6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
When a terrorist who specializes in explosives takes hold of an underground tunnel, he threatens to kill hostages if his demands are not met.
Starring: Andy Lau, Wu Jiang, Jia Song (II), Philip Keung, Ziyi WangForeign | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Cantonese: DTS-HD Master Audio 5.1
Mandarin: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 0.5 | |
Overall | 3.0 |
James Brown was famously called the hardest working man in show business, but I’d like to offer an alternative candidate, at least within the context of the Asian film industry: Andy Lau. What’s kind of hilarious about Lau’s ubiquity is that it is incredibly multi-faceted, and in fact, like that aforementioned Mr. Brown, includes a remarkable musical career that Western fans of Lau’s film work may not even be overly aware of. But just limiting things to Lau’s work in films, it would be easy to surmise that Lau simply lives on a studio lot, traipsing from production to production, since his filmography regularly lists several releases per year. In 2017 alone, Lau starred (and frequently co-produced) no fewer than five feature films, a record that in a way harkens back to the golden days of the Hollywood studio system, when contracted stars were expected to stay gainfully employed with little if any downtime. Perhaps because one of the labels I cover is Well Go USA, an outfit which has long been associated with Asian fare (I'm actually a bit surprised Shock Wave has been released by Cinedigm and not Well Go USA), I’ve had a glut of Lau films in my review queue. That glut includes a film I just covered, another one of Lau’s 2017 efforts, The Adventurers. (Soon enough I’ll be covering yet one more of Lau’s 2017 offerings, Chasing the Dragon .) Lau typically provides a stolid presence in his films, and while he’s now in what we Westerners might term his “AARP years”, he also continues to regularly exploit a pretty impressive physicality in many of his portrayals (Lau was famously badly injured a few years ago when filming a stunt scene that evidently included a misbehaving horse). The Adventurers in fact found Lau in quasi-Tom Cruise Mission: Impossible mode, supposedly jumping out of a helicopter and gliding through midair in one of those silly “flight suits”, or even more saliently being lowered into a top secret vault like location where infrared alarm lights provided a significant obstacle course. Shock Wave relies more on Lau’s intellectual proclivities, though, in a film that attempts to document the admittedly interesting work of bomb disposal units within the Hong Kong police force. The film may not have the visceral intensity that some of Lau’s more propulsive action adventure films do, but it’s often exciting and will probably be met with approval by Lau’s large fan base.
Shock Wave is presented on Blu-ray courtesy of Cinedigm with an AVC encoded 1080p transfer in 2.35:1. The IMDb lists the Red Epic as having been utilized for the shoot, with a 2K DI. This is overall a very appealing looking transfer, one that boasts impeccable fine detail levels in the many extreme close-ups of Cheung sweating over "which wire to cut" (so to speak). There are some kind of peculiar grading choices at play which can at least minimally affect detail levels at times, though. Several outdoor scenes have a kind of odd looking greenish-yellowish cast lurking just beneath, and the extended tunnel sequence that serves as a huge set piece is also bathed in kind of amber tones. The tunnel scenes especially occasionally have slight deficits in shadow detail, but nothing overly problematic. Some of the CGI is almost comical at times (take a look at the "sparks" from ricocheting bullets in screenshot 19 for one example). There are no issues with banding (which frankly may have occurred had this been released by Well Go USA) or other compression anomalies.
Shock Wave features DTS-HD Master Audio 5.1 mixes in both Cantonese and Mandarin, and aside from the obvious differences in languages being spoken, I didn't really notice any substantial differences in the overall mixes or general amplitude levels. There are of course explosions in the film, which give LFE a nice workout, and which also provide spills into the surround channels. A couple of silly car chases also offer good panning effects and some forceful use of discrete channelization when collisions occur. A lot of the film is pretty talky, however, and in those moments immersion tends to be limited to occasional ambient environmental effects. All aspects, including dialogue, effects and score, are rendered with excellent fidelity and very wide dynamic range on this problem free track.
It's getting to be "another day, another Andy Lau film" around these parts (somewhat hilariously, Chasing the Dragon showed up on my doorstep as I was writing this review), but the man has charisma to spare, so watching a glut of his movies is not the chore it might seem. I think I probably liked The Adventurers a tad more than Shock Wave, despite The Adventurers' patent absurdities (not that this film doesn't have those as well). Fans of Lau will almost certainly enjoy this film, though I have to say I think it might have been more interesting if the kind of tired exploits of the villain had been rejiggered somehow and the film could have just focused on the worthy work of bomb disposal unit. Recommended.
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