8 | / 10 |
Users | 4.3 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A 20-something supervising staff member of a foster care facility navigates the troubled waters of that world alongside her co-worker and longtime boyfriend.
Starring: Brie Larson, John Gallagher Jr., Kaitlyn Dever, Rami Malek, Alex CallowayDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, French, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A, B (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 4.0 |
Being a foster child is an extremely hard way to be raised. I know this from personal experience—my father and his siblings were placed into foster care when they were rather young, after their mother died in childbirth and their father decided he couldn’t handle six children under the age of eight or so. The experience was so traumatic that my father absolutely refused to even discuss his childhood (it was an absolutely “verboten” subject when I and my sisters were being raised), and, even sadder, my father’s younger sister committed suicide as a young adult, something that my uncles (my father’s brothers) always ascribed to the emotional upheaval of being shuffled from one foster home to the next during her formative years. When my dad and his siblings weren’t living with foster families, they were returned to the residential foster care facility in New York City where their father had left them, and in a way, I experienced that phenomenon from a different angle when my first post-college girlfriend worked as a Child Care Worker at a similar residential facility in Portland, Oregon. I used to dread every day when she would come home, for she was frequently either in tears or just as likely in a rage over what she had experienced that day at work. Having weathered the storms which abound in the moving but sometimes difficult to watch Short Term 12, I now perhaps have a bit more perspective on my long ago girlfriend’s reactions, though the film also brought home to bear the horrible emotional toll being placed in a facility like the one depicted takes on the kids who have to stay there.
Short Term 12 is presented on Blu-ray courtesy of Cinedigm with an AVC encoded 1080p transfer in 1.85:1. While this Red Epic shot feature has excellent detail and a reasonably sharp looking image, the overall look of this film is rather soft, with often low contrast. The best looking sequences here are the ones that take place out of doors, where the brightness boosts fine detail measurably and also offers a crisper overall appearance. The palette here is somewhat subdued, as probably befits the emotional tenor of the film, with many of the outfits cast in dull browns and blacks, and the interior of the facility kind of an egg white to light yellow color. Cretton and his cinematographer Brett Pawlak indulge in several extreme close-ups (take a look at screenshot 4 for a great example), which boast great fine detail, but they also have a habit of framing many scenes with foreground objects (almost always out of focus) taking up quite a bit of the frame, with the actual focal element in the background, something that, along with the ever popular handheld "jiggly cam" tendencies, tends to make the film seem softer than it probably is.
Short Term 12's lossless DTS-HD Master Audio 5.1 is surprisingly immersive, given the rather small scale ambitions of the film. The crowded, often cacophonous, confines of the care facility offer some good opportunities for discrete channelization, and the rap scene between Marcus and Mason presents good separation. Dialogue is very cleanly presented, though that said, there are several moments in the film where hysteria reins and it's at least a bit difficult to make out what's being said. Fidelity is excellent here, and dynamic range is somewhat wider than might be expected from a drama like this.
Short Term 12 could have devolved into the indie film equivalent of a Lifetime made for television movie, so kudos are in order to the pitch perfect cast and especially to Cretton, who has written believable and sympathetic characters who ring true even as potential cliché ridden pitfalls abound. This is one film where the light at the end of the tunnel turns out not to be a train headed squarely for the viewer, and it's a refreshing change of pace to find a small scale film like this that isn't immune to celebrating the triumph of the human spirit. Highly recommended.
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