5.3 | / 10 |
Users | 2.5 | |
Reviewer | 2.5 | |
Overall | 2.5 |
In a future in which most water has disappeared from the Earth, we find a group of children, mostly teenagers, who are living at an orphanage, run by the despotic rulers of the new Earth. The group in question plays a hockey based game on roller skates and is quite good. It has given them a unity that transcends the attempts to bring them to heel by the government. Finding an orb of special power, they find it has unusual effects on them. They escape from the orphanage (on skates) and try to cross the wasteland looking for a place they can live free as the stormtroopers search for them and the orb.
Starring: Kelly Bishop, Richard Jordan, Jami Gertz, Jason Patric, Lukas HaasSci-Fi | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.34:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 2.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 2.5 |
Brooksfilm is the company Mel Brooks created to help develop personal projects, helping them through the Hollywood system. The quality of these efforts varied wildly, but 1986 was a particularly volatile year for the company, which welcomed the release of “The Fly,” arguably one of the best horror pictures of the 1980s, showcasing a thunderous directorial vision and creative freedom from David Cronenberg. In ’86, Brooksfilm also shepherded “Solarbabies,” an awkwardly titled take on “Mad Max” that featured a cast on roller skates, emoting to a glowing blue sphere. There’s certainly no way to compare the movies in terms of artistic and dramatic reach, but it’s difficult to fathom what Brooksfilm was thinking with “Solarbabies,” their attempt to join the fantasy film sweepstakes of the decade, only without a defined approach to transform its vast collection of absurdities into high-flying, fast-rolling, orb-cradling fun.
Age is apparent in the AVC encoded image (2.34:1 aspect ratio) presentation, which delivers a dull, overly processed viewing experience. Colors aren't vibrant, mostly emerging from costuming and neon lighting, and the blue glow of the magic ball registers as intended. Skintones look deflated, missing natural pinkness. Detail isn't available, with softness apparent throughout, and even close-ups are barely acceptable, straining to bring out the sweatbox environment. Distances are largely blurry. Grain is present but not precisely managed. Delineation isn't problematic, but never truly defined. Source is in passable shape. Banding and haloing are periodically spotted.
The 2.0 Dolby Digital sound mix remains agreeably active, offering a wealth of sound effects that hold position, finding combat and chase sequences lively. Scoring is unbearably thin, but it retains its original purpose, buttressing the action and forcing emotional responses. Dialogue is crisp, making laborious exposition easy to understand, while group activity provides reasonable separation to identify hardships and character excitement.
"Solarbabies" shows surprising menace, finding Grock a sadistic baddie who enjoys a little ant-based torture in his spare time, soon teaming with a sexually forward scientist (Sarah Douglas) to help crack open Bodai, trying to tap into his alien power. Threats of surgical alteration for misbehaving children are thankfully not kept, but the picture maintains its PG-13 rating through, despite possessing pronounced Disneyfied elements. Like everything in the feature, the climax is a messy display of explosions, near-misses, and roller skating mischief, again missing a few steps to secure a proper resolution. Overall, it's a disappointing feature, never achieving its lofty sci-fi and action goals, bungling a chance to stun with weirdness and a special kind of screen velocity. "Solarbabies" isn't a slapdash effort shot over a long weekend. It's a big film that, unfortunately, died a long death during the production process.
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