybe a bit comically, or at least comic book-ly) the greens that recur. The HDR / Dolby Vision grades can also significantly improve shadow detail (you can actually see a bit of the clown's face in the first office interchange with Martin Sheen in this version, to cite just one minor example). This is another shot on film effort where the at times very heavy grain field may be intermittently bothersome for some. It's especially noticeable against even slightly brighter backgrounds.
The Director's Cut and Theatrical Cut of the film are presented in 4K resolution in HDR10 and Dolby Vision.
The original 35mm camera negative was scanned in 4K / 16 bit resoltuion at Warner Bros. / Motion Picture Imaging.
The film was restored in 4K resolution and colour graded at Duplitech.
All materials sourced for this new mater were made available by Warner Bros.
QC review was completed by Pixelogic.

Spawn features DTS-HD Master Audio 5.1 and LPCM 2.0 options. Ken was probably marginally more impressed with the DTS-HD Master Audio 5.1 track on the old Warner Brothers 1080 disc than he was with regard to the video side of the equation, and I share Ken's appreciation and perhaps enjoy the surround version even more than Ken did. Yes, as Ken mentions, this track is almost relentlessly aggressive and often very loud and "busy", but the surround engagement is near constant from the get go, and tends to remain surprisingly consistent even in some of the "normal" earthbound material. The effects sequences, especially some of the hellscape material, offer some spooky engagement of the side and rear channels. "Era specific" scoring also resides quite noticeably in the side and rear channels throughout the film. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

Note: This two disc set contains the Director's Cut (1:38:34) and the following bonus items on Disc One. Disc Two presents the theatrical
cut (1:36:26) with no
on disc supplements.
- Critic's Commentary is newly recorded and features Dave Baxter.
- Filmmakers' Commentary is an archival piece from 1998 featuring Todd McFalrane, Mark A.Z. Dippé, Clint Goldman and Steve Williams.
- Clown to Violator (HD)
- Violator to Clown (HD)
- Cape (HD)
- Mask (HD)
- Violator from Bookcase (HD)
- Spawn (HD)
- Clown and Violator (HD)
- Malebolgia (HD)
- Jessica Priest (HD)
- Costume Design (HD)
- Set Decoration (HD)
- Special Effects (HD)

Spawn may be derided by many, even jokingly (?) by its own director, but for fans of the film, Arrow is providing another nice release with solid technical merits and appealing supplements.

1998

2012

Ultimate 2-Disc Edition
2009

Director's Cut
2003

30th Anniversary Edition
1989

20th Anniversary Edition
2005

1995

2010

2002

2008

Extended Cut
2007

1992

2014

Unrated | Nochnoy Dozor
2004

2016

plus Unrated Cut on Standard Blu-ray
2003

2006

2016

Director's Cut
2005

2012