5.7 | / 10 |
Users | 4.0 | |
Reviewer | 3.0 | |
Overall | 3.2 |
An ordinary father heads into the criminal underworld to avenge his young son’s death.
Starring: Joel Kinnaman, Catalina Sandino Moreno, Kid Cudi, Harold TorresAction | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.00:1
Original aspect ratio: 2.00:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 1.0 | |
Overall | 3.0 |
A lot of hard charging action thrillers often feel like they stuff the "talky bits" in only to get things to the next big set piece, and in that regard, Silent Night needs to be commended for its economy, since it more or less eliminates traditional dialogue. That's the "big" conceit of this John Woo film, which has a lot of Woo's trademark flourishes in the gunfire and fisticuffs departments, and which actually manages to convey its plot mechanics rather artfully without the aid of typical things like, you know, characters speaking to each other and/or less welcome things like ostensible info dumps. Woo has always been a viscerally visual director, and those proclivities help to get Silent Night across a perceived finish line, but the film never quite manages to escape the feeling that it's warmed over Woo, despite what I'm pretty sure some will feel is the "gimmick" of no dialogue.
Silent Night is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.00:1. The closing credits offer an Alexa logo, but as of the writing of this review the IMDb isn't listing a resolution for the DI. This is an often gruesome story and fine detail is excellent enough that more squeamish types might be best forewarned at the seeming reality of any number of inflicted wounds. There's almost a Peckinpah- esque array of exploding blood droplets in both shooting and even knifing scenes. Some of these sequences are kind of grittily graded toward slate grays and blues, but the reds of the blood still pop grotesquely. Contrasted against the more violent moments are several more golden hued sequences documenting a happier time for Brian and Saya and their little boy. Some interior moments in the wake of the tragedy have an almost sepia tone, but despite all of these grading choices (sometimes rather smartly in tandem with the palette of sets and costumes), fine detail remains commendably intact. Woo and cinematographer Sharone Meir favor a lot of extreme close-ups, which allow for some really precise looking fine detail on facial features in particular.
Silent Night offers a rather interestingly designed Dolby Atmos track, one that relies on, yes, actual understandable words at least now and again courtesy of some background chatter on police radios and the like, but which is otherwise completely reliant on sound effects and Marco Beltrami's score. The surplus of unbelievable stunt and action work offers some really impressive immersion, with some whipsaw effects that almost boomerang around the surround channels. Beltrami is on hand in the making of supplement and kind of interestingly discusses how scoring a movie with ostensibly no dialogue was a different kind of challenge, but his score is effective and is nicely dispersed around the soundstage. Somewhat hilariously given the film's conceit, there are optional English and Spanish subtitles available for those aforementioned background moments.
There's a fair amount of style on hand in Silent Night, and John Woo fans in particular might want to check this one out for those flourishes. The incredible action sequences and Woo's typically fluid camera might be enough to recommend this outing to that particular demographic at least. But the film is even more ludicrous than any number of other revenge thrillers, and the whole "no dialogue" conceit may well strike some as relatively needless. The making of EPK gets into the (for Woo) micro-budgeted and extremely fast shoot aspects of the production, which may play into this film's somewhat haphazard tone, which veers from rage to depressive sadness at the turn of a welder's mask. Technical merits are first rate for anyone who may be considering making a purchase.
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