6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
In this film, a rock star's wife is in danger and he must travel through Hell on a skateboard in order to rescue her and stop a series of killer television signals.
Starring: Gian-Carlo Scandiuzzi, John Billingsley, Robert McGinleyHorror | 100% |
Adventure | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A, B (C untested)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 3.5 |
The future belongs to skateboarders. That’s the general idea driving 1990’s “Shredder Orpheus,” which is a punky update of the Orpheus and Eurydice story, with writer/director/actor Robert McGinley bringing the Greek legend down to a more manageable, underground cinema size. It’s an ambitious undertaking with an extremely low budget, but McGinley is determined to do something with his idea, offering a surreal adventure that’s filled with music, challenges, and skateboarding. The scale of the feature is impressive, especially with the limited resources available to McGinley, making production appreciation easy. Sitting through “Shredder Orpheus” is much more difficult.
The AVC encoded image (1.78:1 aspect ratio) presentation is "preserved from a 35mm blow-up print; created from the original 16mm, Beta SP, and 1" tape master elements." It's a visual stew for "Shredder Orpheus," and the viewing experience here has inherent limitations. Frame information is fuzzy, with a soft sense of character appearance and location. Colors are limited, but a mild appreciation of primaries is possible with the stronger hues of the production. Ghostly white faces are also acceptable. Source is in decent condition, with a few points of damage.
The 2.0 DTS-HD MA mix carries some signs of age, but largely remains defined. Dialogue exchanges are clear, with a decent sense of performance choices. Musical selections are limited but acceptable, with passable instrumentation. Scoring cues support satisfactorily. Sound effects are blunt.
McGinley takes a big swing with "Shredder Orpheus," and he does well figuring out how to turn his industrial areas into a battle of life and death. There's a lot of creativity swirling around the endeavor, which commits to a big idea of confrontations, adding some artful elements along the way, while McGinley tries to keep his arms around the whole effort as a filmmaker. "Shredder Orpheus" is impressive in many respects, but after introductions are made, it doesn't sustain much in the way of audience engagement, finding the picture more about satisfying the helmer than reaching out to viewers. Skateboarding additions are also a bit awkward in the grand scheme of things, with tricks haphazardly tossed into the mix, confusing the intended tone of the feature. Cult viewers will definitely find something special here, and it's something to see. It's just not something to remember.
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