6.9 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Olivia Harwood is a missionary's widow who meets Mark Bellis, a charming artist and rogue, on the ship taking them back to Victorian London. When Olivia opens a boarding house, Mark becomes her lodger, but then quickly graduates to become her lover. Soon Olivia falls completely under the spell of Mark and casts aside her religious scruples to fall in with Mark's ambitious and immoral schemes of theft and blackmail. But perhaps his schemes are too ambitious when he attempts to swindle their own friends, leaving Olivia to decide whether to completely fall in with the devil - or redeem herself by betraying the man she loves...
Starring: Ray Milland, Ann Todd, Geraldine Fitzgerald (I), Leo G. Carroll, Raymond Huntley| Film-Noir | Uncertain |
| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.38:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
BDInfo verified
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Lewis Allen's "So Evil My Love" (1948) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the release include new audio commentary by critic Imogen Sara Smith and vintage trailer. In English, with optional English SDH subtitles for the main feature. Region-A "locked".

We will go to America.

Presented in an aspect ratio of 1.38:1, encoded with MPEG-4 AVC and granted a 1080p transfer, So Evil My Love arrives on Blu-ray courtesy of Kino Lorber.
The release is sourced from a recent, exclusive 2K master, which produces good organic visuals. However, in an ideal world, additional restoration would have been performed to ensure that various age-related weaknesses are addressed so that the entire film has an even better and more attractive appearance. The current presentation of the film frequently reveals areas with small yet unmissable surface imperfections, like blemishes and density inconsistencies. Delineation, clarity, and depth are easy to describe as good. However, they are no always optimal, and it is not because of unique fluctuations that can be traced back to the original cinematography. Virtually all fluctuations are introduced by the element used to create the 2K master. They grayscale is very convincing. In fact, its strength is one of the most attractive qualities of the 2K master. While a few shaky transitions exist, image stability is good. There are no traces of any problematic digital corrections, such as filtering, sharpening, or contrast boosting. My score is 3.75/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).

There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
All exchanges throughout the film are clear and easy to follow. However, in several areas, background hiss becomes prominent. For example, the hiss can be heard during the art exhibition, where Susan Courtney reconnects with her former lover. Surprisingly, all of the music is healthy and frequently creates good contrast. There are no audio dropouts.


Stories like the one told in So Evil My Love become popular for the same reason stories about lottery winners who end up broke are -- the collapse of their characters exposes them, and they can be retold. Rarely, if ever, there is someone to retell the other stories like it, where the players avoid the collapse and flawlessly execute their plan. These players remain anonymous and take their stories to their graves. The most interesting element of the story told in So Evil My Love is that there are no good characters in it, only compromised players who ruin each other in the most extreme ways possible. Kino Lorber's release is sourced from a recent, somewhat rough, but still pretty good 2K master. RECOMMENDED.

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