7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
During an orgy with minor girls, some old and wealthy notables are being murdered by a small group of leftist young revolutionaries. Very soon the police are tracking down Virgile Cabral, the leader of the group. Meanwhile, Virgile's brother and only relative, Vincent, a violonist (and a thief), comes back to Paris. They have not seen each other for three years. Vincent does not believe in the revolution. He only tries to live as he wishes to live. But by looking for his hunted down brother, he has no other choice than to be involved in a fight which is not his.
Starring: Jean-Pierre Mocky, Sylvie Bréal, Anne Deleuze, Denis Le Guillou, René-Jean Chauffard| Foreign | 100% |
| Drama | 53% |
| Crime | 11% |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 4.0 |
La Tête contre les murs offered Jean-Pierre Mocky as writer and co-star, though Georges Franju handled the directing reins. That 1959 film centered on the mistreatment of institutionalized peoples, but this 1970 outing, which Mocky co-wrote and directed along with his starring duties, might suggest that we poor capitalist types are all "institutionalized", or at least confined, by the sociopolitical and/or socioeconomic strictures modern day society offers. This is a film that explores the "afterglow" (?) of the short-lived but still visceral May 1968 protests in France, which one of the supplements here maybe (maybe not) jokes ended simply because it was time for everyone to go on holiday. The film begins with both a figurative and literal bang, as a group of would be anarchists attacks what might be thought of as the French villa version of Epstein Island, unfortunately taking out not just the elderly entitled men in an orgy, but also the nubile (and naked) young women. That opening then contrasts rather disjunctively with a sudden emphasis on a seeming musician named Vincent (Jean-Pierre Mocky), who may indeed be using that supposed career as a front for other, slightly more larcenous, activities. After travels abroad, Vincent returns to Paris, at least in part to reunite with his brother Virgile (Denis Le Guillou), who, it turns out, was part of the quasi-terrorist group attacking the orgy in the film's opening vignette.


Solo is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 1.66:1. A prefatory text card announces a 4K restoration, and the insert booklet contains a bit more information:
La Tête contre les murs was restored in 4K by the Éclair Classics laboratory with support from the CNC and supervised by Mocky Delicious Products.I'll pun as I did in my La Tête contre les murs Blu-ray review and say that this is indeed another pretty delicious looking transfer, albeit arguably not quite at the level seen in the earlier (black and white) feature. There's still some very minor age related wear and tear like little nicks and flecks that occasionally dot the premises here, and the palette is occasionally skewed slightly toward blues/purples in the very darkest scenes, as well as exhibiting a slight yellow/orange cast fairly frequently at other times which may be perceptible in some of the screenshots accompanying this review. Those dark scenes can also have a lack of shadow detail and even moments of outright crush. On the whole, though, the palette is very nicely suffused and detail levels are very appealing. Grain resolves naturally throughout.
The film was supplied to Radiance Films as a high definition digital file. The film is presented in the original aspect ratio with original mono audio.

Solo features LPCM Mono audio in the original French. You might think your speakers aren't working at the very beginning, but that's a bit of sleight of (audio) hand as the calm before the veritable storm of the horrific shooting that ensues. Sound effects including shots and, later, Vincent's violin playing are typically full bodied and natural. Some of the underscoring by Georges Moustaki, which includes some interesting reuses of famous left wing anthems, also boasts nice fidelity. Dialogue is rendered without any problems. Optional English subtitles are available.


Solo may frankly be a bit more screed like than La Tête contre les murs, but it's a fascinating political document of its time that certainly deserves wider viewership. Technical merits are solid and the supplements appealing. Recommended.

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