6.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
An accident victim makes a deal with a particularly hideous witch, in which he receives extraordinary ESP powers. He uses these powers to help the police solve crimes.
Starring: Tony McCabe, Elizabeth Lee (IV), William Brooker, Mudite Arums, Ted HeilHorror | 100% |
Dark humor | 5% |
Crime | Insignificant |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.85:1
English: LPCM Mono
English
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.5 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 4.0 | |
Overall | 3.0 |
Note: This film is available as part of
The Herschell Gordon Lewis Feast.
Mention the initials “H.G.” to most people, and my hunch is virtually everyone will default to thinking about H.G. Wells, the legendary author
whose
science fiction masterpieces resulted in such memorable films as
The Time Machine, The Invisible Man,
The Island of Dr. Moreau and War of the Worlds. Certain fans who have a slightly
different definition of what constitutes a memorable film might have a variant reaction to those same initials, however, positing one Herschell
Gordon Lewis instead of Mr. Wells. Lewis has long been known by the sobriquet “Godfather of Gore,” and his early exploitation pictures were, for
their
day, amazingly overt in their depiction of what ultimately came to be called “splatter”. Lewis, who only just fairly recently died at the age of 90,
had
an interesting if not especially distinguished career, though it’s notable that Lewis maintained a more than abundant sense of humor about his
films
and his contributions to the supposed art of cinema. Lewis’ filmography (it’s a bit of a stretch to actually call it an oeuvre) hasn’t been
especially well served in the Blu-ray era, though there have been at least a few releases of his work, including The Blood Trilogy, The Wizard of Gore / The Gore Gore Girls and The Lost Films of Herschell Gordon Lewis. Now, in
what
amounts to an elegy of sorts for Lewis, Arrow Video has assembled what will certainly go down in the annals of the Blu-ray era as one of the
most
lavish deluxe sets produced, at least within the confines of what can only be accurately described as “cult cinema”. Along with a collection of
fourteen
films (nine making their Blu-ray debut), Arrow also includes a glut of bonus content (some with Lewis’ involvement), as well as impressive
packaging
and non disc supplements.
Arrow has included some general verbiage about the transfers in this set:
All film materials sourced for restoration were scanned in 2K resolution on a pin registered 4K Lasergraphics Director Scanner at Deluxe Media, Burbank. Film grading and restoration was completed at Deluxe Restoration, London. Thousands of instances of dirt, debris and light scratches were removed through a combination of digital restoration tools. Overall image stability and density fluctuation was also improved when possible.Additionally, this film comes with the following disclaimer:
The original mono soundtracks were transferred from 35mm prints by Deluxe Audio Services, Los Angeles, and were conformed and restored at Deluxe Restoration, London.
Additional audio conform for How to Make a Doll and Just for the Hell of It by David Mackenzie.
Although the best existing elements were sourced for this project and every attempt was made to present the films in this collection in the highest quality possible, some of the films still exhibit varying degrees of damage that could not be digitally repaired to our satisfaction. The condition of the existing materials for Moonshine Mountain, The Gruesome Twosome, How to Make a Doll and This Stuff'll Kill Ya all contained extreme levels of dirt, scratches and debris as well as many instances of torn or missing frames. They all exhibited heavy degrees of colour fading as well. Likewise, the print sections sourced to complete A Taste of Blood were both faded and heavily scratched. Throughout the restoration workflow process, our priority was to retain the original photochemical look of the films rather than create unwanted digital artefacts by heavy handed picture cleanup. Therefore, many of the films in this collection exhibit "warts and all" appearance, in keeping with their distribution history and physical condition.
Restoration supervised by James White, Arrow Films.
Something Weird has been exclusively restored for this release by Arrow Films. The film was restored in 2K resolution from a 35mm print, as the original negative has been lost. Because of the extensive damage to the materials, there remain numerous instances of scratches and dirt throughout this presentation. There is occasional loose audio synch but this is as per the original source materials.Something Weird is presented on Blu-ray with an AVC encoded 1080p transfer in 1.33:1. This is another at least occasionally problematic looking transfer, one that is marred by sometimes long vertical scratches, often at the edges of the frame. Several times the image is almost overrun by a series of horizontal scratches (the first such moment is when Cronin is freaking out on his hospital bed). Colors have noticeably faded and the overall palette is pretty brown looking, though the red scenes are still surprisingly vivid looking and boast decent detail levels. As with several other of the color films in this set, grain can be on the coarse side. My score is 2.75.
As with the video element, Something Weird's LPCM mono track has noticeable issues, including damage during the opening and prevalent hiss. The bar scene has an odd high frequency hum, and there are also recurrent scuffs heard throughout certain sequences. Still, the hallucinatory music sounds decent if occasionally too bright, and dialogue is generally well rendered. My score is 2.75.
Arrow has packaged this set a little unusually, with two films per disc and one set of supplements for both movies available from a main menu. While some of the supplements are obviously geared toward one individual film, others are a bit more general in nature, and so I'm listing the complete supplemental package for each particular disc rather than for each individual film. The supplements for Color Me Blood Red and Something Weird are:
- Color Me Blood Red Trailer (1080p; 1:26)
- Something Weird Trailer (1080p; 1:26)
- Jimmy, the Boy Wonder Trailer (1080p; 1:39)
- Color Me Blood Red Commentary features Herschell Gordon Lewis and David Friedman.
- Something Weird Commentary features Herschell Gordon Lewis and David Friedman.
Something Weird deserves a truth in advertising award for its title, though some might claim its a moniker of almost willful understatement. This is one of the most peculiar film's in Lewis' output, and really has to be seen to be believed (and maybe not even then). Technical merits have their issues, but the supplementary material is very enjoyable.
(Still not reliable for this title)
1967
1967
1971
1968
1970
1964
1972
1968
Special Edition
1964
1963
1965
1968
1963
Slipcover in Original Pressing
1999
1986
1986
2015
Uncut
2003
Il rosso segno della follia
1970
Evil Heritage
1976