8.7 | / 10 |
Users | 4.8 | |
Reviewer | 4.0 | |
Overall | 4.7 |
Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories—survivors, bystanders, and perpetrators—Lanzmann presents testimonies from survivors of the Chełmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.
Starring: Simon Srebnik, Michael Podchlebnik, Motke Zaďdl, Hanna Zaďdl, Jan PiwonskiForeign | 100% |
Documentary | 20% |
War | 13% |
History | 11% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
French: LPCM Mono (48kHz, 24-bit)
English
50GB Blu-ray Disc
Three-disc set (3 BDs)
Region A (locked)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 4.0 |
Claude Lanzmann's "Shoah" (1985) arrives on Blu-ray courtesy of Criterion. The supplemental features on this release include a new video interview with the French director; new video interview with Caroline Shampetier and Arnaud Desplechin; Claude Lanzmann's documentaries "The Karski Report" and "Sobibor, October 14th, 1943, 4 P.M."; and more. The release also arrives with a 60-page illustrated booklet featuring film critic Kent Jones' essay "Approaching Shoah" and an essay by director Claude Lanzmann which originally appeared in the June 1979 issue of Les temps modernes. In French, with optional English subtitles for the main feature. Region-A "locked".
The camp was there...
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Claude Lanzmann's Shoah arrives on Blu-ray courtesy of Criterion.
The following text appears inside the booklet provided with this Blu-ray disc:
"This new digital master was produced from a restoration undertaken in 2012-13 by the Cineteca di Bologna in Italy. The transfer was created in 4K resolution on an ARRISCAN film scanner from the original 16mm camera negative at L'Immagine Ritrovata in Bologna. The restoration was then performed in 2K resolution at L'Immagine Ritrovata using Image Systems' Phoenix and DaVinci's Revival software, to address image stabilization, flicker, dirt, debris, and sparkle. Finally, the scans were color-corrected at Eclair Laboratories in Epinay-sur-Seine, France, under the supervision of Caroline Champetier, who served as assistant camera person on Shoah. During the process, using a 35mm print as a reference, Champetier regraded every shot, with a minimum of reframing and sharpening, and without masking.
The soundtrack was scanned at L'Immagine Ritrovata from the original 16mm negative soundtrack on a Chase Optical Sound Processor, preserving the monaural mix. Sound mixer Gerald Lamps supervised the minimal restoration of the soundtrack, which was performed for noise reduction and to address occasional dropouts.
4K scanning: Paola Ferrari.
Digital restoration supervisors: Diego Mercuriali, Celine Stephanie Pozzi, Marco Rossi.
Sound digitization and restoration: Gilles Barberis.
Color correction supervisor: Caroline Champetier.
Colorist: Raymond Terrentin/Eclair Laboratories, Epinay-sur-Seine, France.
Transfer supervisor: Phillipe Tourret/Eclair Laboratories, Epinay-sur-Seine, France."
The restoration has produced some truly marvelous results. Image depth and especially clarity are dramatically improved. Areas of the film that used to look quite flat and fuzzy on the R1 DVD release now boast substantially better clarity (screencapture #12 is from one such area). Despite the fact that the many interviews were also filmed under vastly different conditions, during close-ups image depth is now also consistently pleasing (see screencapture #2). Color saturation varies, but this should not be surprising considering how and when the footage used in the film was shot. There are also various stability corrections and enhancements that have been performed. Finally, dirt, scratches, and debris have been completely removed. To sum it all up, the current presentation of Shoah is very clearly optimized as best as possible. Naturally, I believe that it will remain the definitive presentation of this very important film for years to come. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free PS3 or SA in order to access its content).
There is only one standard audio track on this Blu-ray release: French LPCM 1.0 (with portions of Italian, Hebrew, English, Polish, and German). For the record, Criterion have provided optional English subtitles for the main feature.
The one very obvious difference between the lossy track from the DVD release and this new lossless track is the fact that additional noise has been removed. Overall stability is also improved. Unsurprisingly, there are still some depth fluctuations, but overall the dialog is far better balanced. It is also cleaner. The English translation is excellent.
The material gathered by director Claude Lanzmann in his 566-minute film Shoah is undoubtedly of tremendous importance, but this isn't a film that is easy to recommend. It is very difficult to watch - there is too much real pain in it, too much sorrow. I personally think that there are also questions in the film that should have never been asked out of respect for those who agreed to be part of it. Criterion's Blu-ray release of Shoah is likely to remain the film's definitive presentation for years. RENT IT first.
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