8.1 | / 10 |
Users | 3.9 | |
Reviewer | 4.5 | |
Overall | 4.1 |
A young female FBI agent joins a secret CIA operation to take down a Mexican cartel boss, a job that ends up pushing her ethical and moral values to the limit.
Starring: Emily Blunt, Benicio del Toro, Josh Brolin, Victor Garber, Jon BernthalAction | 100% |
Thriller | 84% |
Drama | 70% |
Crime | 61% |
Mystery | 29% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1 (640 kbps)
English: Dolby Digital 2.0 (224 kbps)
English, English SDH, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
UV digital copy
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 2.5 | |
Overall | 4.5 |
There have been a number of really interesting offerings detailing the kind of weirdly dysfunctional “sibling” relationship between El Paso, Texas and Juarez, Mexico, two cities which butt up against each other but which have experienced radically different histories due to both various socioeconomic forces as well as what are perceived as either successes or failures of law enforcement. The vast bulk of the raging criminal activity in Juarez is due to the region’s active drug trade, and there have been both documentaries (Narco Cultura) and fictional entries (The Bridge: The Complete First Season) which have dealt with various issues arising from these (at times literally) underground activities. It’s commendable, then, that Sicario manages to revisit both this subject matter and this actual location with a fresh urgency and disturbingly visceral energy. Sicario gets its title from the Latin word Sicarius, meaning “dagger man”, which was actually used in the early Christian era to describe early Jewish zealots who undertook assassinations to attain their desired political (and/or religious) ends. (Armchair etymologists may know that the very word “assassination” has its own link to zealots, in this case Islamic followers of Hassan-i-Sabbah who were supposedly partakers of hashish, thus making them Hashishin or Hashshashin, which ultimately evolved into the modern word.) The appellation is shorthanded here to simply mean “hitman”, and while Sicario takes a fairly circuitous route to finally get to what turns out to be a central killing, there is no dearth of violent deaths on the way to that sequence. Some of the real life intrigue surrounding Juarez’s incipient drug trade has spilled into daily headlines courtesy of the saga of Joaquín Guzmán, otherwise known as “El Chapo”, and Sicario perhaps trades on that infamy by positing a top secret drug lord hiding out in Mexico whom a coterie of various international agents want to bring to justice.
Sicario is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.40:1. Shot digitally with a variety of Arri Alexa cameras, Sicario looks exceptionally sharp and well detailed virtually all of the time, with a few minor exceptions. The dusty, kind of beige-brown ambience of the American Southwest is detailed in a gritty, lifelike manner, with elements like scrub or even dust clouds offered with no resolution problems. The film was lensed by Roger Deakins (still rather incredibly without an Academy Award despite multiple nominations), and some of the close quartered framings, especially during the tense initial operation in Juarez, offer at times alarming detail (some may not appreciate the detail in elements like corpses hanging from a freeway overpass). A few isolated scenes have been graded toward the yellow side of things (see screenshots 14 and 15), though detail is not materially affected. There are some stylistic oddities at play here, especially starting at around 50 or so minutes into the film, when suddenly a kind of "found footage" ambience shows up for a while which includes elements like closed circuit camera feeds. Later, when the team engages in their final mission, we get "night vision" perspectives that in some cases offer virtually no detail of any appreciable kind. There are nonremovable subtitles at several key junctures when various characters break into Spanish (see screenshot 2).
Sicario is the latest offering to sport a Dolby Atmos mix (with a Dolby TrueHD 7.1 core, the version addressed in this review). The film begins with an almost subliminal pulsing which begins taking over the lower frequencies to a degree that will probably provoke angst in many listeners. These and other techniques by composer Jóhann Jóhannsson fully utilize the surround channels while also consistently engaging the subwoofer, all of which adds up to sonic beds that often feature a kind of restive, uneasy quality, perfectly attuned to the film's emotional tenor. Set pieces like the marauding race through the crowded streets of Juarez also provide ample opportunity for things like panning effects and discrete placement of ambient environmental sounds. Dialogue is very cleanly presented and is always well prioritized. Fidelity is spot on, supporting some extremely wide dynamic range.
Occasional silliness like Blunt's Kate answering an acolyte who asks her what to tell superiors with a curt "The truth" notwithstanding, Sicario offers a twisting and turning enterprise that keeps the audience, much like Kate herself, in the dark for quite a bit of the dangerous journey. There are some gut wrenching sequences handled pretty near perfectly here by director Denis Villeneuve, and at least a couple of the horrendous deaths that accrue throughout the film will probably catch some viewers completely off guard. The emotional content here is increasingly fraught with angst, making Sicario a bit difficult to stomach at times. Technical merits are first rate, and Sicario comes Highly recommended.
2018
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