7.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Documentary directed by Chris Kenneally and presented by Keanu Reeves which explores the ongoing debate between traditional celluloid and digital film. In conversation with a number of world renowned directors and industry experts including David Lynch, James Cameron, Martin Scorsese and Anthony Dod Mantle, the documentary tells the story of filmmaking and gives those on both sides of the debate the chance to argue their points and preferences as digital film begins to assert itself as a more cost-effective and accessible means of production.
Starring: David Fincher, Lars von Trier, Christopher Nolan, David Lynch, Robert RodriguezDocumentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region free
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 4.5 |
When you hear the word “film”, what do you think of? Does it serve as a synonym for “movie” or that older term “cinema”, or does it actually mean the physical celluloid? We have for so long used the term “film” interchangeably for both the physical entity and the viewed product that few probably even think about that disparity and are easily able to discern what is meant from context. But if we’re using “film” to denote “movie” with the implied connection to that physical celluloid, we may be about to enter a brave new world where use of that term in that way is no longer valid. In fact, we are probably already well into a new era, an era which began decades ago with the introduction of videotape and then has exploded in recent years with the advent of HD video and hard drive storage media where nary one frame of celluloid ever passes through an aperture, is never exposed and is never ultimately projected in front of a glaring bulb. Many film (there we go again) lovers who consider themselves relatively well versed in the end product if not the process of filmmaking (see what I mean?) may not care one whit about the differences between “photochemical” and “digital”, and modern day eyes have learned (at least somewhat) to adjust to the different looks of “real” film versus HD video (though I for one am still coming to terms with the sort of flat, textureless and shiny appearance of a lot of Red One shot material). The rush of technology over the past few years especially has left some film (as in celluloid) purists in the dust, but the so-called march of progress seems to be pointing to the eventual demise of physical film for a lot, if not most, new movies, as evidenced by the fact that all major manufacturers of traditional film cameras have ceased production of those units. So where exactly does that leave us?
Well, it may be rubbing salt in a wound or adding insult to injury, but all of the contemporary interview segments in Side by Side were shot with either the Canon 5D Mark II (a camera that comes in for some lambasting in the actual documentary) or the Panasonic AG-HPX170. Side by Side's AVC encoded 1080i transfer in 1.78:1 (for the interview segments) therefore has that flat, shiny and textureless look that is so redolent (and for curmudgeon-traditionalists like me, bothersome) of HD digital video. That said, clarity is just fine, colors are accurate looking (no digital intermediate tweaking here, something else the documentary goes into in some detail), and the image has no inherent compression or stability issues other than some fairly prevalent banding that affects both the video interviews as well as some of the film snippets. The rest of the documentary is comprised of numerous archival film and video snippets (all presented in their original aspect ratios, which vary from 1.06:1 to 2.76:1), including a glut of classics old and new (see the screenshots accompanying this review for a smattering of some of the films featured), as well as some really interesting historical video, as in the original Bell Laboratories video that introduced the first digital camera. Some of this source video is obviously in more ragged condition than well curated films, but generally speaking things look very good for the vast bulk of this documentary.
Side by Side features a lossless DTS-HD Master Audio 5.1 surround mix (as well as a lossless DTS-HD Master Audio 2.0 stereo fold down). There's really not much surround activity for this track to really exploit, especially since the clips of films which do have fulsome surround soundtracks are typically only seen for a second or two. There's decent directionality in the interview segments (which are actually a bit more apparent in the stereo rendering), but surround activity is mostly limited to the documentary's appealing score by The Ryan Brothers. Fidelity is excellent, with all talking heads coming through loud and clear. Dynamic range (in this case relating to sound, not the light spectrum) is very narrow, as befits this narrated and spoken documentary.
One of the more piquant comments in Side by Side comes from someone who asks, "Why would I give up my oil paints to work with crayons?" But the fact remains that those crayons are becoming more high tech with every passing day and oil paints are seeming more and more quaint, at least to the under 30 crowd. Whatever (ahem) side of this debate you personally come down on, you owe it to yourself to see this really fascinating and well done documentary. Reeves proves to be an exceptionally astute interviewer, and all of the interview subjects are really interesting and compelling to listen to. This Blu-ray offers good looking (digital) video and agreeable if nonimmersive audio. Highly recommended.
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