7 | / 10 |
Users | 4.2 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Aspiring documentary filmmakers Peter (Christopher Denham) and Lorna (Nicole Vicius) infiltrate a secret sect in order to expose Maggie (Brit Marling), the cult's charismatic leader. Intrigued by rumours about the cult, whose leader claims to be from the future, Peter and Lorna soon find themselves being led blindfold to a house in the San Fernando Valley. There, under the watchful eye of follower Klaus (Richard Wharton), the pair are finally introduced to a barefoot, linen-clad Maggie, who recounts her tale of how she was sent back from the year 2054 to warn a select few of the disaster about to unfold. Over the coming days and weeks the pair's initial scepticism begins to wane, as, for entirely different reasons, they both begin to fall under Maggie's strangely mesmerising spell.
Starring: Christopher Denham (II), Nicole Vicius, Brit Marling, Richard Wharton, Alvin LamPsychological thriller | 100% |
Mystery | 4% |
Thriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (448 kbps)
Spanish: Dolby Digital 5.1 (448 kbps)
English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region A, B (locked)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 1.5 | |
Overall | 3.5 |
Between The Master, Martha Marcy May Marlene, and Sound of My Voice, it seems that cults are the indie drama topic du
jour. And why not? They certainly provide fertile subject matter. The seductive leaders, the gullible followers, the manipulation and misguided faith and
misplaced reason—cults give us a microscopic insight into our collective ability to put hope ahead of logic, to smother our doubts in denial. They're
dangerous precisely because they exploit the vulnerabilities in positive human traits—like optimism and a desire to belong—warping them into
a twisted, insular attitude. Plus, they're plain old creepy, which tends to play well on screen.
Of the three films above, Sound of My Voice has the smallest scale—it's practically a no-budget production, shot on prosumer-grade DSLRs—
but it certainly isn't short on big ideas or emotions. The movie stars and was co-written by Brit Marling, who pulled off a similar feat with last year's
Another Earth, which told a compelling sci-fi story using minimal special effects. Here, with co-writer/director Zal Batmanglij, she confines her
script to a handful of characters and even fewer locations, proving once again that it's possible to craft an engaging film with little money and lots of
dedication.
Let's cut Sound of My Voice some slack when it comes to picture quality. The basically no-budget film was shot entirely using off-the-shelf DSLRs —the Canon 7D—which have come a long way in the last few years, but can't quite rival the clarity and comparative noiselessness of the Red One or other more expensive digital rigs. And then you have the fact that a great majority of the film takes place in a basement, with dingy yellow lighting. So, no, Prometheus this ain't. But that's okay. Sound of My Voice is further proof of the democratization of filmmaking—that literally anyone with the cash to buy a prosumer-grade camera can feasible make a feature-length film. You may have to overlook some compression/source issues here—slight banding in fine color gradients, heavy aliasing in a few shots, very digital-ish noise in darker scenes—but considering the way the film was shot, the picture looks great. Although the image is a little soft, as you might expect, there's never any doubt that you're viewing material natively shot in high definition. And during the few scenes set outdoors during the day, the level of clarity actually goes up considerably. Color has been graded slightly to add pop and contrast, but the overall looks is very realistic, particularly in those dim fluorescent basement sequences. Sound of My Voice looks as good here as it's probably ever going to look.
Sound of My Voice is inherently a very quiet, dialogue-driven film, so the lossless DTS-HD Master Audio 5.1 surround track featured here really doesn't have much to do. That said, it does exactly what it needs to with a decent sense of overall clarity, especially for such a low-budget production. The characters' conversations are relayed with balanced, clear, easy-to-understand voices—no distracting hisses or muffling here—and there's some low- level environmental sound mixed in at least some of the time, along with a few rare rear-channel effects. Assisting the movie's tone is an ambient score from Vampire Weekend instrumentalist Rostam Batmanglij—yes, the director's brother—and it purrs along nicely, using lots of backward-masked samples. The disc includes optional English SDH and Spanish subtitles, along with a descriptive audio track and French and Spanish dubs, all in Dolby Digital 5.1.
Sound of My Voice may not have the star power of The Master, or even the meager budget of Martha Marcy May Marlene, but it still delivers an insightful, dangerous-feeling view of the inner workings of a cult. After last year's Another Earth, writer/star Brit Marling has proved yet again that you don't need massive studio resources to tell a compelling sci-fi-influenced story. The film peters out somewhat in its last act, but its a gripping, disorienting experience on the whole, and certainly worth a watch for those more interesting in character and concept than CGI spectacle. Recommended!
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