7.4 | / 10 |
| Users | 4.2 | |
| Reviewer | 4.5 | |
| Overall | 4.2 |
Four unlikely cowboys band together to defeat a corrupt frontier sheriff.
Starring: Kevin Kline, Scott Glenn, Kevin Costner, Danny Glover, John Cleese| Western | Uncertain |
| Action | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
French: Dolby Digital 5.1 (640 kbps)
German: Dolby Digital 5.1 (640 kbps)
Italian: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
Thai: Dolby Digital 2.0
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
BD-Live
4K Ultra HD
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 2.0 | |
| Overall | 4.5 |
Sony first released writer/director Lawrence Kasdan and co-writer Mark Kasdan's fleet-footed 'Silverado' on Blu-ray in 2009 via a well-reviewed, well-received DigiBook edition. Now, the studio returns to the classic 1985 western with a striking new spit-shined 4K UltraHD Blu-ray release, complete with Dolby Atmos audio, most of the previous edition's extras, and SteelBook packaging. The film stars a who's who cast that includes Kevin Kline, Scott Glenn, Kevin Costner, Danny Glover, John Cleese, Rosanna Arquette, Brian Dennehy, Linda Hunt, Jeff Goldblum, Todd Allen, Richard Jenkins, Walter Scott, James Gannon, Jeff Fahey, Amanda Wyss and Brion James.


I'd be the first to tell anyone to never, ever, ever rely on good screenshots when evaluating a 4K or Blu-ray video presentation. But if you'll allow for some shameless hypocrisy, even for just a moment... my God, take a minute and peruse the screengrabs attached to this review. Go on. I'll wait. Enlarge any one of those images and you're not only in for a treat, you're getting just a taste of what's in store when it comes to Sony's 4K 2160p outstanding restoration and video transfer. Created using a meticulous scan of the original 35mm negative, the studio's wholly faithful yet stunningly renewed presentation is quite easily one of the best catalog video presentations of the year, if not the entirety of the 4K format. Leaps and bounds beyond the already impressive 2009 Blu-ray, the image is awash with rich, lovely, perfectly saturated colors and lifelike fleshtones. You can thank the Dolby Vision enhancements if you'd like, but really this is color timing (or perhaps retiming) at its finest. Primaries pop. The bright blues of the desert skies pierce the picture. Reds erupt and earthtones deliver. Black levels are deep and inky, yet delineation is revealing in every instance and exactly as forgiving or oppressive as it was originally meant to be. Contrast is flawless too, and detail is simply top tier. I can hardly believe I just watched a film from 1985, much less am sitting here rewatching to remind myself just how magnificent it all looks. Textures are razor sharp, filmic grain is present, consistent and unobtrusive, edges are crisp without any signs of ringing, and every bit of stubble and palpable, nearly touchable swath of fabric is as striking as those screenshots suggest. Add to that a complete lack of banding, macroblocking, digital noise, print blemish or any other issue and you have, hands down, a video transfer that should earn Silverado a place on any Best of 2025 list come year's end. I can't recommend this 4K beaut any more emphatically.

Silverado's Dolby Atmos mix is also more stirring and immersive than most catalog remixes. Heaping audio perfection atop video flawlessness, Sony's track delivers in every regard, with Bruce Broughton's soaring musical score emerging as the highlight of the track. Dialogue is crystal clear and always intelligible, fidelity is outstanding, and prioritization is precise and so remarkable as to make one forget they're watching a movie. LFE output adds plenty of kick too, with shootouts faring especially well and the heavy hoof-beats of horses register as thunderclaps. The soundfield is even better, with enveloping ambience, deadly directional effects that sometimes ricochet across every speaker, and enough spatial expansion to make the windy deserts and bustling small towns sound every bit as real and believable as a fan could hope for. Looking over my notes, I haven't recorded a single scene or sequence that disappointed in the slightest and, again, cannot express just how respectful Sony's efforts prove to be and just how affecting the results. Silverado has never sounded better. I can't fathom a day when it ever will again.

Well, that's strange. The 2009 Blu-ray DigiBook release of Silverado included a wonderful audio commentary with film historians and professors
Frank Thompson, Paul Hutton (UNM), and Steve Aaron (UCLA)... and here it's MIA. Sony was also the studio behind the first BD edition so I can't
imagine why the commentary has been left on the cutting room floor, but sure enough, it's nowhere to be found. Otherwise, the rest of the previously
released material is included, so I guess that's something.

Silverado remains a tried and true western classic and has every right to live on among the best and brightest the genre has to offer. More fun and light on its feet than others, it also has plenty of heart and humor on tap. By the time guns are drawn, shootouts clear streets and the film's riveting third act grows more serious, you'll actually care who lives and who dies, and that's saying something. Sony's 4K UltraHD Blu-ray release is somehow even better, with one of the best catalog restorations and video transfers of the year and fantastic Atmos audio. The only place the new SteelBook edition falls short is its supplemental package, which offers nothing new and fails to port over the audio commentary from the 2009 DigiBook. Still, it doesn't get much better than this. Silverado's 4K release comes highly, highly recommended.

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50th Anniversary Edition | Shout Select #57
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Limited Edition to 3000
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Warner Archive Collection
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