6.2 | / 10 |
Users | 3.0 | |
Reviewer | 2.5 | |
Overall | 2.7 |
A young Mexican man from the provinces, whose family and home are destroyed by terrorist-seeking drones, goes to Tijuana. There he joins a workforce of illegal workers whose labor is transported electronically across the border, and finds the means to avenge the violence.
Starring: Luis Fernando Peña, Leonor Varela, Jacob Vargas, Tenoch Huerta, Metztli AdaminaThriller | 100% |
Sci-Fi | 17% |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Spanish: Dolby Digital 5.1
English, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 2.5 | |
Extras | 1.5 | |
Overall | 2.5 |
Given the ever-changing face of our society, politically poignant films often have a short window of opportunity. For that reason, it’s imperative that a film obtain financing and get the ball rolling at the outset of a shifting change in policy. One of the greatest examples of a film hitting at exactly the right time was Robert Redford’s Lions for Lambs, which touched on failed policy in the middle east, and the media’s responsibility to depict the truth. While still an effective film given our current political climate, the true recipient of the film’s critical analysis was the Bush Administration. I’m clearly not here to discuss politics or Robert Redford, but I wanted to provide an example of how critical the passage of time can be in the creation of a film driven by social commentary.
Sleep Dealers is a 2008 Spanish language production that premiered at Sundance, and eventually earned a limited release in the United States. The film offers a blend of science fiction sensibility with a futuristic political climate, to tell the tale of one man’s struggle for redemption in a world that cares little for his well-being.
The future of outsourcing.
Presented in 1080p utilizing the AVC codec (at an average bitrate of 32Mbps), Sleep Dealer looks a bit rough on Blu-ray. Fine object detail rarely approaches ideal levels, but I'm confident the lack of clarity is a byproduct of the intentionally gritty look of the film. There's a heavy layer of grain that dominates most scenes (giving the picture a noisy quality that might aggravate some viewers in search of a more polished presentation), which cinematographer Lisa Rinzler used to give the film a more surreal feel (based on her statements in the audio commentary on the disc). Adding to the unnatural feel of the cinematography, the color palette ranges from bright and blown-out in the sun-drenched Mexican landscape, to cool and metallic in the tech-heavy sleep dealer factories. I certainly wouldn't define the color scheme as off-putting, but given the amazing color depth possible on Blu-ray, this isn't demo-worthy presentation. Lastly, I was a bit disappointed in contrast during low-light scenes. During the audio commentary we learn the production team had to utilize some creative methods of lighting during some of the nighttime shots, but whether the weakness in contrast is a result of the source material or the replication of the transfer, the problem still persists. If you happen to pick up the film and want an example of what I'm talking about, watch the nighttime scene around the 1:10 mark, where Memo and Rudy meet for the first time. Throughout the lengthy sequence (which turns into a chase), shadow detail is completely absent, and some features in the foreground are even lost to the excessive darkness.
Although I can't say I was overly impressed with the visual quality of Sleep Dealer, this is likely the best the film will ever look, and seems to offer an accurate representation of the source material.
Sleep Dealer is one of the first films in the initial wave of releases from Maya Home Entertainment. In the future, I'd like to see the studio give us a worthwhile technical package by stepping up to lossless audio, but we have to accept what we've been given on this release. Although the surround track isn't a disappointment, I was somewhat underwhelmed by the lack of spatial separation across the rear surround field and an overabundance of front-heavy elements. As with most low-budget films, the dialogue remains firmly planted in the center channel of the mix, with the musical score and effects given a bit more room to breathe in the side channels. This creates an unfortunate effect where the music and environmental sounds occasionally drown out the dialogue, throwing the balance of the mix into disarray. Aside from several volume related deficiencies, the most profound problem is a lack of richness in the elements that comprise the mix, which ultimately fails to generate an immersive experience. I'm fairly certain this could have been solved with the inclusion of a lower-compression audio track, but given this is a low-budget release, it's possible a degree of weakness was present in the original sound design as well.
Before the Making of Sleep Dealer (1080i, Dolby Digital 2.0, 12:23 min): Director Alex Rivera goes back as far as 1997, to explain the origins of the story, and his lengthy battle to acquire the financing needed to finally make the film (which he attempted on at least one prior occasion). One of the more interesting sequences in the featurette, shows Rivera using a computer program that allowed him to animate storyboard sketches.
The only other supplement included on the disc is an audio commentary with Alex Rivera (director), Ruy Garcia (sound designer), Anthony Bregman (producer), Lisa Rinzler (DP), and Mark Russell (Visual Effects Supervisor). Rivera dominates the majority of the track with anecdotes about the story, but several of the other crew members step in occasionally to touch on the technical aspects of the production.
Your enjoyment of Sleep Dealer will likely depend on your expectations going in. If you're expecting a layered story set in a futuristic world, you'll likely come away with the same ho-hum feelings I currently have. I've certainly seen worse science fiction productions, but that doesn't do much to elevate what is otherwise a forgettable experience. Give it a spin as a rental, but hold off on a purchase until you know whether or not the film appeals to your taste.
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