7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Returning to the house where his family was brutally murdered during the war, ‘the man who refuses to die’ dismantles it, loads it on a truck, and is determined to rebuild it somewhere safe in their honor. When the Red Army commander who killed his family comes back hellbent on finishing the job, a relentless, eye-popping cross-country chase ensues – a fight to the death.
Starring: Jorma Tommila, Stephen Lang, Richard Brake, Tommi Korpela, Kaspar Velberg| War | Uncertain |
| Foreign | Uncertain |
| Action | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1
French: DTS-HD Master Audio 5.1
Spanish: Dolby Digital 5.1 (640 kbps)
Thai: Dolby Digital 5.1 (640 kbps)
English, English SDH, French, Spanish, Korean, Mandarin (Simplified), Mandarin (Traditional), Thai
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 1.0 | |
| Overall | 4.0 |
Sisu is a word that cannot be translated. It means a white knuckled form of courage and unimaginable determination.In the "everything old is new again" department, news feeds are currently filled (as this review is being written) with Ukraine's President Volodymyr Zelenskyy more or less agreeing to cede captured territory to Russia in an effort to finally quell the long running conflict between those two nations. Several decades earlier when Russia was the Soviet Union (or part of it, anyway), Finland was forced to do much the same thing, first during World War II, and then, considering that the USSR was one of the putative victors of that conflict, even after the battle had ended. If Scandinavia as a whole may tend to get short shrift in terms of its reactions to Germany and the Nazis during World War II courtesy of folks like Quisling, the (thus far) two Sisu films make it abundantly clear that there were at least some resistance fighters in Finland if nowhere else (of course it goes without saying that both Norway and Sweden had their own rebels fighting the Germans). Sisu: Road to Revenge moves the narrative of the first film forward to an immediate post-war environment, where the "enemy" has morphed from Germany into Russia, but the underlying ambience very much mirrors the first film and once again makes a visceral point that resistance is most definitely not futile.
Sisu manifests itself when all hope is lost.


Note: While this is a standalone 4K release without a 1080 disc, I am offering screenshots from Sony's standalone 1080 release of
Sisu: Road to Revenge as I think it actually provides
a better representation of the look of the palette in particular, rather than offering screenshots from the 4K disc which are by necessity downscaled to
1080 and in SDR. Because this release does not include a 1080 disc, the 2K video score above has been intentionally left blank.
Sisu: Road to Revenge is presented in 4K UHD courtesy of Sony Pictures Home Entertainment with an HEVC / H.265 encoded 2160p transfer
in 2.39:1. Technical information is frustratingly sparse as of the writing of this review, but cinematographer Mika Orasmaa, returning from the first film,
used a Sony Venice on that production, and my hunch is that may have been used here as well. There is some online reportage that the DI was 4K.
This is a really impressive 4K presentation, though maybe in some unexpected ways. While detail levels see some noticeable improvements from
already excellent 1080 levels, the tweaking of the palette courtesy of the HDR / Dolby Vision grades may be the most immediately observable
phenomenon. And here's where it got kind of interesting for me personally: while there are certainly upticks in warmth and "traditional" suffusion in
some of the earlier daylight scenes with Aatami working on deconstructing his cabin, even throughout this vignette and notably throughout the entire
presentation the HDR grades actually tend to emphasize the bleakness of the surroundings a lot of the time. Skies are more oppressively
gray and even flesh tones at times can be more neutral looking, as if all human color had been drained from things. The digital grain may frankly not
be to everyone's liking, and it can be especially gritty looking against skies.

Sisu: Road to Revenge gets a great sounding Dolby Atmos track on this 4K disc (Sony's 1080 disc offers a DTS-HD Master Audio 5.1 track as its lossless surround option). Height is immediately audible in the sweeping ambient storm effects that open the film and over and over again environmental effects provide really convincing immersion, both vertically and laterally. The first shot of Siberia where Draganov is introduced is another good example of the Atmos track providing more convincing surround activity, with even more storm activity. Of course some of the big set pieces are a veritable whirlwind of activity, and the motorcycle chase in particular has some very fun panning effects, and some frankly hilarious sound effects as various carnage ensues. Aatami's laconic (to say the least, and, yes, even that is a pun) nature means there's not a lot of dialogue when he's around (from him, anyway), but what is here is delivered cleanly and clearly. Optional subtitles in several languages are available.


The unbelievable carnage on display throughout this tale keeps things viscerally disturbing, even as event after event here can be like watching a live action cartoon. Technical merits are first rate and the brief supplements decent. SteelBook packaging should be an extra enticement for some. Recommended.