7.9 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A dramatization of the final days of Sophie Scholl, one of the members of the German anti-Nazi resistance movement, The White Rose.
Starring: Julia Jentsch, Alexander Held, Fabian Hinrichs, Johanna Gastdorf, André HennickeWar | 100% |
Foreign | 58% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
German: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 3.0 | |
Extras | 3.5 | |
Overall | 4.0 |
My colleague Dr. Svet Atanasov covered UK label Drakes Avenue Pictures' BD-50 of Marc Rothemund's third feature film Sophie Scholl: The Final Days (2005) nearly sixteen years ago. To read Svet's opinions on the film and his evaluation of that disc's a/v presentations, please refer to the link above.
Members of the resistance embrace.
Zeitgeist Films' 1080p Blu-ray is taken from a recent 4K restoration completed by Berlin-based studio X-Verleih. I was unable to locate any details about the restoration from X-Verleih's website. In any case, the image looks great throughout. Sophie Scholl appears in its original theatrical exhibition ratio of 1.85:1 on this MPEG-4 AVC-encoded BD-50. I analyzed the transfer shot by shot on a smaller screen after watching it on my QLED. I could only see maybe one film-related artifact in the entire presentation. The picture is consistently filmic and textured. Grain is omnipresent and never appears chunky. There's little sunlight in Sophie Scholl. Much of the picture takes place in dank interiors. The cell where Sophie (Julia Jentsch) and Else Gebel (Johanna Gastdorf) stay is either gray or sage depending on the light level. (See Screenshot #6.) The color on walls, wallpaper, and buildings is often either pale green or grey-green, which matches the Nazis' uniforms. Either a desk light or sunlight coming through a side window provide illumination in Police Inspector Robert Mohr's (Alexander Held) office. See screen capture #s 3, 8, and 14-16. Svet cited strong video noise and boosted contrast levels as his only two gripes on the UK BD transfer. Fortunately, those issues are not really present here. Compression is excellent. Zeitgeist has encoded the feature at an average video bitrate of 35941 kbps.
The two-hour film has received ten scene selections.
Zeitgeist has supplied a German DTS-HD Master Audio 2.0 Stereo mix (1558 kbps, 24-bit) as the lone sound track. Drakes Avenue provided a German LPCM 2.0 Stereo track (48kHz/16-bit) on its 2008 Blu-ray. Dialogue is clean, legible, and crisply presented. Ambience is clearly heard from the fronts to the rears for scenes in the streets of Munich and in the university's atrium. The music by Reinhold Heil and Johnny Klimek has a nice reverb on the surrounds. I share Svet's wish that a Blu-ray of Sophie Scholl should come with a 5.1 option. Indeed, the movie was recorded and mixed in Dolby Digital. Zeitgeist's 2005 press kit lists Dolby SR. The German, Holland, and Scandinavian DVDs all have DD 5.1 tracks.
The optional white English subtitles appear in a sans serif font and are quite readable (see Screenshot #24).
All extras (except for a recent trailer) are encoded in MPEG-2 and date from the DVD era.
I recall seeing a trailer of Sophie Scholl: The Final Days in an indie theater and thought that the film would be different than it turned out to be. I was expecting more of a thriller but the picture is an interrogation-focused drama. A bulk of it is set in Inspector Mohr's office where he probes Sophie about her alleged involvement with anti-Nazi leaflets. The film utilizes a lot of shot/reverse-shot setups. Julia Jentsch manages to hit all the right notes in a courageous performance that never veers off course. Alexander Held and André Hennicke's supporting roles as Mohr and Freisler are completely laudable, too. It would seem that they engage in too many histrionics at times but I believe that's likely what their historical personages were like. I hope that we get an English-friendly version of Michael Verhoeven's Die weisse Rose (The White Rose, 1982), which covers much of the same period. Zeitgeist Films has done a terrific job of transferring a recent 4K master to Blu-ray. A VERY SOLID RECOMMENDATION.
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